Not everyone has to have an Apple device like an iPhone or iPad but a lot of audio devices, especially network-enabled speaker systems, seem to be designed so that they work best with Apple devices.
Now there has been exhibited a network-enabled single-piece speaker that is pitched at platforms other than Apple. This unit, the Aperion Aris, has been billed as working only with Windows 7 and 8 by supporting the “Play To” functionality in these regular-computer operating systems.
But the “Play To” functionality is actually about UPnP AV / DLNA MediaRenderer functionality and should work with other UPnP AV / DLNA audio control point software. This could really mean that your iOS, Android or Windows Phone 7 mobile device could drive this speaker if it runs TwonkyMedia, AllShare or other DLNA control point program.
But an Apple Macintosh computer can still work with this speaker if it is running a DLNA media-controller apps. Examples of this include Songbook Mac, TwonkyMedia or PlugPlayer, the latter of which is available through the Mac App Store.
The speaker system is based around a six-speaker design that has two drivers per channel and two passive-radiators with a claimed power rating of 50 watts per channel. But it would be really interesting to hear how it sounds as in whether it can fill an average room with sound and whether there is some “punch” in the sound.
Personally, I would like to see network speakers support AirPlay and DLNA or at least use DLNA as a common denominator due to the level playing field that this standard offers for network audio delivery.
I have noticed a gap concerning computer-based audio-visual setups especially as far as small business and non-profit organisations are concerned. It is to supply computer software affordable to these organisations that can manage audio and video playout duties that is a key part of their public-facing activities.
The current situation
Some of these organisations may push PowerPoint or similar programs to this task but they don’t really do the job well when it just comes to playing out video content. Typically, with most common presentation software, you have to embed the video file into the presentation on its own slide, in the case of Microsoft Powerpoint; or create a “virtual slide” for the video content in the case of EasiiSlides, a song-lyrics / text-display program that the churches love. This works well for short video clips that are held as files but may not do so for full-length content. These programs don’t even provide proper access to content held on DVDs or Blu-Ray Discs, which is still considered a cost-effective idiot-proof way of distributing video content.
On the other hand, programs like Windows Media Player and VLC exhibit their control surface on to the projection screen or require a very awkward kludge to permit proper dual-screen playback.
What is needed
Proper dual-screen operation
One issue I have noticed is that affordable laptops don’t readily provide separate and individual access to screen and sound outputs, including the integrated screen. Typically this kind of setup, if it works, tends to yield more problems than it is worth. This can be of concern if one of the screens is a different resolution or aspect ratio to the other, such as an economy data projector hooked up to a recent-issue laptop computer.
Audience screen vs operator screen
The goal behind these separately-addressable audio and video outputs is to create at least two separate views for the content – a “front-of-house” view which the audience sees and an “operator” or “control” view which the operator or presenter sees.
The audience feed would only show the video and audio that is related to the currently-playing content while the operator feed provides the video / audio content, content-runtime information, and any prompts and messages that the operator needs to know.
Some setups such as larger churches may necessitate a third feed for the presenter, with access to content timing as well as the content itself. Here, an operator can still control the flow of the presentation without the presenter “crooking his neck” to see the screen.
Universality with common video formats
This setup should be applicable for the consumer-optical-disc formats (DVD, Blu-Ray) as well as file or stream-delivered content. The latter situation should cater for content held on network resources as well as on local resources.
The solution offered by the presentation software typically doesn’t allow for playback off a DVD or Blu-Ray disc and a lot of users either connect a regular DVD player to the projector or mess around with DVD-playback programs to play out DVD content.
Cue mode
The dual-screen setup could allow for “cue” operation. This is where the operator views content on the operator screen in order to preview or “cue-up” that material. Then, when it is time to show the content, the operator then redirects it to the “front-of-house” screen and speakers.
Playlist and controlled-playback support
These should support stored playlists or active queue lists especially if they are to be used to play shorter content like music videos, video lyrics or “shorts”. Here, this could be augmented with support for “stop” entries which cause the equipment to stop playback when these files are reached.
The “stop” entries could work in a similar way to what I have noticed with some consumer MiniDisc decks where these units could be placed in to “auto-pause” where they wait at the start of the next item after they play the current item. This made these units, especially the Sony MDS-JE520, earn their keep as cost-effective audio-playout machines for community radio, churches (as I have seen), theatre groups and the like.
The playlist functionality could also support slideshows of still pictures with or without sound. This could include support for sound peculiar to each slide with or without a background-music track that runs through the playlist in a similar vein to those “theatre slides” shown before a movie session at the cinema.
Conclusion
The media-playout function is another example of software and hardware product designers missing out on a user group, namely small-business and non-profit organisations, due to a perceived low value in that group. But it is a group that should be observed and catered for with the right-priced hardware and software.
Previously, I reviewed the 2008 version of the Western Digital WDTV Live network media player and found that there are some areas where it could be improved on. Now I have been offered the latest iteration of this network media player for review and this review will be an interesting exercise to compare it to the previous model.
Price
Recommended Retail Price: AUD$149
Functions
Online functions will change as the device’s platform evolves and will vary by country.
Internet Radio
TuneIn Radio (RadioTime), Spotify
Internet Photo
Picasa
Internet TV
YouTube, Vimeo
Interactive Services
Facebook
Network Media
UPnP AV / DLNA, SMB
Stored Memory
USB Mass-Storage
Connections
Output
Audio Line output
3.5mm AV jack
Digital Audio output
PCM / Bitstream via Toslink optical or HDMI
Video Line output
3.5mm AV jack
Video HDMI output
Yes
Network
Wi-Fi
802.11g/n
Ethernet
Yes
The media player itself
WDTV Live network media players - earlier version below 2011 version
The current edition of the Western Digital WDTV network media player is the similar size to the previous-generations of this network media device but is finished in a newer style with an obvious infrared-remote receiver and an upfront USB socket for memory keys and hard disks. It doesn’t have the “book-style” shape as the previous model and is pitched as a unit to go with a cluster of consumer-electronics equipment.
