Category: IP-based broadcasting

Article

Smart TV – why are Blu-ray players second-class citizens?

My comments

I agree with the principal argument that this article had put forward concerning the availability of the “smart-TV functionality” in video peripherals like Blu-Ray players or network-media adaptors. There is due to a reality that most of the consumer-electronics industry has been missing concerning how people have purchased and owned TV sets; something I, like most of you, have seen for myself.

The reality with TV purchasing and ownership

Since the 1970s, the typical colour television set has been able to enjoy a very long and reliable service life, thanks to transistorisation. This had been underscored with the gradual introduction of electronic tuner subsystems that were more reliable than older mechanical tuner systems like the old “click-click-click” tuning knobs that were common in most markets or the “push to select, twist to tune” button arrays common on TV sets sold in the UK in the 1960s.

This long service life then allowed for a “push-down” upgrade path to exist in a similar manner to what happens with the household refrigerator. Here, one could buy a nicer newer fridge and place it in the kitchen while the older fridge that it was to replace could go in the garage or laundry and act as extra cold storage space for food and drink, such as the typical “beer fridge”. In the case of the TV, this would mean that one would buy a newer better TV, most likely with a larger screen and place it in the main lounge area. Then the original set which was to be replaced by the new set typically ended up in another room like a secondary lounge area or a bedroom or even in a holiday house.

Usually the only reason most households would scrap a TV set would be if it failed beyond repair or was damaged, Even if a set was surplus to one’s needs, it would be pushed off to another household that could benefit.

Some people may think that this practice has stopped with the arrival of the LCD or plasma flatscreen TV, but it still goes on.

Not all TVs are likely to be “smart TVs”

Not all manufacturers are likely to offer network-enabled TVs in their product cycle. This may be due to a focus on picture quality or the ability to build lower-end products to a popular price point.

It also includes sets like TV-DVD combo units or small-size models that are offered at bargain-basement prices. As well, home-theatre enthusiasts will be interested in buying the latest projector rather than the latest “smart TV”.

Addition of extra functionality to existing televisions with video peripheral devices

The consumer-electronics industry has had success with extending the useability of existing television receivers through the use of well-equipped multi-function video peripherals.

The video recorder as a TV-enablement device

The best example of a device enabling older and cheaper TV sets was the video cassette recorder as it evolved through the 1980s. This wasn’t just in the form of recording of TV shows and playback of content held on videocassettes.

It was in the form of improved television viewing due to the TV tuners integrated in these devices. By model-year 1981 in all markets, the typical video recorder was equipped with a reliable electronic TV tuner. As well, all VHS and Betamax video recorders that implemented logic-control tape transports also implemented a “source-monitor” function when the machine wasn’t playing tapes. This would typically have the currently-selected channel on the machine’s tuner available at the machine’s output jacks including the RF output channel that the TV was tuned to.

Here, this setup gave the old TVs a new lease of life by providing them with a highly-reliable TV signal from the VCR’s tuner. In some cases, users could tune to more broadcasts than what was available on the TV set. Examples of this included cable channels received on an older “non-cable” TV in the USA or Germany; channels broadcasting on the UHF band through a mid-70s VHF-only TV in Australia and New Zealand; or access to Channel 4 on a “4-button” TV in the UK due to more channel spaces.

The ability to change channels using the video recorder’s remote control also allowed a person who had a cheaper or older TV to change channels from the comfort of their armchair, something they couldn’t previously do with those sets.

Similarly, some households would run a connection from the video recorder’s AUDIO OUT to their hi-fi system’s amplifier and have TV sound through their better-sounding hi-fi speakers. This was exploited more with stereo video recorders, especially those units that had a stereo TV tuner integrated in them, a feature that gradually appeared as TV broadcasters started to transmit in stereo sound through the 80s and 90s.

How the Blu-Ray player is able to do this

The typical well-bred Blu-Ray Disc player has the ability to connect to the home network via Ethernet or, in some cases, Wi-Fi wireless. This is typically to support “BD-Live” functionality where a user can download and view extra content held on a Blu-Ray Disc’s publisher’s servers in addition to viewing content held on the disc. As well, the Blu-Ray Disc player can connect to ordinary TV sets as well as the HDMI-equipped flat-screen TVs that are currently in circulation.

