Tag: DAB digital radio

Smart speakers and broadcast radio

Amazon Echo on kitchen bench press photo courtesy of Amazon USA

Smart speakers like the Amazon Echo are outselling traditional radios

The traditional radio broadcast industry are finding that the smart speaker as a threat to their business models.

This is because that there are more Amazon Echo, Google Home or similar smart speakers being bought than traditional radio sets. It is in addition to us using smartphones that don’t have traditional broadcast-radio tuners as our “go-to” information and entertainment devices.

Although these smart speakers can, at your voice command, pull up a traditional radio station thanks to TuneIn or similar Internet-radio directories, an increasing number of users are using them to summon podcasts or music playlists through the various podcast and music-on-demand services.

Pure Sensia 200D Connect Internet radio

Pure Sensia 200D Connect Internet radio – an example of how to keep the traditional radio relevant

At the moment, traditional radio whether through traditional broadcast technology or Internet streaming is primarily being listened to in the car or at businesses we frequent. It is also being seen, whether for information or entertainment, as a valid casual-listening content-source by Generation X (people born from the late 60s to the early 80s) and prior generations thanks to it being seen that way for a long time. This is due to the ubiquity of increasingly-affordable radio sets in many different form factors along with radio stations making a strong effort to keep listeners tuned to their output.

It is although advertisers and others have seen and are seeing the younger generations as “where the money is”. Here, they end up sponsoring podcasts or playlists to reach that audience with their message in order to stay relevant.

ABC Radio Podcasts

The ABC, like other traditional broadcasters, are offering their own podcasts, whether to do with an existing radio show or not

But what can be or is being done about this? At the moment, traditional radio stations are creating podcasts, whether as a byproduct of an existing radio show or as a new product. Similarly as I have experienced, most radio stations are planting their regular broadcast output on the Internet and making sure this still happens so as to work with smartphones and smart speakers. It is even though they face battles with music rightsholders and sporting leagues about international streaming rights for music or sports content.

RadioDNS “hybrid radio” has surfaced as a way to bring together traditional radio and the Internet. The key method offered by this platform is through a “single-dial” approach that provides a seamless handover between local radio frequencies / DAB multiplex locations and Internet streams for the same radio station.

Revo Domino Internet radio tuned in to Heart London

This Internet radio is tuned in to Heart London and is playing the same audio as what would be delivered on FM or DAB from the “Turn Up The Feel Good” station within the London area

Reliance on Internet audio streams as often done with smart speakers and smartphones can be problemsome if you don’t have the right kind of network and Internet connection. This represents the typical home or small-business network connected behind most home / small-business routers.

You will run in to problems with setting up a smart speaker or similar device to work with a headline public-access / guest-access Wi-Fi network that depends on Web-based authentication or having these devices work with an enterprise-grade network that uses per-device-based authentication approaches. It also includes dealing with mobile broadband services that charge an arm and a leg for continual bandwidth use but services that operate in a highly-competitive market may make this factor easier.

TuneIn Android screenshot

The stations listed on the TuneIn Internet radio app are the Internet-hosted simulcast stream of their regular radio output

Similarly broadcast-radio technology tends to appeal to listenership on battery-operated devices because the technology associated with it is optimised to work for battery efficiency. It is due to the broadcast-radio technology working on a one-way approach to receiving the radio signals rather than being dependent on a two-way transceiver demanded of Wi-Fi or mobile-broadband.

What can be done to bridge these technologies

One approach would be to have an Internet radio that also receives radio content via broadcast technologies work with at least one of the common voice-driven home assistant platforms.

This can be in the form of the radio working alongside a smart speaker based on the common platforms and using RadioDNS to pull up local radio stations under voice control.

An Internet radio can also serve as a speaker for online audio resources like on-demand music services, podcasts and Internet radio especially if the radio doesn’t have network-audio / Internet-radio functionality. The latter concept is being underscored with the Google Assistant platform where you can direct audio from an online-audio service to a device that supports the Google Chromecast protocol. Even if the radio has network-audio / Internet-radio functionality, it could be part of a voice-driven home-assistant platform, which a lot of manufacturers are heading towards and can be of relevance for the “big sets” like hi-fi systems and the network multiroom audio platforms.