Connectivity
The WDTV Live’s audio-video connections are similar to the previous model except that there isn’t the component video output jack. This is meant to assume that this device will work with the flat-screen TVs that have the HDMI connection or the legacy CRT TVs and video projectors that use the composite video connection for their external video devices. You still get a breakout cable with 3 RCA plugs on the end so you can connect this device to most of these TVs, in a similar way as you would with most smartphones and some digital cameras.The previous version of this device was a “Wi-Fi ready” device in that it required the user to purchase an additional USB Wi-Fi network adaptor dongle and plug it in to the unit. This time, the WDTV Live comes with the Wi-Fi network adaptor integrated in to the unit and is how I tested the unit.Front view of current model and earlier model
The Wi-Fi connectivity is set up for 802.11g/n wireless networks and supports wireless routers that implement consumer and small-business security methods i.e. WEP and WPA(2)-PSK, including WPS quick-setup routines. The latter can be started from the TV screen through the WDTV Live’s setup menu.It is still sensitive enough for most interactive-TV applications and standard-definition viewing but I would recommend using the Ethernet connection with a HomePlug AV adaptor (if necessary) for better and more reliable throughput.
User Interface
Remote control
The menu structure and user interface was more like an XBox 360 with recent firmware than the previous model’s interface which reminded me of the XrossBar interface used in Sony’s connected consumer electronics. Here, this interface was able to still work well even with legacy CRT TVs because of having the selected option in the centre and brought up.
It also used the “coloured function buttons” on the remote control which is the trend for consumer video equipment. Here this was used for applying filters or changing list orders for content and other lists. This is compared to the user using a D-pad to do all the control on this device which was the case with the previous model.
Applications
I have tried some of the services that come with the system and have noticed that YouTube comes with two user interfaces. One feature that I liked with this YouTube application was that it was able to cater for multiple users. This meant that it held the Google usernames of previous users in memory so different users can log in to their personal user profile and is a step in the right direction.
As far as the Facebook app is concerned, it is totally broken in that it can’t show the photos that are part of the social-media service. You don’t even see the profile pictures for your Facebook Friends, which makes for a disappointing experience with this device. You could see the text on the various Walls or Feeds that you subscribe to and post text-based comments but that’s all.
Most other photo and video applications work as required and the streamed videos and audio content come through smoothly. This is even though I was using it on an older “classic” TV set.
UPnP AV / DLNA
The UPnP AV / DLNA experience that the WDTV Live provides is still the same as the previous models in that when it comes to photo and video content, it’s slow to load off the network. You can still “pull” content down from your MediaServer device like your NAS using the remote control and the on-screen user interface but the WDTV Live doesn’t work well when pictures or video content is “pushed” to it under the control of a control point.
This could be improved with read-ahead caching and proper handling of queue lists which would be important for this class of device. Once this is ironed out, it could make the WDTV Live media player become a cost-effective tool for network-based content playback including digital signage for the small business.
Limitations and Points of improvement
One main limitation with the WDTV Live family is that it doesn’t support any of the catch-up TV / video-on-demand services that are currently available for the Australian and New Zealand markets like ABC’s iView or the Plus7 service. I have seen other devices including Sony’s BDP-S380 offer this kind of functionality which would bring these services to how they should be enjoyed – relaxing on the couch and watching on the big screen TV.
But personally I would like to see the device’s software and hardware re-engineered for better network and Internet performance. This was also confirmed to me by a close friend who bought the same device and found it didn’t perform as well as it should.
As well, Western Digital could make the next or subsequent generation of this device part of a DLNA-driven multi-room PVR setup for broadcast TV. Here, they could use a box with a hard disk for recording TV shows from a cluster of ATSC / DVB-T front-end tuners using an electronic programme guide. As well, this box is managed by any device compliant with UPnP AV version 4 such as next-generation WDTV Live boxes, allowing for scheduling of TV programmes and bookmarking (shift between viewing locations) amongst other functions.
Conclusion
At the moment, I wouldn’t really recommend the WDTV Live in its present incarnation and would like to see the arrival of cost-effective video-based network media players that have access to the full plethora of network media services and work responsively and properly for the DLNA Home Media Network whether under “pushed” or “pulled” conditions.
There was a trickle of component network media adaptors which provide media playback from the Internet or home network to an existing audio-video system but this trickle has now become a flood over the past few years with equipment being offered at varying functionality and cost points.
For video content, most of these devices including some of the current-model Blu-Ray players may offer “over-the-top” TV services to existing TV equipment and this may avoid the need to buy a “smart TV” for this kind of content. This would appeal to those of us who would rather spend money on equipping our home theatres with a video projector or top-notch high-performing LCD TV rather than buying a “smart TV” to keep up with the Joneses. Similarly, these devices can expose a secondary TV like the one located in the secondary lounge area or master bedroom to the plethora of online content.
Similarly, you may want to invest in an audio-based network media player so you can enjoy Internet radio or music held on the network-attached storage through the hi-fi system. This is becoming more so as high-grade audio files of classic and contemporary albums are being made available for sale and file-based audio content has now achieved hi-fi credentials.
What are these devices
A component network media adaptor like the Western Digital WDTV Live is designed to connect to existing audio and video equipment and show network-derived content on such equipment. Of course, they will work as a gateway to some Internet-hosted media services like IPTV / video-on-demand or Internet-radio services; and a few may work as a terminal for popular interactive Internet services like the Social Web.
If the manufacturer keeps investing in the device’s platform, there may be the ability for newer content services to be added to an existing device. This typically is being achieved through a continual firmware update or an app store that works in a similar vein to a mobile platform’s app store.
Sony BDP-S380 Network-enabled Blu-Ray player
Some of these adaptor devices also have functionality for access to legacy media like a radio or TV broadcast tuner and/or an optical disk player. An example of this is the Sony BDP-S380 Blu-Ray player which I had reviewed. But these devices also have a USB port, iPod dock and / or memory card slot so that content held on any of these locations can be played through the device. Similarly, the Microsoft XBox 360 and the Sony PS3 games consoles are able to serve as component network media adaptors as well as satisfying marathon TV games sessions.
