Tag: audio filetypes

The Naim NDX and NDS network media players are an example of what high-end network-based audio is about

I have purchased tickets to the Australian Audio and AV Show 2016 that will be held at the Intercontinental Melbourne The Rialto hotel and am running this list of articles regarding audio and AV content in the context of the connected lifestyle.

Some of these are about using Windows 10 with its inherent support for the FLAC file; bring legacy audio media like vinyl to today’s technology; or simply to highlight some AV trends. There is also a few relevant buyer’s guides which relate to buying for online or network-based audio or simply buying your next set of headphones for your smartphone or laptop.

Windows 10 and the FLAC file

Those of you who have upgraded your computers to Windows 10 will realise that it can handle the high-quality FLAC audio file format. This covers both playback and ripping audio content from CD to files, although when you rip from CDs the sound will be regular CD quality.

FLAC studio-grade audio files to be supported by Windows 10

You can rip CDs to FLAC using Windows 10’s Media Player

FLAC – now the audio filetype for archival use

Legacy audio formats and today’s needs

You may want to get those old familiar records on to your computer to play on your home network

This article is about how you can set up your equipment to play vinyl and other older media to your network-enabled multiroom system or for digitally salvaging old recordings with your computer.

Legacy analogue audio to today’s needs–can this be done?

Using audio-editor software to salvage recordings on legacy media

Equipment trends worth highlighting

There are some trends that are affecting the high-end audio and AV market that I will be calling out here.

Network media players that serve as control amplifiers – Some manufacturers are running network media players that can connect to any power amplifier or active speaker and work as a control amplifier in their own right.

Why do I give space to the network-capable CD receiver – An article about the network-capable CD receivers, especially those that are being offered by the respected hi-fi names, and the fact that these are continuing on the idea of the high-quality integrated music system.

Relevant Buyer’s Guides

Buyer’s Guide – Component Network Media Adaptors – How to go about buying devices that can add network or online media playback to your existing audio or AV system

Buying an Internet radio – What to look for when you buy an Internet radio or network-capable sound system.

Buyer’s Guide – Network Attached Storage – How to choose the right network-attached storage for your home network especially if you are “ripping” your CDs to your computer hard disk and wanting them available around the network.

Buyer’s Guide – Headphones and earphones – Understanding the kind of headphones or earphones you can get for your laptop, smartphone or tablet and how to go about purchasing them.

Buyer’s Guide – Giving your portable computer equipment better sound – How to go about using the right speakers, sound modules and similar equipment to enhance the sound that your laptop, tablet, smartphone or other equipment provides.

Should I buy a soundbar rather than a surround-sound system to improve my TV’s sound – Considering a soundbar rather than a fully-fledged surround-sound system as a way to improve your flat-panel TV’s sound

Your DLNA Home Media Network

This series of articles will be important to you whenever you buy that Smart TV or network-capable home audio system because most of these devices offered by most manufacturers provide this kind of functionality.

Getting Started With DLNA Media Sharing – How you can use your computer with media-server software to share your music, photos and video to your DLNA-capable AV equipment. Also have a look at this Assistance Journal about making some travel pictures available to a Smart TV so they are shown to a mother-in-law – this can be done out of the box with Windows XP onwards.

Setting Up PC-Less Network AV – How to go about using a dedicated media-server device like a NAS to share your media without the need to have your computer on and available to your network all the time. This is very important for those of you who have a laptop computer and want to move that computer around the house, pack it away when not needed or take it with you to work or when you travel.

The Three-Box DLNA Network Model – How you can use another device like a smartphone, tablet or computer to have content held on a DLNA server appear on a DLNA media player. This is more of a reality with tablets and smartphones appealing as a control surface for network-based media.

Integrating Classical Music Into Your Digital Music Collection – How to integrate serious classical music in to your digital music collection so you can find and play particular complete multiple-movement works easily. This is important when you buy and rip classical-music CDs that come with two or more multiple-movement works like concerti, quartets or sonatas on them.

Making Cloud-Based File-Share Solutions Work With Your DLNA-capable NAS – How you could use a DLNA-capable NAS to show content held on selected folders in Dropbox or similar services on your DLNA-capable media players. This is important when you, for example, use these services as a media pool for special occasions.

General Articles

Why do I buy and rip CDs for my online music library – An article that allows you to justify your position in buying your music on CD in this day and age of file-based audio, Spotify and “back to vinyl”. This includes “ripping” your CDs to a NAS or your computer’s hard disk for an online music library.