Some of the Blu-Ray players, especially recent Samsung, Sony and LG models can also pull down media from the DLNA Home Media Network and show it on these TVs. As well, some manufacturers are rolling out some Internet-ended services to these players.

In the same way as the video recorder was able to extend the functionality of the cheaper or older TV set by offering extended tuner coverage, remote control or access to better sound, the Blu-Ray player or network media adaptor could open the world of Internet–ended entertainment to these sets.

What the industry should do

The industry could work towards achieving similar interactive functionality for the network-enabled video peripherals as the network-enabled TVs. They could achieve this through the establishment of a “platform design” with similar applications and capabilities across a consumer-video product lineup. It is infact what Sony is doing for their consumer-video products at the moment with very little difference in interactive-service lineup between their TVs and their Blu-Ray players.

Here, the interactive-TV software is consistent across the whole lineup of TVs, Blu-Ray players, Blu-Ray-equipped home-theatre systems and other video peripherals. The manufacturer may vary the software according to the device’s function by omitting functions relating to particular hardware requirements like screens, optical drives or broadcast tuners in order to make it relevant to the device class. Of course, there could be support for user-attached peripheral devices like USB Webcams, Bluetooth-enabled mobile phones, UPnP-compliant printers and the like to extend functionality for particular software applications like video-conferencing.

The software may be fully revised every few years to build in new functionality and accommodate better hardware. It may also be a chance to improve the operation experience for the software concerned. Yet this could maintain the branding and skinning that the manufacturer and software partners do desire.

Conclusion

There is a different reality that exists when buying TV equipment and this function should be supported equally in video peripheral equipment like Blu-Ray players and network media adaptors as in TV sets.

Articles

New DLNA Interoperability Guidelines Will Turn Your TV Set-top Box into a Home Server | eHomeUpgrade

From the horse’s mouth

DLNA Press Release

My Comments

DLNA have released a set of interoperability guidelines for networked equipment that can play premium pay-TV content, whether live or recorded across the home network while keeping it secure. This is based on the DTCP-IP link protection protocols so as to protect the content from being re-streamed in an unauthorised manner.

AllVid and similar initiatives

These guidelines will lead to the acceleration of the “AllVid” initiative that has been put forward to the FCC by the likes of Sony and TiVo. This is a way of providing an open scenario so that people can use equipment they have bought with their pay-TV services in the US rather than having the TV just become a display for their set-top box leased from the cable company.

The idea behind tis concept is that there is a “gateway” device that connects to pay-TV broadcast services like cable, satellite or IPTV. This device connects to TVs, set-top boxes and PVRs via the home network using DLNA-specified technologies and is responsible for bridging the broadcast content to the home network as well as managing the access-control to the premium content on the pay-TV service.

If it receives broadcast content from terrestrial, cable or satellite services, it would use one or more RF tuners and circuitry to present the broadcast channels as network streams as well as authenticating and authorising the pay-TV content. On the other hand, an IPTV setup which connects to the home network would simply authenticate the content and present it across that home network.

It also will provide for situations where the user may change to a different pay-TV service that uses different technology or move to a different area that uses a different pay-TV service without losing their investment in their equipment.

OCAP-compliant “Tru2Way” cable-TV setups

The first main implementation would be cable-TV systems that are based on the OCAP-compliant “Tru2Way” platform. These will have a regular set-top box with separate security measures that can work across the different cable-TV setups. As well, they would be a DLNA server that works to these guidelines, providing the channel lineup that the customer has subscribed to as well as programmes recorded on this set-top box to the compliant TV equipment.

Of course, the main application with this could be to serve the content out to secondary TVs that are compliant to this standard or are connected to video peripherals that again are compliant. It could also lead to the main TV being connected to a “video server” set-top box

The main difference between these setups that one should know is the kind of “skin” that is expected on the user interface. The “AllVid” user interface is expected to have the viewing device’s branding like Sony’s XrossBar rather than the media-provider’s. Conversely the Tru2Way platform is meant to have support for the content provider’s or service provider’s “skin”. This also includes the creation of DVD-style menus and user interfaces along with the enablement of full interactive television apps like voting up that favourite dancer or singer on that talent-quest reality show.