A selection of these devices have an integrated hard disk and are able to work also as a media server. Some of them may allow you to add the media files by “ripping” from supported optical discs or recording broadcast material from an integrated tuner as well as accepting the content from the network or USB memory keys in a similar vein to the typical network-attached storage device.
Two main classes
NAD c446 Network Media Tuner
There are two main classes of these component devices and the class they fall in to is based on the content they are designed to reproduce.
Video-optimised
A video-optimised network media adaptor is designed primarily to reproduce video or still-image content on an attached TV or projector.
Key identifiers for this class of device include the presence of video connectors for a display device. These are typically HDMI, component or composite sockets alongside the audio sockets.
Another identifier is that there is a very small display on the unit itself which only shows content running time, or no display at all. The user is expected to operate the device using the remote control and looking at the attached video display device for visual feedback. This is common with very-low-end DVD players that don’t have a track/time display and I once saw one of these players in operation at a party and the hosts had the TV on so they know which tracks to play on a CD.
Of course, if they have a legacy media source, it will typically be something like a DVD/ Blu-Ray player or a digital-TV tuner. The online services available to this device would typically be the IPTV / video-on-demand / advanced-TV services and it may also work as a terminal for video-conferencing (with an add-on camera), interactive TV or the Social Web.
Audio-optimised
Linn Majik DS network preamplifier
An audio-optimised network media device is designed primarily to reproduce audio content, especially music.
These devices have no video connections at all or they may use any such connections for a secondary purpose. It is augmented by the device having a display and controls on its front panel for selecting and playing content or a remote control with an LCD or OLED screen as its primary control surface. This means that the device won’t be dependent on the use of an external video display for its operation.
If the device supports legacy content, the will use either a radio broadcast tuner and / or a CD / SACD player. They will also have access to audio-based Internet content sources like one of the Internet-radio directories like vTuner, Pandora or Last.FM.
What to look for
Ethernet connectivity
A component network media adaptor should have an Ethernet connection in order to provide for reliable playback of high-quality network and online content via Ethernet or HomePlug AV. You may get away with Wi-Fi wireless for Internet radio, CD-quality audio content, still images or standard-definition video content.
UPnP AV / DLNA
As well, the device should support UPnP AV / DLNA functionality. The basic level of support for this functionality is to find and play media held on DLNA media servers using the device’s control surface. On the other hand, a better-equipped device is able to play content that you push to it from another UPnP AV / DLNA control point like a lot of smartphone media-control software such as TwonkyMobile.
It also allows your device to be future-proof and is of importance whenever you look towards running specialist media-server equipment such as network PVRs on your home network.
Internet-media services
Most low-end video-optimised equipment will support fewer Internet-video services but the mainstream-priced equipment from the big brands will offer access to the popular TV services in your territory like the catch-up-TV services and the big-time video-on-demand services like Netflix.
If a device has access to online interactive services like Facebook or Picasa, only one person will be able to operate their online service on the device at a time. This functionality may just be useful for showing pictures held on the user’s online-service account but activities like updating the status comment on the service or simply logging in may be very difficult. This is due to the limited user interface that these devices offer as I have previously talked about.
Devices complementing each other
Some of these network-media adaptor devices can complement each other. For example, you may use a newer adaptor that provides access to newer content services while you have an older adaptor that the manufacturers have given up on still able to provide some of the online and network-sourced media that you are after.
Similarly, you could use an audio-optimised network media adaptor for playing radio and music sources while you have an Internet-enabled TV or video-optimised network media player coming in handy for image and video content.
Conclusion
The component network-media adaptor, whether in the form of a Blu-Ray player, set-top box or network-enabled tuner, can expose existing audio-video equipment to the world of online or network-hosted entertainment content.
A new class of hardware has been brought about by the networked home and small office environment. This is in the form of the network-attached storage device which works simply as a hard disk that is attached to the small network, sharing its resources using common network protocols.
Description
A network-attached storage device or NAS is an appliance that connects to your home or small business network via Ethernet to serve as a communal storage device for that network. This is instead of purposing an older computer for this role of a common storage device.
One main advantage of these devices is that these devices don’t demand as much power as a regular desktop computer running as a server and they make less noise than the typical ATX desktop tower computer. Therefore they need less power to run and don’t need to have a constantly-running fan. This also leads to a device that is quiet and energy-efficient, values that are being asked of in this era.
The devices are typically very small, often ranging in size from a pair of cassette tapes through a small book to the size of a kitchen toaster for the small-business units.This means that they don’t take up much desk space and can even be hidden behind other computing devices, which also puts them in the good books with those who value aesthetics. This small size also wins favour with those of us who want a data storage to serve multiple devices but that can be quickly shifted to a location at a moment’s notice; as I have seen for myself at the Australian Audio and AV Show with a few of these devices working as DLNA-compliant media servers for demonstration hi-fi equipment. Infact the pictures of the Netgear ReadyNAS and the Seagate GoFlex Home NAS units are images of fully-operational units serving this aforementioned role, with the Seagate single-disk unit being photographed on the floor and it being slightly higher than the skirting board.
Disk Storage
Single-Disk NAS
Seagate GoFlex Home single-disk NAS
Cheaper consumer-focused NAS units are typically equipped with one hard disk with a few of these units like the Seagate GoFlex Home being a network bridge for a removeable hard-disk module that is part of the manufacturer’s modular-hard-disk system.
This also includes the portable NAS units like the Seagate GoFlex Satellite that are their own Wi-Fi network and are intended to work as a data offloading device for tablet computers.
But on the other hand, there are some single-disk NAS units like the QNAP range that can excel as highly-capable network storage hubs. In the case of the QNAP, these units are able work as full-flight Web servers suitable for serving intranets or “proving” Web-site prototypes; or pull off other advanced network-storage tricks.