A cheaper option could implement RadioDNS across a Bluetooth link with the voice-driven home assistant platform handling the RadioDNS logic. It may require the creation of a Bluetooth profile for sending RadioDNS-specific data between the radio and the smart speaker’s platform i.e. a set-appropriate pointer to the station on the broadcast bands.

It can also be about an Internet-radio / smart-speaker combination device, like the many combination devices available over the years that integrated radio reception and at least one other function. Such a set would have the ability to be an Internet radio but it would have a microphone array and a button to activate Amazon Alexa or Google Assistant, whereupon you would have the full “smart speaker” abilities of an Amazon Echo or Google Home speaker. As well, it would tie in with the RadioDNS functionality to pull up stations on the local wavebands as if you are pulling them up using the assistant’s Internet-radio functionality.

Conclusion

To keep the classic radio medium going, the manufacturers, broadcasters and other stakeholders need to look at whatever technologies can be used to make it relevant in this day and age.

Consumer Electronics and Personal IT trends for 2020

Every year in January, the Consumer Electronics Show is run in Las Vegas, USA and this show does give a glimpse in to what trends will affect consumer electronics and personal IT. In most cases, these are products that will be on the marketplace this year or products that are a proof-of-concept or prototype that demonstrates an upcoming technology.

The problem is that this exhibition focuses on what will be available in North America but a lot of the technology will be relevant to the rest of the world. In a lot of these cases, localised variants will appear at various trade shows or PR events that occur in Europe or other areas.

As well, the trade-show circuit will attract service-level information-technology companies who don’t need to make hardware or have a hardware platform, or be a content creator. Here, it will be simply about the provision of IT-based services as part of a ubiquitous computing environment including the concept of experience-driven computing.

Connectivity Technology

Over the past year, the two main technologies that were called out regarding online connectivity or the home network were 5G mobile broadband and Wi-Fi 6 (802.11ax) wireless local networks. This is about very-high-bandwidth wireless data communications whether out and about or within your home or other small network.

As various radiocommunications regulatory agencies around the world “open up” the 6GHz waveband for Wi-Fi network use with the USA’s Federal Communications Commission the first to do so, the Wi-Fi Alliance have created a specification identifier for network equipment working this waveband. Here, it is known as Wi-Fi 6E as a way to identify the fact that the device can work the 6GHz waveband, and is in contrast to Wi-Fi 6 (802.11ax) devices that only work the 2.4GHz and 5GHz wavebands.

D-Link DIR-X5460 Wi-Fi 6 router press picture courtesy of D-Link USA

One of D-Link’s Wi-Fi 6 routers that also supports Wi-Fi EasyMesh – setting the standard for home network technology this year

Both these technologies became real with an increase in client devices or small-network infrastructure hardware supporting at least one of these technologies. This included laptop computers and smartphones having this kind of functionality baked in to them as well as more home-network routers, distributed-WI-Fi systems and range extenders being equipped with Wi-Fi 6. There is even the fact that some of the network-infrastructure vendors like Linksys and NETGEAR are offering routers that combine both technologies – 5G mobile broadband as a WAN (Internet) connection and Wi-Fi 6 as a LAN (local-network) connection.

A step in the right direction for distributed-Wi-Fi networks was to see major home-network brands offer routers and/or range extenders compliant to the WI-Fi EasyMesh standard. This allows you to create a distributed Wi-Fi network with equipment from different vendors, opening up the market for equipment from a diverse range of vendors including telcos and ISPs along with a pathway towards innovation in this space.

Bluetooth hasn’t been forgotten about here with the new Bluetooth audio specification being “set in stone” and premiered at CES 2020. This specification, known as Bluetooth LE Audio, works on the Bluetooth Low Energy profile and supports the LC3 (Low Complexity Communications Codec) audio codec that packages the equivalent of an SBC audio stream used by Bluetooth audio setups in half the bandwidth. This allows for longer battery runtimes which will also lead to smaller form-factors for audio devices due to the reduced need for a larger battery.

It also supports multiple independent and synchronous audio streams to be sent from one source device to many sink devices. This strengthens use cases like hearing aids that work with Bluetooth and may supersede the inductive loop as a technology for assisted-listening setups. As well, the multiple-streaming technology will be a boon to applications like multichannel Bluetooth speaker setups; or Bluetooth headphones as part of assistive audio, multilingual soundtrack options or semi-private listening arrangements.