Questions

Pay-Per-View services

A good question that hasn’t been answered so far is how this will enable the initial purchase of “pay-per-view” content. Most pay-TV operators run one or more pay-per-view content services, either in the form of one or more broadcasted events that is sold in this arrangement or a “movie-on-demand” or “virtual cinema” service with a few of the latest blockbuster movies shown across multiple channels.

The current problem is how can a user instantiate a pay-per-view content purchase in one of these setups using the TV’s remote control; and seeing it through so that the content is available and duly authorised. This includes allowing the account owner to place controls on what pay-per-view content can be purchased in their home.

What do customers look for in the new equipment they intend to purchase

Also, customers need to have something to look for when they purchase TV equipment so that they are sure that the equipment is compatible with DLNA’s premium-content requirements. This could include a “super-logo” that is exhibited on compliant equipment, with the equipment having to support the DTCP-IP functionality as part of this functionality set.

Retroactive upgrading of current equipment

The other factor that needs to be looked at is whether this DLNA premium-content-handling functionality can be brought to existing DLNA-compliant hardware such as the current crop of Sony and Samsung TVs through a firmware upgrade; or whether they would need to replace the existing hardware to gain this functionality.

This will be more important with TV sets as people who upgrade TVs will end up deploying their existing sets to other rooms of the house or to other locations.

Conclusion

At least the use of DLNA technology and the extension of broadcast-content-protection methods to the network could make it easier to allow flexible equipment setups in most mainstream viewing applications.

Articles

Smart TVs (A Current Affair article) – NineMSN VIDEO

My Comments

From the recent “A Current Affair” broadcast on the Nine Network, it seems to me that the “Smart TV” or “Internet TV” concept is now ready for prime time.

What is this trend all about?

This is where functionality like access to IPTV channels, “catch-up” TV and video-on-demand is now being integrated in to most of the big-name TV sets that are to be sold at the likes of Harvey Norman. It will also include an “app-store” interface so that users can add functions to these sets in a similar way to how they add functions to a smartphone or tablet computer.

Some of the sets will come with an integrated hard disk which will provide PVR functionality. But what wasn’t mentioned was that most of the sets from the big brands, especially LG, Samsung and Sony, will support integration with the DLNA Home Media Network. This means that these sets could play content held on a computer or network-attached storage device that uses this standards-based technology.

Typically, these functions will be pitched at TVs targeted for the main viewing area i.e. the main lounge room or family room. But this kind of function may be added to existing sets through the use of some of the current-issue Blu-Ray players and network-media adaptors like the Sony SN-M1000P network media adaptor.

A few key questions that I have

“TV plus Apps” or IPTV and interactive-TV content?

There could be a fear that this could turn out as “TV plus apps” with the same old TV content plus some apps such as clients for the popular social networks, photo-sharing sites and YouTube-type sites thrown in.

But some providers are making ties with the various manufacturers to set up free and pay-TV front-ends through the IPTVs. Examples of this include Samsung establishing a tie with BigPond TV to provide direct access to that content or most of the manufacturers running ABC iView through their TV sets. It may also open up opportunities like video-on-demand or boutique content services. As well, once there is a level playing field for adding TV services, this could lead to the addition of extra TV content.

If there is a desire to provide new live or on-demand IPTV services, there needs to be support for adding the newer services to existing IPTV equipment. This could be achieved through an always-live app store on these sets. Similarly, existing broadcast content, both editorial and advertising, must be able to support links to apps and interactive front-ends that are accessible to the average viewer with one click of a particular button through the use of interactive-TV content-delivery standards.

This can include applications ranging from interactive games and competitions that are part of children’s TV through “play-along” quiz shows to polls run in conjunction with current-affairs shows which have the option for you to view “extended-version” interviews.