Multi-Disk NAS
On the other hand, the better units will support two or more hard disks which work the installed hard disks as a RAID (Redundant Array of Independent Disks) that facilitate either extra capacity, higher data throughput or increased fault tolerance.These multi-disk units can be set up to have two hard disks of equal capacity “mirroring” each other as a safeguard if one disk fails or to facilitate high-throughput low-latency data transfer. On the other hand,the disks can be seen simply as a large volume of data. Units which support three or more disk drives can support disk setups that combine failsafe data storage and increased data capacity.
Some multi-disk units like the Netgear ReadyNAS units have the ability to support in-place volume expansion. This is where you can add extra hard drives to the NAS while it is running in order to build up redundant failover storage or increase system capacity. But other systems will require the NAS to be taken out of service if you intend to evolve the multi-disk RAID volume.
User-installed disks and upgrade options
Most of these NAS units have the hard disk integrated, which is at a known capacity whereas others, commonly known as BYOD enclosures, come simply as an enclosure where you buy the hard disk separately and install it yourself. A variety of multi-disk units do come with a single hard disk but you upgrade them to the RAID resilience or extra capacity by installing a hard disk in an empty disk bay. This kind of installation typically can be done without the need for tools in all of the recent implementations.
Of course, the cheapest single-disk NAS units don’t allow you to upgrade or replace the hard disk yourself, so you have to replace the unit if that hard disk fails or you outgrow the hard disk capacity. On the other hand, the better units permit the user to upgrade or replace the hard disk, thus providing for a long device lifespan.
External connection ports
A lot of NAS units have one or more USB ports so you can copy content off a thumbdrive or external hard disk, use an external hard disk as extra storage or a backup device for the NAS or use other peripherals. Some of them may use an eSATA port for the same purpose, especially to add storage or maintain a backup device.
It is also worth knowing that these ports may be used as a way of extending the functionality of the NAS devices through the use of various device classes; especially if subsequent firmware upgrades take place. Example applications include working as a print server for a USB-only printer to a camera server for a Webcam.
Functions
Network-central backup location
Most network-attached storage devices typically provide the ability to be a network-central backup device for all of the computers in that network. This is typically facilitated through manufacturer-supplied software or backup utilities that are part of a regular-computing operating system such as Windows Backup or Apple Time Machine.
Network-central file storage and drop-off point
They also work as a data-drop-off point where users can “park” redundant data or data being moved between computers and hard drives. This is facilitated using standard SMB/CIFS, FTP or HTTP machine-to-machine data transfer protocols which these operating systems can support natively. The computer may run a manufacturer-supplied “assistance” shell to help with locating the device or linking it to the computer.
In the same extent, the NAS may work as a shared data library for software and data that is needed across the network. This would include utility software, device drivers, updates and patches as well as documents of common interest.
It is being extended to mobile computing devices like smartphones and tablets through the use of manufacturer-supplied or third-party network-file-transfer apps for the common mobile-computing platforms like iOS or Android. I have covered this topic in an article about moving data between your NAS and your smartphone.
Media server
This now covers the ability to share media files like digital images, music and video files to every computer and DLNA-compliant media device across the network. This is facilitated through an integrated DLNA media server for standards-compliant devices and an iTunes-compatible server for iTunes media managers including Apple iOS devices.
But some manufacturers are targeting some of their consumer-focused NAS units at the distribution of media files across the network. These will typically have software that provides for low-latency transfer of audio and video content as well as an improved DLNA media server. Some of these DLNA media servers may support content-metadata aggregation where they index all media held on every DLNA server in the network and become the single point of reference for that media.
Some of the NAS units like RipNAS, ZoneRipper or Naim UnitiServe may even have an integrated optical drive to allow you to “rip” CDs to the hard disk or allow you to connect an optical drive to their USB port so you don’t have to power up a computer to “rip” new CDs to your media collection.
Remote access and the personal cloud
A new capability that is being promoted by NAS vendors such as Western Digital and Iomega is remote access, commonly marketed as a “private cloud” or “personal cloud”. This requires the NAS to have server software that exposes its location to a cloud service on the Internet and manage access to the data from Internet-based users. It works alongside client software available for regular or mobile operating systems to enable users to transfer the data outside their home network.
Variants of this software, such as what Iomega offer, may support peer-to-peer data transfer between multiple NAS units installed at different locations. This could cater for multi-site content replication or simple offsite data backup requirements.
Platform NAS systems
An increasing number of high-end NAS units have the equivalent of an app store, where the manufacturer can provide free or paid file-handling programs that load on to these devices. These can include a simple photo-viewing intranet app, a DVR for video-surveillance apps, an email server or a download / Bittorrent manager amongst other things.
Some systems like the QNAP units deliver every function in one “hit” when the user purchases the NAS devices whereas others just maintain the “app-store” or “download-point” for users to add the functions on at a later time.
What should you get
A single-disk NAS can serve a typical household well as a data drop-off point and media server. It can also augment a small-business’s server by fulfilling low-risk tasks such as DLNA media-server functionality thus keeping the server for business-critical needs. The high-end varieties of these single-disk NAS units like what QNAP sells would work well for those of us who want more functionality such as a Web-development workbench or a DVR for an IP-based video-surveillance system.
If you end up with more devices in your home and you want to be sure of continuity or expandability, a multi-drive system would fit your bill. You may go for a multi-disk system that has one hard disk installed so you can upgrade to resiliency or extra capacity at a later time.
Small businesses should consider a good multi-disk MAS that has what it takes to support increased resiliency. In some cases, a small business may operate the multi-disk NAS as a backup or file-archive device for their site’s main operational server; as well as a media server or similar application.
It is also essential to look at an offsite backup option for these units, such as the ability to connect a USB external hard drive for the duration of a backup job or the ability to backup to another NAS or cloud service via the Internet.
Mandatory features
For basic functionality, the NAS should support the SMB/CIFS and NFS network file protocols and have an integrated DLNA and iTunes media server. The computer-NAS backup options can be hosted with manufacturer-supplied software bout should work with Windows Backup or Apple Time Machine options.