The Bluetooth LE Audio technology is to be released in the first half of 2020 with compatible devices being on the market by 2021. But there will also be the issue of having device support for this technology being baked in to operating systems as a class driver.

Dell XPS 13 2-in-1 Ultrabook - USB-C power

USB 4 will be the next stage for hardware connectivity and will include Thunderbolt 3

As for wired peripheral interconnection, USB 4.0 will be surfacing as a high-speed connection standard for computers and mobile devices. There will be compatibility with Thunderbolt 3 due to Intel signing over the intellectual property rights for that protocol to the USB Implementers Forum. But this may be used by some computer vendors as a product differentiator although the market will prefer that USB 4 computers and peripherals work with those that use Thunderbolt 3. Let’s not forget that the physical connector for USB 4 will be the Type C connection.

Let’s not forget that newer Android phones will use USB Power Delivery as the official standard for transferring power from chargers or powerbanks to themselves. This is about avoiding the use of proprietary fast-charge technologies and using something that is defined by the industry for this purpose.

Computer trends

Lenovo IdeaPad Creator 5 15" clamshell laptop press picture courtesy of Lenovo USA

Lenovo IdeaPad Creator 5 15″ clamshell prosumer / content-creator laptop

At the moment, as I outlined in the article about “prosumer” content creators being identified by computer manufacturers as a significant market segment, this year is being seen as a time to launch performance-optimised computers targeted at this user group. These units will be optimised to work with popular content-creation software in a sure-fire manner.

Let’s not forget that Lenovo is tying up with NEC in order to create the LAVIE computer brand that targets mobile professionals. This was after Toshiba spun off their laptop-computer division as “Dynabook” brand then sold it to Sharp; and Sony sold off their VAIO computer brand with it existing as a premium computer brand. But is this symbolic of what the Japanese computer names are heading towards where they focus on creating premium business laptops and tablets.

As well as offering their newer-generation CPUs, Intel has demonstrated that they can offer their own high-performance personal-computer display infrastructure. They even demonstrated a graphics card that use Intel-designed discrete GPU technology. This leads towards them competing with NVIDIA and AMD when it comes to discrete graphics-infrastructure technology and could lead to a three-way race in this field.

It is alongside AMD placing a lot of effort on their Ryzen CPUs which are leading towards them in a position to effectively compete on a par with Intel’s Core CPUs. As well, Intel and AMD could head towards creating performance computing setups that are based around their CPUs and discrete graphics infrastructure technology, including setups that have the CPU and discrete GPU on the same silicon.

There is also an increase in the number of “Always Connected PCs” that run with ARM RISC microarchitecture rather than the traditional Intel i86/i64 CISC microarchitecture. They will be about operating on batteries for a very long time and have 4G, if not 5G mobile-broadband modems with classic SIM or eSIM service authentication. Most likely I would see them as being the direction for portable mainstream business computing.

Dell G5 15 Special Edition budget gaming notebook press picture courtesy of Dell USA

Dell G5 15 Special Edition budget gaming laptop with AMD Ryzen and Radeon silicon

For gaming, Dell has premiered a budget gaming-grade laptop that uses an AMD Ryzen CPU and an AMD Radeon graphics processor but is styled like their other “G Series” gaming laptops. As well, Lenovo took an interesting step with one of their gaming laptops by using Intel integrated graphics processors for its graphics infrastructure while equipping it with a Thunderbolt 3 port. Here, the user is to buy an external graphics module, typically the Lenovo BoostStation card-cage unit which is their first product of its kind that they released, to have the machine perform at its best. What this is about is a trend towards creating an entry-level performance laptop product range, very similar to buying the increased-performance “GT” variant of a popular family car model.

Lenovo ThinkPad X1 FOLD prototype folding-display computer press picture courtesy of Intel USA

Co-engineered by Intel and Lenovo, ThinkPad X1 FOLD is a foldable-screen device built on the Intel Core processor with Intel Hybrid Technology (code-named “Lakefield”). (Credit: Lenovo) – an example of what folding computers are about

 

Another trend that is being shown frequently is multiple-screen or folding-screen portable computers. This is being promoted by Intel and Microsoft in the context of Windows 10X and newer Intel chipsets. It is being driven by the multiple-screen or folding-screen smartphone that Samsung and others are on the verge of releasing as finished products. But this technology will have a limited appeal towards early adopters until it is seen as legitimate by the general user base.