Equipment Useability

A key issue that I have raised in this site was the useability of services like the Social Web on this class of equipment. Typically, the “smart TV” concept prides itself on connection with social-network services like Twitter and Facebook; but there will be the desire to gain access to photo-sharing sites like Flickr and Picasa or gain full benefit from sites like YouTube. These can make use of “smart-TV” services more daunting for someone who doesn’t find themselves competent or isn’t experienced with technology.

An example of this was when I mentioned to a friend of mine about the Pixel Eyes app on the TiVo platform where they could view their Picasa albums through the lounge-room TV connected to the TiVo PVR. I mentioned that they would have to log in to their Google account using the “pick-pick” method of entering their credentials in order to view their pictures on this service and this idea frightened them off it.

The main problems is that different users will want to log in to this common terminal or, in the case of the Social Web, leave comments in relation to what they are viewing. Typically, this will require a fair bit of text entry and most remote controls won’t be fully engineered to cater to this requirement. The user will typically have to work a D-pad or wave a Wii-style “magic remote” around to pick letters from an onscreen keyboard and may have to switch between logical keyboards to use different character sets like numbers, different-case characters or punctuation. Try entering in a Facebook / Twitter / Google username and password that way or “knocking out” a Tweet that way.  As well, I have raised in that same article methods in which logging in to these services from devices like TVs and set-top boxes can be simplified and referenced how Facebook achieved a login experience suitable for these devices with their HP ePrint app. This includes being able to change the active user associated with a TV or set-top box to another user.

Similarly, I would look at issues like keyboard support for IPTVs. This is whether a TV comes with a QWERTY-enabled remote or not. The best method for add-on keyboard support would be to use Bluetooth HID connectivity so that a Bluetooth-based wireless keyboard can be used as a text-entry tool. Similarly, the ability for one to plug a standard USB computer keyboard in to the USB port usually reserved for USB memory keys and use this for text entry may make things easier. This would work well with those wireless-keyboard sets that plug in to the computer’s USB port.

A remote that doesn’t have a QWERTY keyboard but uses a numeric keypad for direct-channel-selection or parental-code-entry could use this keypad as an “SMS-style” text-entry interface, something which many nimble-fingered teenagers are used to. This would work better if it used the character-set-selection practices used on popular mobile phones.

Other methods that can be looked at include the use of smartphone apps as virtual remote controls like what Samsung has done for their Android smartphones. Here, a user could download an app to their Galaxy S phone and have this become the TV remote control. This could be extended to ideas like multi-control for interactive applications such as “own-account” operation for Social Web and similar applications with the TV screen becoming a “common monitor”.

What to consider when choosing or using your network-enabled TV

DLNA functionality

The TVs or set-top devices should support DLNA Media Player functionality at least, with preferable support for DLNA 1.5 Media Renderer functionality. Initially this would give you access to content held on your computer’s or network-attached-storage device’s hard disk.

The Media Renderer functionality can allow the TV to be controlled by a UPnP AV / DLNA control point such as TwonkyMobile, PlugPlayer or Andromote on your smartphone or tablet computer, or TwonkyManager on your netbook.  In the case of Blu-Ray players and set-top devices, you may even be able to play music from your network storage through your favourite stereo without the need to have the TV on to select the music

If the TV or set-top box offers integrated PVR functionality, look for DLNA Media Server compatibility because this may allow you to play recorded TV shows on other TVs in the house without them needing to be of the same brand.

It is also worth noting that some DLNA functions like DLNA server or Media Renderer may not be enabled by default even though the set has these functions. Here, you may have to go to the setup menus and look for “DLNA control”, “Media Server” or similar options and enable them to benefit fully from these functions.

For further information, it is also worth reading the DLNA Networked Media articles that I have written on this site.

• Getting Started with DLNA Network Media Sharing
• Setting up “PC-less” Networked AV
• The 3-Box DLNA Home Media Network

Connecting the set to your home network

When you connect one of these TVs to your home network, I would suggest that you avoid using Wi-Fi wireless connectivity, especially if the TV or set-top box uses a dongle for this connectivity rather than integrated Wi-Fi connectivity. This is because of the fact the Wi-Fi network is radio-based and if anything is shifted slightly between the Wi-Fi router and the TV, you may have service-reliability issues.