I would also prefer that the NAS supports a continual software upgrade path for its functions. This is where the manufacturer keeps the firmware up to date as new standards come about, thus opening up the door to newer functionality and better performance.
The connection to the networks should be at least one Gigabit Ethernet port in order to support higher data throughput. You may not get this throughput with your existing router but if you upgrade to a newer router that has Gigabit Ethernet ports, you will end up with significantly higher throughput which would benefit applications like movies or high-quality music files.
Conclusion
Once you have a network-attached storage device in place, you will never know what capabilities these devices will open up to the connected home and small business. It doesn’t matter whether it’s a backup location for your computers or a media server or just simply a “file parking lot” for your home network.
Just lately, the media-streaming use case has been brought to the WiFi Direct personal-area network as a competitor to the Bluetooth A2DP / AVRCP media-streaming applications.
There is an important fact that any WiFi-capable DLNA device could be a client device in this network setup as long as the host computer or smartphone is WiFi-Direct capable and running DLNA-compliant media management software. This could mean that your Intel WiDi laptop could be set to play video on that Samsung Smart TV or music on the Sony CMT-MX750Ni without needing to use an established WiFi router or access point.
What I see about WiFi Direct is that it is effectively being run as an alternative to Bluetooth for the personal-area network or standards-based peripheral link. But I am not sure whether it will succeed due to heavy emphasis by industry on the use of Bluetooth for this application and little consumer promotion of WiFi Direct capabilities.
An example of a hotel or serviced apartment block which would be relevant to DLNA
My comments
Why DLNA in the hotel room?
Increased availability of affordable DLNA-compliant entertainment equipment
Most manufacturers who sell consumer electronics are offering electronic entertainment devices that can be connected to a home network and can pull down content from that network or the Internet. When it comes to obtaining media from the home network, these manufacturers will use the established UPnP AV / DLNA technology rather than reinvent the wheel. This feature is being promoted as a distinct product differentiator and will soon end up being offered across all of a manufacturer’s lineup except, perhaps, the very-low-end models.
Some of this equipment is available in form factors that would suit the typical hotel room, suite or serviced apartment. Examples of this include the Sony CMT-MX750Ni / CMT-MX700Ni and the Rotel RCX-1500 music systems that I have reviewed on this site as well as the increasing number of “smart TVs” offered by LG, Samsung, Panasonic and Sony. In the same context, a DLNA-compliant network media adaptor could displace a solution-specific option as the gateway to premium content in the hotel as has been investigated for residential cable TV.
Sony CMT-MX750Ni - an example of a DLNA-compliant music system for a hotel room or serviced apartment
In the case of some of the network media adaptors and “smart TVs”, it could be feasible to integrate site-specific apps or Web links to facilitate interactive services like room-service ordering or in-room checkout that have been part of hotel-based video systems.
Access to online content through mobile computing devices
Most people are making use of online content services like Internet radio, Last.fm, YouTube and Netflix on the mobile computing devices that they take with them all around the world. This also includes use of the Social Web where Facebook and Twitter profiles and pages are replete with photo and video content hosted or referred to by the profile’s / page’s owners.
Multimedia content held on users’ mobile computing devices
Another fact is that guests want to be able to bring their own content. Examples of this include music that is held on a smartphone or reviewing just-taken digital images or footage held on a digital camera or laptop on the large-screen TV.
Acer Iconia Tab A500 - an Android example of a platform tablet computer
This is being taken further by the fact that platform smartphones and tablets have DLNA controller abilities either with them or as a low-cost or free app; and that mid-range and premium cameras will be equipped with Wi-Fi and “show-on-DLNA” functionality as a product differentiator.
This concept can allow better use of site-specific media like the pay-per-view movies. For example, a movie that is started on the lounge TV in a suite or apartment could be completed on the bedroom TV or a guest could view one of those pay-per-view movies on their iPad or similar tablet.
Personally I also see this concept as part of the desire by the hospitality sector that your hotel room or apartment is your home away from home.
Requirements Of This Setup
Different Media Pools
There are three different media pools that one has to consider when implementing DLNA technology in the hotel environment.
“Own media pool”
This represents the media files that are owned and maintained by the guests. They would be held on secondary storage in a portable computer, mobile device or camera or held on a network-attached-storage device.
Examples of these include music and image collections held on a notebook computer or just-taken digital images and movies held on a camera, camcorder or mobile phone. This could encompass content that is offloaded to a compact NAS device like Thecus’s N0204 “pocket rocket” NAS.
Property-local media pool
This media pool represents all media available to the guests courtesy of the hotel. It would typically be held on servers located within the property and the most obvious application would be those pay-per-view movies that guests can buy and view on their room’s TV.
But it can encompass any “broadcast-to-network” feeds used for distributing regular, cable or satellite TV through the building via the LAN or line-level media feeds used to pipe audio or video content from cabarets, conference suites or similar locations around the hotel.
Global media pool
The global media pool is representative of media that is owned by third parties and held on servers accessible to the hotel via Internet. The guest would simply select the content from the service provider and have it appear on their TV.
Examples of this would include IPTV services; Internet radio; online-media services like catch-up TV,YouTube or Netflix; the Social Web or cloud-driven remote access to one’s home media pool like Skifta.
A distinct logical realm of control
The room or apartment where the guest stays has to be seen as a distinct realm of control for the guest. This also includes situations where two or more rooms or apartments are hired by the one guest to be used effectively as one room, such as the common “connecting rooms” setup.
This means that the guests have to be able to push the media they want to view to any of the DLNA-compliant devices in their room, whether they bring the devices themselves or use the hotel-supplied devices. It also means that they have access to all of the content they can use, whether it’s the media on their laptop, the pay-per-view movies in the hotel or content on their Netflix or YouTube subscription.
But they can’t push the content to neighbouring guests’ TVs without invitation nor can they gain access to content pools they aren’t normally entitled to.
Ericsson’s proof-of-concept solution
This is a “proof-of-concept” setup that works on the assumption that there is no Wi-Fi Internet service in the premises and the mobile device is using wireless-broadband i.e. a 3G data plan for its Internet.