As far as small-form-factor desktop computers are concerned, Intel is working towards a modular “next unit of computing” platform which has the whole computer system on a card the same size as a traditional PCI expansion card. This platform, known as Ghost Canyon uses the “Compute Element” which is the user-swappable card, is intended to bring hack the joys of us upgrading a computer’s performance by ourselves even if we go for a smaller computer platform.

Connected-TV technology

This year has heralded interest in 8K UHDTV which has effectively twice the resolution of 4K UHDTV. As well, the 8K Association has been formed in order to set standards for domestic 8K UHDTV applications and promote this technology.

It is in conjunction with ATSC 3.0, also known as NextGenTV, being premiered at CES 2020 as a new direction for free-to-air TV in the USA. It us being valued thanks to people moving away from cable and satellite pay-TV services towards Netflix and other video-on-demand services augmented by free-to-air TV. Here, it will allow Americans to benefit from 4K UHDTV and Dolby Atmos technology via the TV antenna. Like with DVB and HBBTV-based standards used in Europe and Oceania, this technology combines the over-the-air signal with broadband Internet data to achieve advanced TV experiences.

There is also increased robustness as far as antenna-based reception is concerned which may allow for use of indoor antennas without their associated problems. As well, mobile users will benefit from this newer technology for on-the-road viewing. But there will also be an emphasis towards broadcast-LAN operation with one tuner offering a broadcast signal amongst multiple TVs. Users can upgrade their existing televisions to this technology by connecting an ATSC 3.0 set-top box to their TV as they see fit, but there will be some TVs, most likely “living-room” models from a few manufacturers, that will support this standard.

The 4K AMOLED screen is entering the “Goldilocks” territory when it comes to product price and screen size – not too big and expensive, not too small or cheap, but just right. It is seen by the trade as a “mid-market” territory but, for a TV, it is about something that appeals to more people without being too ostentatious or requiring one to pay a price’s ransom.

The advantage it has over the LCD screen that rules this market territory is to have increased contrast and richer colours, something that those of you who have a smartphone or tablet with an OLED display benefit from. As well, it is a technology that legitimises the high-dynamic-range and wide-colour-gamut video reproduction technology being pushed by the film and video industries.

Here, Sony released the first 48” 4K AMOLED screen that would be able to fit most viewing areas. This includes apartments and small houses as well as use in bedrooms, or secondary lounge areas including living rooms which aren’t frequently used for watching TV. As well, some AMOLED TV manufacturers are pitching sets that cost under US$1000. Here, this price point puts the AMOLED TV within reach of most middle-class families who are considering upgrading to this kind of technology without paying a price that sounds too vulgar.

Another trend affecting TVs is support for variable high refresh rates. Here, it appeals towards games consoles being able to work with game-optimised variable-refresh-rate monitors typically partnered with PC-based desktop gaming rigs, offering the same kind of display refresh rate as the display card on a gaming-rig PC would offer. This is being factored in because the large-screen TV is being valued in the context of gaming, especially with one-machine multiple-player games or the excitement of playing a favourite game on that big screen.

As well, I see the Apple TV and Android TV platforms as dominant smart-TV / set-top-box platforms due to the existence of strong code bases, strong developer communities and a well-nurtured app store. Here, the Android platform will appeal to TV vendors who haven’t invested in a smart-TV platform along with some third-party set-top box vendors. But the Android TV platform as a set-top-box platform has to be disassociated from the so-called “fully-loaded” Android boxes that are sold online from China for access to pirated TV content.

This is being driven by an avalanche of video-on-demand services that will appear over this year. Some of these will be subscription-based and offer new original content produced by the service’s owner while others will use advertising, perhaps as part of a freemium arrangement, and work heavily on licensing deep back-catalogue material. There will also be an effort amongst the new video-on-demand providers to take an international approach, appearing in multiple markets around the world, most likely with the goal of licensing content in all international markets concurrently.

It will even lead to each content-production name having its own video-on-demand service that primarily hosts content from its stable. But the question that will come about is how many video-on-demand subscriptions will we be having to budget for and maintain if we want content that reflects our choices.