Instead, I would recommend that you use a wired method such as Ethernet cable or a HomePlug AV powerline-network setup. The Ethernet-cable solution would work well if the router and TV are in the same room; you have wired your home for Ethernet or you can get away with snaking Ethernet wiring through windows. On the other hand, the HomePlug solution would work well for most users who don’t want to or can’t lay new wiring through their homes because this uses the house’s existing AC wiring.

In fact, if you are renovating or rewiring your home, it may be worth considering wiring the house for Ethernet and making sure you have an Ethernet connection in the main TV-viewing areas of the house. This may be achievable if you have an electrician who is competent or knows one who is competent with communications or data work doing the job.

Conclusion

This site will have regular coverage of home media network issues that will become of importance as we head down the the path towards online home entertainment.

Introduction

I am reviewing the Pure One Flow portable Internet radio which is the younger brother of the Pure Evoke Flow radio that I have reviewed a while ago. This unit is designed along the same lines as the “old-style” portable radio that can be perched on a window sill or the top of a fridge.

Price

Recommended Retail Price: AUD$249

ChargePAK battery pack: AUD$99

Functions

Connections

Speakers

The Internet radio

The Pure One Flow is the same size as a midsized portable radio and is housed in a rubberised cabinet with knobs for volume and “select” function and buttons below LCD display. The rubberised casing is a marked difference from the glossy plastic that is used on some radios, which attracts fingerprints and is hard to keep clean. I also like the knobs, especially for the sound volume because it is an interface most of us are accustomed to, where you can just “flick” the knob downwards to turn it down.

Like the Evoke Flow radio that I previously reviewed, this unit can work on AC using a supplied “wall-wart” power adaptor or battery power using a “ChargePAK” rechargeable battery pack that is available as an extra-cost option.

Audio connectivity is in the form of an auxiliary-in jack so you can use the radio as an amplified speaker for your MP3 player or other audio device. It also has a headphone jack which is a connection that I am noticing is becoming increasingly rare for Internet radios. The reason I find this connection important is that you could use an active-speaker system like a pair of computer speakers as better-sounding more-powerful speakers for the radio.

The set works well as a DAB-based digital radio, being able to pick up all of the multiplexes that are broadcast in our area.

For Internet-radio station selection, this unit uses a  “Form style” user interface if you intend to select a smaller group of stations but will give you the complete list of stations if you are just browsing. This is in contrast to the “tree-based” approach that most Internet radios use for selecting stations.

There is also access to a “sounds” service where you can hear sounds like sea wave; as well as access to the “FlowSongs” music download service.

This radio works properly as a DLNA-compliant media player, being able to play most audio file types that are held on UPnP AV media servers.

The sound quality for this set is very similar to an average mid-sized portable radio such as the archetypal transistor radio of the 1960s. It can still fill an average-sized room with music and the sound is focused around the middle frequencies.

Limitations and Points of Improvement

This unit could be improved with the telescopic aerial being used for the Wi-Fi wireless network as well as for FM and DAB radio.  The Wi-Fi functionality could work well with keeping the details for up to five wireless networks, which can be useful if you take the radio between multiple locations, which is something you would be tempted to do more readily with this set.

Another limitation is that you can’t enable daylight-saving time on this set. Instead, when you determine the time zone, you only can set up for standard time. This could be rectified with a firmware update which exposes a “daylight-saving” on-off function or access to a table of “spring-forward / fall-back” times hosted on the manufacturer’s Website.

Another improvement that I would like to see would be to support regular AA, C or D batteries even with a battery cage so you don’t have to look for the hard-to-get ChargePAK battery packs.

Conclusion

This set may be considered as an option when you want to replace that old “transistor radio” with something that gives you access to “modern” radio sources like DAB or Internet radio. It could he very useful where you want a set of this class to be highly rugged and durable.

The Android technology doesn’t stop at handsets or tablets anymore at this year’s CES.