The hotel will need computer equipment on its network that performs the following functions: a Residential Gateway which links the hotel network to the Internet; and a Residential Control Device which controls access to DLNA devices in the guest rooms or apartments.
The guest’s smartphone will need a handler app which is part of the process of establishing the relationship between the mobile devices and the room devices and is performed whether the Internet connection is via Wi-Fi or wireless broadband. This app maps the DLNA equipment in the hotel room to the “global media pool” available through the online media service based on a unique identifier which is generated when the guest checks in for their hotel stay.
This identifier could be obtained by the handler app through a QR or similar code that is shown on the room’s TV screen when the guest enters the room; or printed on the room keycard that the reception staff hand to the guest. A phone capable of working with near-field-communication setups could obtain the identifier through this path, again at checkin or when the guest lets themselves in to their room if the room lock uses NFC technology; such as some of the newer VingCard RFID setups.
Then the handler would list out the DLNA devices in that room as “content sinks” for the guest to enjoy their content on.
Missing Factors
In-house public Wi-Fi
There is a missing factor with the Ericsson proof-of-concept setup. Here, most hotels will want to provide Wi-Fi Internet service as a value-added or extra-cost amenity. As well, all smartphones and tablet computers have integrated Wi-Fi wireless functionality.
The typical way of provisioning Wi-Fi in the hospitality industry is to implement a site-wide public Wi-Fi extended-service-set covering the whole of the building. As well, if the public Wi-Fi network is properly setup, there isn’t the ability to link data between the Wi-Fi-enabled computing devices, so as to assure privacy and security for each computer user. I have raised on this site the idea of evolving this secure-network setup further to allow clusters of device
There hasn’t been work done on the idea of implementing a room-unique or guest-unique network setup for the hotel industry. This is although some hotels were trying out the use of “MiFi” routers to provide guest-unique network setups, which I learnt of in an article in the HotelChatter blog; as well as the many Wi-Fi routers that I had seen set up at the Australian Audio & AV Show in the Melbourne Marriott Hotel in order to provide DLNA media networks for demonstrating network-driven music distribution.
Access to local media
Another missing factor is the ability to provide content that is held in the guest’s own media pool to the room’s DLNA ecosystem. Here, we may want access to the media held on our devices, whether it is music held on a smartphone, videos held on a tablet or just-taken images held on our Ultrabook.
Here, there wasn’t any question about gaining access to media held on these devices via the hotel’s public-access network infrastructure either through “pull” (access through DLNA playback device’s controls) or “push” (source device’s control app) methods.
Multiple rooms
The last factor that wasn’t considered is the desire to pass media between rooms of a cluster such as guestrooms hired by a family or a conference room hired by a business alongside the guestrooms for the conference guests as part of a “block booking”.
These multi-room bookings may provide for arrangements like allowing users to shift the content to other rooms under limited circumstances. Similarly, it could be feasible to have content held on one device in one room viewable on devices in other rooms used by the group.
On the other hand, it would be desireable to prevent content being push-played by one group member to the room of another group member as a way to assure privacy and security for that member.
This situation can be catered for using the Residential Control Device software by allowing bridging between the unique IDs under certain circumstances.
What would be essential for successful DLNA setups in the hotel sector
Local logical network serving one or more physical networks
Here, you would need to create a local subnet (logical network) for each room / apartment or cluster or rooms. The physical Wi-Fi networks that are part of this local subnet would need to work with a unique SSID and stay-unique Primary Shared Key for their security. They would be served by a local Wi-Fi router that would be managed by the hotel’s “back end” software.
This software would bootstrap the router so that it is set up to the guest’s needs and allow guest-supplied equipment to simply and securely enter the subnet, linking it to the Internet and the hotel-supplied DLNA equipment. This would be set up with NFC or QR-Code technology or WPS-PBC setup when the guest enters their room.
Upon checkout, this router would be set up to a “ground-zero” mode which doesn’t provide casual access to the Internet or the DLNA devices until another guest subsequently checks in.
A consistent connection and discovery experience
When you connect your computer equipment to this network, the discovery experience for DLNA-compliant equipment must be the same as for when you use your computer at home.
The local logical network can make this feasible by exposing only the DLNA-compliant AV equipment that exists within the guest room / apartment at the exclusion of equipment and computers in neighbouring rooms. Yet the content-discovery experience is what would be expected for the class of equipment. This includes the use of control points to “push” content to playback devices.
IPv6 – a main facilitator
A major facilitator for this setup would be the use of IPv6 networks. The address pool offered by this standard is much bigger than the address pool offered by the legacy IPv4 technology and there is inherent support for secure tunnels between logical networks.
In this application, an IPv6 setup can comfortably create local logical networks for each and every guest room in a large Vegas-class resort or downtown (central business district) hotel. There is no need to implement network-address-translation to permit the local logical networks and the back-end systems aren’t destabilised. There is the ability for IPv6 routers to create v6-v4 links to legacy IPv4 devices which represent most DLNA media playback devices and this has to be supported and functioning properly in these devices.
Conclusion
What needs to happen to facilitate the concept of DLNA-based media management in the hotel environment is for further research and study to take place. Here, it would need to be based on technologies that are currently available to the hotelier and potential guests, such as in-house public Wi-Fi networks and near-field communications.
The functionality could also be implemented in network-infrastructure equipment through the use of software that is deployed to the equipment while it is in use, rather than through replacing or adding new hardware. Any DLNA-enablement setup should not preclude the use of media devices that are available to the consumer marketplace.
I had visited the Australian Audio & AV Show 2011 which was held at the Marriott Hotel in Melbourne over two days. Here I had noticed certain trends being marked out as far as hi-fi and home-theatre technology went.