Audio Technology

The DAB+ digital broadcast radio platform is increasing its footprint within Europe and across some parts of Africa and Asia. It includes some European countries like Norway and Switzerland moving their broadcast infrastructure away from AM and FM radio to this technology.

Pure Sensia 200D Connect Internet radio

Pure Sensia 200D Connect Internet radio – a representative of the current trend towards the “hybrid radio” concept

Here, it would be about an increased variety of devices that have broadcast-radio reception functionality based on this platform, including those that have Bluetooth and/or Internet-radio functionality. As well, more vehicle builders are being encouraged to supply DAB+ radios as factory-standard in all of their vehicles. Let’s not forget that value-priced DAB+ and Internet radio equipment will be equipped with a colour display that shows things like station branding or album cover-art while you listen to that station.

RadioDNS will be something that facilitates a hybrid broadcast-broadband approach to broadcast radio. This will include the ability to switch between broadcast-radio channels and an Internet radio stream for the same radio station or allow for richer supporting content to appear on the set’s display. It can also be about a “single-dial” approach to finding stations on broadcast and Internet bands. But RadioDNS has been given more “clout” in to the USA due to it being able to work with AM, FM or HD Radio (IBOC digital radio on AM and FM) which is used there.

Sonos’s partnership with IKEA, the furniture store who sells furniture that you assemble yourself with an Allen key, is demonstrating that a high-end multiroom-audio platform can be partnered with a commodity retail brand. What it could lead to is an incentive to build these kind of platforms around a mixture of premium, value and budget units, allowing for things like a low-risk “foot-in-the-door” approach for people starting out on that platform or people who have the premium equipment building out their system with cheaper equipment in secondary listening areas. It could even put pressure on the industry to adopt a common standard for multiroom-audio setups.

The streaming audio-on-demand scene is moving in a manner as to shore itself up against Spotify. Initially this is about offering either an advertising-supported free limited-service tier as what Amazon and Google are doing, or to offer a premium service tier with a focus on CD-quality or master-quality sound which is what Amazon is doing. But it could easily go beyond the “three-tier service” such as improved playlists, underrepresented content, support for standalone audio equipment, and business music services. As well, your ISP or telco could be providing access to a streaming-audio service as part of their service package or you buy a piece of network-enabled audio equipment and benefit from reduced subscription rates for an online music service.

The headphone scene is setting some strong contenders when it comes to excellent value-for-money for noise-cancelling Bluetooth headsets.

Bose initiated this battle with the QuietComfort 35 II headphones with the technological press’s reviewers seeing them as a standard setter for this class of headset. Then Sony introduced the WH1000XM3 headphones and these were seen on a par with the Bose cans but at a more affordable price with some press using terms like “Bose-killers” to describe them. Bang & Olufsen came in to the party and offered a premium noise-cancelling Bluetooth headset known as the Beoplay H9. But lately Bose also answered Sony by offering the Noise Cancelling 700 headset that effectively did that job in a minimalist form. This is while Sony are intending to launch the WH1000XM4 this year to raise the bar against Bose and their current product.

As far as “true wireless” active-noise-cancelling earbuds are concerned, Apple with their AirPods Pro and Sony with their WF1000XM3 have established themselves at the top of the pack for excellence. What I see of this is someone else could answer them to achieve that same level of excellence especially at a value price. This product class is also likely to benefit from the Bluetooth LC Audio specification due to the requirement for a small battery in each earbud and the small size of each earbud.

What Apple, Bose, Sony and B&O are highlighting is that they could easily compete with each other to achieve excellent products when it comes to headphones you use with your laptop, smartphone or tablet. It could even be a chance for other companies to join in and raise the bar for premium everyday-use headset design, including the idea of having audiophile headphone qualities in this class of headset.

Voice assistant platforms and ambient computing

Amazon Alexa and Google Assistant will still bring forth newer devices, whether in the form of speakers or displays. But Amazon Alexa and Microsoft Cortana will be part of the Open Voice Initiative allowing the same physical hardware to handle multiple voice assistant platforms.

A question that will arise through this year is whether there will be a strong direction towards having these devices work as a fixed audio or video telephony endpoint. This is whether the device works in a similar fashion to the classic landline telephone service with its own number; or as an extension to a smartphone that is part of a mobile telecommunications service.