In the car

Parrot are premiering the “Asteroid” which is an Android-powered car radio / multimedia player. It has USB for connectivity to iOS devices, USB flash memory, wireless-broadband modems and GPS pucks at the moment as well as line input for regular audio devices. I am not sure what Bluetooth or hands-free calling abilities it has at the moment but this could change by the time it is released. Of course it has FM radio and, through the 3G connectivity and an Android app, could support Internet radio in the car as well as being a media player and GPS navigation device. It has a power output of 55W x 4 but also has three preamplifier outputs (front, rear, subwoofer) so it can be the head unit for the most tricked-out sound system on the street. Oh yeah, boys!

Similarly, Fujitsu Ten are previewing an satellite-navigation unit which is powered by the Android operating system. The main issue with these Android systems at the moment is that the Google “Android Marketplace” doesn’t support them because they use an interface that is dissimilar to the handset or tablet devices. Here, Parrot or Fujitsu Ten will either have to contract with an Android app store to supply applications to these devices and this app store would have to support the user interfaces provided by automotive Android devices.

In other car-tech news, Ford have developed an AppLink system so that specific iOS apps can be operated from the car’s dashboard. As well, General Motors have developed an IOS link to their OnStar vehicle telematics system but the main problem with these systems is that they necessitate an extra app on the smartphone for each marque. This is compared to Terminal Mode which the European vehicle builders are implementing, which allows one piece of software on the smartphone for many different vehicles and suits the reality that most of us will drive different vehicle marques through our driving life and even have regular access to two or more different vehicles.

As well, GM are intending to implement the PowerMat wireless-charging system in the  American-market vehicles from model-year 2011 onwards. This allows devices with Powermat charging circuitry, whether integrated or as an add-on module to be charged or powered on a special mat wirelessly. I have wondered whether this announcement will then apply to GM nameplates other than Buick, Cadillac, Chevrolet or GMC or other markets.

Networked Home Entertainment

Video Entertainment and the Home Theatre

As far as video-based home entertainment goes, 3D video still rules the roost with every one of the major camera names from Japan with a 3D camera or camcorder in their model lineup. As well, every major TV brand that serves the US market is selling a 3D flatscreen TV in their model lineup. Most of the manufacturers are working on 3D viewing technologies that either don’t need glasses or can work with lightweight glasses. This also includes some manufacturers establishing design partnerships with glasses-frame designers to make attractive 3D-viewing glasses.

But there is a lot more action when it comes to network-enabled TVs and video peripherals This is again driven by the supply of  “over-the-top” Internet video services like Netflix and Hulu Plus. It is also being helped along by manufacturers building up “app platforms” which allow the user to download apps to the TV as if it was like one of the smartphones. It can capture the reality of interactive TV as well as use of common Internet services like Twitter, YouTube and Facebook from the comfort of your couch. As well, programs like Skype are being implemented on these TVs in order to make them become large-screen video-conferencing units for the home or small business.

LG have supplied the ST600 Smart TV kit, which is an add-on kit for selected (or all?) LG TVs to link them to the Internet and the DLNA Home Media Network. As well, one of their pico-projectors that they had on show is equipped with an digital-TV tuner and can stream content from a DLNA Media Server.

Sony now has it that all of their new Blu-Ray players are all DLNA and Gracenote enabled/ They all can quickly start a Blu-Ray movie and have support for the “Media Remote” RF link with Wi-Fi-enabled iOS or Android device running a specific app. These same features are also available to their Blu-Ray home theatre systems.

As well, most of the Sony BRAVIA TV range released this year will be network-enabled with DLNA, Internet TV, Skype large-screen videophone and similar functionality. Some models will have integral 802.11n Wi-Fi functionality while the lower-cost models will require a dongle to connect to the Wi-Fi network. This really shouldn’t worry most users because they could use direct Ethernet or HomePlug AV links to connect the TV to the home network.

The Skype videophone function will work with an optional USB webcam / microphone kit that will be available from Sony.