The old-school of hi-fi lives on with these valve (tube) amps
There was interest in orthodox hi-fi setups where vinyl records or CDs were the main medium of choice. These still appeal to the music listeners who prefer to make a point out of listening to their favourite recordings. Here, there was a large number of amplifiers that were driven by valve (tube) technology which appealed to audiophiles who placed value on the “valve and vinyl” style of hi-fi enjoyment. It even showed that there was still life in the “old girl” that was the classic vinyl record, This was more so with the arrival of newly-issued recordings on what I call “boutique vinyl” i.e. records that were cut for best dynamic range and pressed on heavier discs that were made of new material; with the ability for the purchaser to download MP3s of the same recordings for free.
Marantz CR603 CD receiver
Of course, I had seen the return of Luxman to the hi-fi scene, with their efforts on high-grade CD players and stereo amplifiers, with one of their amplifiers being modelled on a 1970s-era classic of theirs.
Network audio
But the main focus of the show was the use of computer equipment and home networks to play out music through hi-fi systems.
Network setups
A router and DLNA-enabled ReadyNAS is what this show is about
Most manufacturers which were demonstrating network-based hi-fi setups had a small network in their hotel rooms. This typically had a wireless router that was fit for home or small-business use at the “edge” of each of these network and working as the DHCP server; the same as what would be expected for a home network. As well, a lot of the manufacturers hooked a network-attached storage unit like the ReadyNAS to these networks to demonstrate their network-audio equipment.
In some cases, some of the suppliers used computers running DLNA-compliant media server software on the network rather than a NAS. An example of this was NAD who linked a MacBook Pro running Elgato EyeConnect as a media server for their C446 Digital Media Tuner.
Network-audio equipment
NAD c446 Network Media Tuner
Most of the equipment shown was network-audio adaptors which were known by names as “media tuners”, “Internet tuners”, “network media receivers” and similar names. These were components that were connected to existing amplifiers through a line-level connection and could play content on a DLNA media server, USB memory key or Internet-radio services. Some of the units could connect to and control an iPod attached to their USB port.
Some of these are devices that I have cited in a previous article on this site about top-shelf hi-fi names using DLNA as their preferred network-audio infrastructure. Here, I had mentioned about them using this established technology and the high-grade codecs like FLAC so they can concentrate on high-quality clear sound.
Linn Majik DS network preamplifier
Linn had a handful of these devices which worked as control amplifiers for use with power amplifiers or active speakers. These Akurate, Majik and Klimax units could also stream line-level signals or, as I have seen, the output of a turntable (Linn Sondek LP12) playing a record to other Linn network media adaptors.
As well, some of the manufacturers were offering receivers and CD-receiver systems that had DLNA media playback and Internet media access as part of their function set. This included the Rotel RCX-1500 CD receiver that I have previously reviewed on this site. Speaking of which, Rotel’s Australian distributors, International Dynamics are introducing more network-enabled kit from Pro-ject, in the form of another network media adaptor.
Denon even promoted their network-enabled home-theatre receivers a “everyhing”-ceivers because of the multiple functions that they could offer through the home network.
Denon's "everything"-ceiver
All of these setups were based around UPnP AV / DLNA Home Media Networks with Denon, Marantz and B&W demonstrating Apple AirPlay-compliant setups. The sales representatives for most of the various manufacturers had described the UPnP AV / DLNA network setup as an open setup where everyone can “come to the party”. A lot of the setups were controlled using various UPnP AV control points that were running on iPads owned by the various demonstration staff. Some of the control-point apps were branded and optimised for particular manufacturers’ equipment, usually offering control functionality that worked peculiarly with that equipment.
Naim Uniti network CD receiver with Naim's distinct CD-loading tray
Naim and used this show to exhibit their Uniti CD receiver; as well as the UnitiQute network media / FM receiver and the UnitiServer which is their “ripping NAS”. This is a class of NAS which uses an integrated optical drive and software for ripping CDs to the hard disk.
One interesting point that I had noticed was that Loewe had used this event to launch their MediaCenter network-enabled music system. This was equipped with a hard disk and software that allowed you to “rip” the currently-inserted CD to that hard disk, a practice that I had observed with some Philips and other hard-disk-equipped music systems. But this unit was able to share the contents of its hard disk to other UPnP AV client devices as well as become a UPnP AV client device for devices like those NAS units.
How is this becoming relevant to “real” hi-fi?
Loewe Mediacenter media server and player
One reason this is happening is that other Websites, fronted by audiophile recording labels, are offering their recordings for purchase and download as high-bitrate FLAC or, in some cases, WMA files. In some cases, these are copies of the studio-master recordings rather than producer-tuned masters for CD and iTunes distribution.
Here, you could load these files on to a NAS and share them through your network with network media clients of this calibre. Or you could use media-management software to transcode to MP3 for use on most portable players and smartphones or prepare CDs of these files for playback on regular CD players.
Conclusion
What I see of this Australian Audio & AV Show this past weekend is that the home network as a system for storing and playing audio content has earned its stripes as far as high-quality sound reproduction is concerned. This is definitely underpinned through the use of the UPnP AV / DLNA standard for discovering and presenting available media content in these networks.
Typically, the kind of equipment supplied to consumers by telecommunications carriers and Internet service providers for “triple-play”or similar Internet services has typically been drab in design and functionality. This is typically to work to the lowest-common denominator with both price, functionality and style.
The situation is very different in France where there is a lively competitive market for “triple-play”Internet service. Most urban or regional centres in this country are “dégroupée” for multiple competing ADSL-service operators. Here, these operators have access to the customers’ telephone lines as cable without paying France Télécom for a dial-tone service. There is also a steady rollout of fibre-optic service by the competing service providers for next-generation broadband Internet, with an overlaying requirement to provide competitive access to the ducts and poles for the fibre-optic service.
One of these major players is Free who have established a triple-play service for many years. Their latest iteration of the “Freebox” is now a benchmark for anyone offering a similar setup, whether in France or anywhere else.
I have previously covered the Freebox Révolution in HomeNetworking01.info when a recent firmware update was released that integrated it with Apple’s ecosystem. As well, I have researched many French and English-language resources to learn more about this system.