The voice-assistant platforms will end up becoming part of an ambient computing trend that is underscored by facilitators like Internet of Things and distributed computing. Here, it is about computing that blends in with your lifestyle rather than being a separate activity.

As far as the Internet Of Things is concerned, the Connected Home over IP protocol was set in stone. This effort, facilitated by Amazon, Google and Apple with the oversight of the Zigbee Alliance, is about an IP-driven Internet-Of-Things data transport architecture. The idea is to do away with protocol gateways which were being used with various smart-home applications but the manufacturers were goading consumers to use their own protocol gateways with their devices rather than a third-party solution. There will be an emphasis on a safe secure interoperable Internet-of-Things network.

Data security and equipment maintenance in our personal and business lives

The Social Web will be considered a very important part of our lives with us primarily benefiting from it on tablets, smartphones or highly-portable laptops.

But it will still be a key disinformation vector. One of the new methods expected to be exploited this year is the creation of deepfakes. These are audio and video items created using artificial intelligence to make it as though a person said something when they didn’t. There will even be the ability to make the voice or face of a deepfaked person appear older or younger than they were when they were recorded, while make the voice or face appear as fluid as that of a real person.

Here, it will be used as a cyber weapon to create political, social and business instability by these representing our leaders whether they be in government, business or other circles. The deepfake will also be of value as a phishing tool in order to make the threat or plea appear to be more authentic to the victim.

As well, ransomware will begin to take on a network-wide dimension and affect business and service availability. Sensitive data, whether of a personal or business nature, will end up becoming the bargaining chip for ransomware hackers. This is in contrast to access to a computer user’s data resources which was often the case with ransomware.

The Internet Of Things will also be considered a continual security risk especially due to poor software and firmware quality control. It will lead to a conversation regarding the maintenance of our online devices through their lifecycle, including making sure they are running software that is stable and secure.

Then there is the “end-of-support” issue where a manufacturer ceases to show interest on older online devices that are currently in use. That is a question that is surfacing when one invests a significant amount of money in to the devices and people don’t want to throw out older equipment just because the manufacturer doesn’t want to support it anymore. It also goes against the grain of the post-Global-Financial-Crisis attitude most of us have adopted where we don’t want to support a throwaway society but want to see what we buy exist for the long haul.

The Sonos debacle raised the issue about what level of functionality the user should expect from their device along with how platform-based setups consisting of legacy and newer devices should behave. It also raised the issue of keeping the device’s software stable and secure.

Conclusion

This year will be considered a very interesting time for our online life as we see improvements to existing technologies along with newer conversations about how system-based technologies continue to evolve with a secure stable mindset.

Using Bluetooth as part of the hybrid radio concept

Pure Sensia 200D Connect Internet radio

Pure Sensia 200D Connect Internet radio – a representative of the current trend towards the “hybrid radio” concept

Previously, I have covered the concept of “hybrid radio” which is being put forward by RadioDNS. This is about integrating the reception of audio-based radio content from a radio station either through the traditional analogue or digital broadcast technologies or through the Internet.

It is based on the common Internet-radio application where traditional radio stations transmit a simulcast of their broadcast output as an Internet stream. You would experience this with an app like TuneIn Radio or by using an Internet radio, of which I have reviewed many. This has been used to listen to overseas radio stations by those of us who like the “vibe” of a particular country or to learn a new language, but has been used as a way to hear a national radio station that isn’t received in one’s local area, a situation that is common in rural Australia.

It is intended to provide automatic switching to an Internet-based simulcast of the radio station if you are out of the reception area for a broadcast transmitter and you can’t be “handed over” to a better transmitter’s output of the same station. It is also underscored by the concept of a “single-dial” tuning approach to select stations without worrying which broadcast methodology they are using, whether traditional or Internet-based. here is also the availability of richer metadata that can be shown on screens that support rich graphic displays along with an electronic programme guide for radio broadcasts.

This functionality is dependent on the radio having Internet connectivity of some sort. It is typically with the set being equipped with Wi-Fi or Ethernet connectivity for use on a small network, or a car radio being equipped with a mobile-broadband modem provisioned with mobile-broadband service.