As well, most of the TVs and home-theatre systems honour the full HDMI 1.4 expectation with Audio Return Channel. This means that the sound from the TV’s integrated sources like the digital TV tuner travel back to the home theatre amplifier using the same HDMI cable used to connect the TV to that amplifier. There is no need to use extra digital cable runs to have properly-decoded surround sound from TV broadcasts received via the TV’s tuner.

As well, Sony has released a network-audio product that makes Apple squirm when it comes to their Airport Express and AirPlay subsystem. This product which comes in the form of the HomeShare speakers connects to a Wi-Fi home network and can play out audio content under the control of a UPnP AV (DLNA) Control Point like Windows 7 or TwonkyMedia Manager. This same control functionality is also available in Sony’s latest Blu-Ray Players as well as the NAS-SV20 and NAS-SV10i iPhone docks.

Samsung have come around with a Blu-Ray player that is the thinnest such player ever. This Wi-Fi-enabled player can be wall-mounted and, in my honest opinion, is cutting in on Bang & Olufsen’s “design AV” territory.

They also are releasing the D6000 TVs  which work with RVU compliant pay-TV gateways. This standard, which is a superset of DLNA for pay TV applications). enables access to the full pay-TV feature suite like pay-per-view or video-on-demand without the TV being connected to the pay-TV operator’s set-top box/ This concept has been proven to works with an RVU server box that links to DirecTV’s satellite pay-TV service.

Iomega have also released a Boxee TV set-top box which is similar to D-Link’s unit. But the similarity stops here because it has integrated NAS functionality with DLNA Media Server. It is capable of working with Ethernet wired or 802.11n Wi-Fi networks and uses a double-side remote with QWERTY keyboard. It is available as an enclosue or with a 1Tb or 2Tb hard disk.

Vizio, a low-cost TV brand in the US similar to Kogan, is to implement Via Plus (Google TV) in their Internet-enabled TVs. They will be providing apps that link to Hulu Plus, Blockbuster On Demand, and other popular “over-the-top” TV services. These sets will also have Skype functionality when used with a USB webcam. Vizio will also be implementing glasses-free 3DTV and are dabbling in 21:9 ultra-widescreen TV

Cisco have been focusing on the interactive TV front but in a different way. They sell  the Scientific Atlanta set-top boxes on contract to cable and satellite providers and are implementing an app platform on their newer boxes. This also means that they are providing a “VideoScape” content-selection experience so that users can find the content they are after or look for related content easily.

JVC have released the first “soundbar” speaker system which implements the HDMI 1.4 Audio Return Channel. Here, this technology comes in to its own with these speakers because the sound from the TV emerges through the easy-to-set-up soundbar unit.

Internet radios

Grace Digital have released three Internet radios that have a similar user interface to the Grundig TrioTouch stereo Internet radio or the Revo IKON stereo Internet radio. Here, these sets use as their primary user interface a colour LCD display with icons laid out in a grid not dissimilar to a smartphone or tablet. The Mondo is designed to be a full-on clock radio for the bedside and has a 3.5” display, Ethernet and line-out connectivity and a remote. The Solo Touch is a tuner that connects to one’s favourite music system and has a large 4/3” touchscreen. It connects to the home network via Ethernet. The Bravado X is a stereo table radio with line in / out and has a 2.7” display. These units can also be controllable via a smartphone app which is available for the iOS only at the moment.

As well, Vizio have jumped on the Android bandwagon by providing a stereo table radio which operates on the Android platform. This one is controlled by a colour LCD touchscreen like the typical smartphone. It would most likely would have an Internet-radio app and also pull in music from a DLNA Media Server device.

The next article in the series will focus on network-infrastructure technologies for the small network and what is being offered here.

Introduction

Between the end of October and the beginning of November, I had a chance to interview people who work with two different companies that work in the consumer audio-video market and had noticed some trends concerning this market and its relevance to the online world.

One main trend was that there was increased focus by consumer-audio manufacturers who work in the popular marketplace on delivering DAB+ digital radio equipment rather than network-connected audio equipment to the Australian market. This may be because some of these firms need to see this technology become more popular here and want to have “every base covered”.