The Freebox Révolution system
This system, like other triple-play setups offered in France, comprises of an Internet-gateway device, known as a “box”, and a set-top-box, known as a “décodeur”. These units have typically been interlinked by an Ethernet cable or user-supplied HomePlug kit, but is connected through a pair of “Freeplugs” which combine a power supply and a HomePlug-AV-Ethernet bridge in one box.
The units are a statement of industrial design in a similar way that Bang & Olufsen equipment are still a statement in this regard for consumer audio-video equipment. Both the Internet-gateway device and the set-top box have been designed by Phillippe Starck, known for extraordinary designs like the Parrot Zikmu network-enabled speakers or some of the LaCie external hard drives or network-attached storage systems.
Internet Gateway Device (Freebox Server)
This device consists of a broadband router, network-attached storage, VoIP ATA with DECT base station and audio player in one box.
It has a dual-WAN interface for either an ADSL2 service or an FTTH fibre-optic service. But the LAN functionality is one of the hallmarks of a cutting-edge device. It has 4 Gigabit Ethernet switched ports for Ethernet client devices as well as an access point for an 802,11n three-stream 450Mbps Wi-Fi segment. I mentioned previously that this unit also supports a HomePlug AV segment through the use of the supplied Freeplug adaptors. The Wi-Fi access point can also work as a separate “hotspot segment” for other Free subscribers.
The VoIP functionality works with an integrated analog-telephony adaptor and a DECT base station that you can associate 8 DECT cordless handsets with. These will provide full functionality with CAT-iQ DECT handsets.
The 250Gb NAS can work with the regular file-protocol suspects (CIFS, FTP, HTTP) but can work as a DLNA media server. It also works as a “staging post” for FTP, HTTP and BitTorrent downloads, the latter function being described as a “seedbox”. The recent firmware upgrades also implemented Apple TimeMachine support for incremental MacOS data backups. Of course, there is USB connectivity for 2 devices as well as eSATA connectivity for an external hard disk.
There are integrated speakers for playing media held on the hard disk, the Internet or an Apple AirPlay network but you can use it as an elementary amplified-speakers setup by connecting a Discman or iPod to its AUDIO IN jack. Of course you can play the music through better powered speakers or an amplifier using the AUDIO OUT jack.
This router is totally UPnP to the hilt with UPnP Internet-Gateway-Device for hands-free setup with Skype, games, MSN Messenger and the like; as well as being a UPnP AV / DLNA media server. Free could do better by integrating something like TwonkyMedia which can allow content discovery on metadata other than the file-system tree.
Let’s not forget that the Freebox Server is IPv6-ready as expected for a future-proof device. This is being augmented by the fact that ADSL Free subscribers in zone dégroupée aras or FTTH Free subscribers can have an IPv6 connection now.
Set-Top Box (Freebox Player)
This unit has an integrated Blu-Ray player with Blu-Ray 3D support (after new firmware added) as well as a digital-TV / IPTV set-top box / PVR. It connects to the TV via an HDMI connector or a SCART cable, both offering that “single-pipe” connectivity between the Freebox and the TV. Of course, there are connectivity options for other audio-video setups like SPDIF optical; and you can connect USB peripherals like SD card readers to this unit for direct viewing.
It is controlled via a gyroscopic remote control but has a supplied game controller as an alternate input device. Of course, you can connect a USB keyboard and mouse to it as extra input devices or control it from your iPad using the Freebox Connect app.
One drawcard in my opinion is that it is a fully-fledged Internet terminal with access to an app store, namely the FreeStore app store. This allows you to download games and similar “lean-back” apps; as well as view the Web or check email from your couch. Just of late, this set-top box has had YouTube support baked in to its latest firmware update.
You can now use the Freebox Player and its associated sound system or television’s speaker to play material from your iTunes software or iOS device using AirPlay. This at the moment applies to audio content only.As well, you can discover and play content held on DLNA-compliant media servers on your network including the Freebox Server’s hard disk.
Plans and Pricing
You can equip that French home or apartment with this device for € 29.90 per month. This gives you inclusive unlimited telephone telephone calls to standard phone services in most countries (Europe, Francophone countries, US, Australia, NZ, etc); and mobiles in France.
The Internet service would be up to 28Mbps while you have access to most basic TV service. Pay €1.99/month extra for 185 additional TV channels while you can service another room with Free’s TV service for €4.99/month extra with a simple set-top box or another of this Freebox Player for €9.99/month extra.
Existing Free subscribers can upgrade for €199.99 less €30 for each year they have been with Free.
The prices are obtained from Free’s latest tariff charts available on their site and would appear to be ridiculously low for people who live in a country that doesn’t have a lively competitive broadband-Internet market.
Conclusion
What I see of the Freebox Révolution is a system of equipment for a home network that is all about an Internet service provider offering a future-proof attractive cutting-edge piece of equipment rather than offering second-rate equipment to their customers.
This is primarily driven by a country who is behind a really competitive Internet service market for consumers and that the competition is driven on value rather than the cheapest price possible.
This on-demand broadcast is a DLNA-hosted interview that I heard about what the DLNA home media network is all about with its heterogenous benefits.
One key factor that was mentioned many times was the heterogenous nature of the DLNA ecosystem. Here, they illustrated practices like bringing content up from a network-attached storage unit to Samsung TV or a TV hooked up to a network media adaptor from a different vendor using one of Samsung’s Android tablets.
They even cited the ability to use different software like TwonkyMobile or Samsung’s AllShare on the same Android device to do the same task. Even devices like Sony’s PS3 were mentioned due to the ability to discover content hosted on DLNA servers. Other applications that were even raised include delivering pictures to the printer when you want hard copies of them.
Of course, there was a direct comparison to the Apple AirPlay ecosystem which required the use of iOS devices, the Apple TV (or selected AirPlay-compliant devices) as well as content hosted on computers running iTunes for it to work.
Apple users should know that there is software for their platforms in the form of TwonkyMobile or PlugPlayer for their iOS devices and NullRiver MediaLink or similar applications for their Macintosh computers.
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