This high-end Naim NDS network audio player is an example of equipment that can handle the lossless FLAC file type

If you work with audio content, whether to “rip” CDs to the hard disk or home network, or record speech or music content for audio projects, you may have been dealing with various compressed filetypes like MP3 or AAC as your main recording format.

But most of these filetypes work on a lossy principle where data is effectively lost and when the file is played back, the software reconstitutes that file to make it something to listen to. Now an open-source file format has been released to allow for lossless compression of audio content.

This recently-issued format, known as FLAC or Free Lossless Audio Codec, has answered many audio technicians’ prayers because the sound is encoded in a manner as to prevent the loss of audio content through recording or playback. This is in a similar manner to how a ZIP or RAR “file-of-files” is prepared in order to conserve disk space or bandwidth. You still have the advantage of a compressed file not taking up too much storage space or transmission bandwidth. Being an open-source free codec, it means that audio applications can implement this codec without the need to pay royalties to particular organisations and there are very few other encumbrances on that codec.

FLAC – a better archival format

One of the best analogies that I came across for using FLAC in the audio-archival context is that it is like if you are a wine collector and you purchase a premium wine-cellar to keep your collection. Here, the wine-cellar is keeping the wine collection at an ideal temperature and humidity for long-term storage. But when you want to serve that drop at the dinner party, you have the bottle sitting on the sideboard and resting until it is at the ideal serving temperature.

Previously this required a user to download and install a FLAC codec on their computer to be able to record, play or edit these files. Then the Linux and Android operating systems had native support for this filetype built in to tie operating system and various audio applications provided application-level support for working with these files. Similarly, high-end sound cards and USB DACs furnished this codec as part of their software. Now Windows 10 has provided native support for FLAC files including ripping CDs to these files.

How can I use FLAC in my audio workflow

Creating your digital-audio content

If you use a computer or a file-based digital-audio recorder (including some digital mixers) to record audio content, make sure that you record as a PCM form like a WAV or AIFF file; or as a FLAC file. You may find that some equipment like a lot of the digital mixers with integrated USB recording abilities may only work with USB hard disks or solid-state drives that use high-speed data transfer if you have them record to WAV or similar files.

Then you use an audio editor like Audacity, NCH WavePad, or Rogue Amoeba’s Fission; or an audio converter program like NCH Switch, dbPowerAmp or Foobar2000 to convert the WAV or AIFF file in to a FLAC file. You may find that some video converters may offer audio-to-audio conversion for the FLAC file.

dbPoweramp Music Converter – one of the audio converters worth using out there

You could do this to your audio file once you have that file in “master-ready” condition – you have edited it and applied any audio transformations to that file to get it sounding right and it is ready to distribute. On the other hand, you could also create a “raw” FLAC file from the WAV or AIFF you have recorded before you perform any of the editing and audio transformation work. In this situation, you then use this “raw” file as your reference file if you needed to approach the editing in another way.

Even if you are salvaging audio content from legacy media like LPs, open-reel tapes or cassettes, you can still use FLAC as your audio filetype for these efforts. Here, you can use theses FLAC files simply as the digital archive for this media.

As you create or edit a FLAC file, you can add metadata about the content you recorded to that file and, like with MP3 files, that data which describes the song title, performer, genre, album and other attributes stays with that file. This will work properly with smartphones or media players that play these files; along with DLNA media servers that distribute these files across small networks – these servers can index them and have them found according to the metadata that describes the content.

Distributing your FLAC-based audio content

When you distribute your content, you can then use the FLAC file as your source file – you could simply copy that file if you are targeting newer FLAC-compatible  “open-frame” equipment like Android or Windows 10 smartphones or Windows computers, or convert to MP3, AAC or Apple Lossless for Apple and other equipment that doesn’t support FLAC. Similarly, most current-issue DLNA-capable NAS units can work from FLAC files especially if you have FLAC-capable playback equipment on the network.

The FLAC file is also useful as a “master” audio file if you are creating an Audio CD because it is a compressed audio file that has has the same audio qualities as a PCM WAV or AIFF file. Similarly, you may have to convert the FLAC to a WAV or AIFF if you are importing it in to a video editing program for use as part of your video project’s soundtrack.

Conclusion

Once you use FLAC as your main file type for audio recording and editing or simply convert legacy audio files to FLAC, you are then ending up with a digital-audio file that can be used as an archival or distribution-master form.