Sony

From my interview with Kate Winney I had observed that Sony had a strong presence in the connected-TV scene. Here, this was more concentrated with their newer “main-lounge-area” TVs but they are providing this functionality on some of their video peripherals, namely their BD-Live Blu-Ray players.

We agreed that Sony had no Internet radio in its product lineup although they implement Shoutcast on their high-end home-theatre receivers like the STR-DA5500ES. But we agreed that they need to make DAB+ available on their stationary “big sets” like hi-fi tuners, receivers, home-theatre-in-box systems and bookshelf audio systems. They are releasing a few DAB+ sets but most likely as stereo systems rather than as portables or components.

I had stressed to Kate about Sony implementing vTuner or a similar directory-driven service which is implemented in most Internet radios. This is because most of these services offer access to the simulcast streams of the government, commercial and community radio stations broadcasting to local countries around the world as well as the Internet-only streams of the kind that Shoutcast offers. It is also because most people who are interested in Internet radio are likely to want to use it as a way of enjoying the “local flavour” of another country that is provided by that country’s regular broadcasters rather than just looking for offbeat content.

Kate also reckoned that DAB+ digital radio needs to be available in the dashboard of cars in the new fleet, preferably as standard equipment or as a “deal-broker” option offered by car dealers for the technology to become popular. I was also thinking about whether Sony should offer DAB+ technology as part of the XPLOD aftermarket car-audio lineup.

Bush Australia

From my interview with Jacqueline Hickman, I had noticed that Bush are still focused on implementing DAB+ digital radio in Australia but are using Internet radio as a product differentiator for their high-end “new-look” sets that are to appeal to young users

Their market focus for consumer audio is on the “small sets” like table / clock radios, portable radios, small-form stereo systems but I have suggested implementing or trying some value-priced “big sets” as product ideas. This is even though they run some “main-lounge-area” TVs and digital-TV set-top boxes in their consumer video lineup.

The ideas I put forward are a DAB+ or DAB+ / Internet-radio tuner that is for use with existing audio equipment and a FM / DAB+ (or FM / DAB+ / Internet-radio) CD receiver with optional speakers. A market that I cited are the mature-aged people who own “classic hi-fi speakers” from 1960s-1980s that they like the look and sound of but may want to run them with a simpler cost-effective component. I had made a reference to the “casseivers” of the late 70s and early 80s which have an receiver and cassette deck in one housing and what these units offered. Jacqui had reckoned that companies like B&O and Bose filled the market but I have said that some of the companies have gone to active speakers rather than integrating power amplifiers in the equipment. As far as the DAB+ tuner is concerned, she suggested that a person could use a portable DAB+ set and connect it to the amplifier using an appropriate cable.

I raised the topic of IPTV but Jackie was not sure whether this will be implemented in any of their TV sets or set-top boxes at the moment. This sounds like a product class that hasn’t been properly defined with a particular standard and platform especially in this market.

Conclusion

It therefore seems to me that there is more interest by consumer-electronics companies in nurturing the DAB+ digital radio system and the DVB-T digital TV system because they are based on established technology and established metaphors; and appeal more to “Joe Six-Pack” than the Internet-based technologies.

Also, I had noticed that it takes a long time for all equipment classes to benefit from a new technology. This is more so with DAB+ digital radio and, to some extent, Internet radio where the mains-operated stationary “large sets” like hi-fi equipment and stereo systems are under-represented.

Articles

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My comments

The new Sony TVs and Blu-Ray player have moved from a regular Sony firmware to a firmware based on the Google TV platform with access to the Android Market. This will provide the extensibility that Google TV can provide especially when new “over-the-top” or interactive TV services come on the Internet scene.

There is no mention of any DLNA support for integration with the DLNA Home Media Network devices; but an Android app pitched at Google TV devices could solve the problem.

At the moment, these sets are only available to US market with the market-specific features such as an ATSC tuner with CableCard support and the BD-Live Blu-Ray player only able to play DVD Region 1 and BD Region A discs. But it doesn’t take long for Sony to reconfigure their TV devices for the European, Asian or Australian / New-Zealand markets by adding features that are specific to these markets .

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