This may not work properly with enterprise or public-access networks that require authentication beyond a Wi-Fi passphrase or WPS-PBC setup or we have to make sure the mobile-broadband service is provisioned for the car radio that we are using in the way the radio expects. This was something I had come across when someone posted a question about attempting to use the Internet capabilities of the Sony CMT-MX750Ni Internet-capable bookshelf music stereo system with a “headline” public-access Wi-Fi network in the place they were living in.

As well, the Internet connectivity is offered by consumer-electronics manufacturers as a product differentiator with it typically ending up on the premium products in the range. Similarly, some manufacturers want to steer clear of Internet-connectivity as a feature for their consumer-electronics product ranges.

But an increasing number of radio sets and audio equipment are implementing Bluetooth technology typically to allow streaming of audio content from mobile devices paired with the set. In the car-audio scene, this is to facilitate a safe hands-free telephone setup that allows the driver to keep their hands on the wheel and eyes on the road.

USB-C connector on Samsung Galaxy S8 Plus smartphone

Smartphones or tablets could be used to provide “hybrid-radio” functionality

The RadioDNS hybrid-radio concept could be extended to the Bluetooth link by a standard application-level class or profile for the Bluetooth specification. Here, this would work in conjunction with a computing device that runs companion “hybrid-radio” software and is linked to the radio via Bluetooth in order to enable full “hybrid-radio” functionality.

This could allow for broadcast station selection using the companion device or the display of rich metadata for the currently-listened-to station on the companion device’s display irrespective of the source of the metadata. This would be of benefit to those sets that can’t show rich graphic metadata such as what DAB+ or Digital Radio Mondiale are capable of.

The concept cam make use of the voice-driven home assistants like Amazon Echo or Google Home for many options. Here, it would exploit the idea of having a device like Amazon Echo or Google Home provide the Bluetooth – Internet bridge to your small Wi-Fi network and play network-hosted or Internet-hosted audio content through the radio’s speaker. It would be important where the radio’s amplifier and speaker does a better job at reproducing music compared to what the Amazon Echo or Google Home device.

… as could devices like the Lenovo Smart Display

For example, you could ask Alexa or Google Assistant to select a station and the local broadcast signal will then play. Or if you use something like Google Home Hub, you could have the station’s audio coming through the radio while a graphically-rich interface for that station appears on the Home Hub’s screen.

What RadioDNS needs to look towards is the idea of using Bluetooth or similar peripheral-level connections as a way of allowing a companion computing device to facilitate hybrid radio functionality for equipment or use environments that don’t support integrated Internet connectivity.

LG to introduce a smartphone that receives DAB digital radio

Articles

LG Stylus 2 DAB+ Android smartphone press photo courtesy of LG

LG Stylus 2 DAB+ Android smartphone

LG’s New Smartphone Can Pick Up Digital Radio | Gizmodo

LG Stylus 2 is the world’s first smartphone to feature DAB | What Hi-Fi

LG’s digital radio smartphone will come to Australia | The Australian

From the horse’s mouth

LG

Press Release

Digital Radio Plus (DAB+ campaign in Australia)

Press Release

My Comments

Most of you may want to listen to radio via your smartphone but the options typically are using one equipped with an FM radio tuner or using an Internet radio app like TuneIn Radio.

The latter option can eat in to your mobile data allowance very quickly and wouldn’t be worth it for those of us who have an entry-level mobile data plan. The former FM-based option denies you access to the AM stations which are still considered a goldmine of information in countries like Australia as well as not assuring you reliable radio reception when you are on the go, which could make it hard to enjoy classical music for example. This is because the headphone cable on personal “Walkman-type” radios including FM-equipped smartphones and Bluetooth adaptors serves as the radio’s FM aerial.

Previously, DAB digital radio in a personal-stereo context was offered in the form of a “Walkman-style” radio with FM and DAB digital radio reception and these radios typically had a small LCD display as their main user interface. They weren’t offered as a “combo” device with a media player of some sort or other functionality and the introduction of DAB-based digital radio was occurring at the same time that Apple effectively took over the personal-audio market with their iPod and iPhone devices.

But LG have raised the bar as smartphone radio is concerned by offering the Stylus 2 smartphone which integrates a DAB+ tuner capable of receiving DAB and DAB+ digital radio stations. These digital-radio standards, especially DAB+, which are being implemented in most of Europe and in Australia offer a highly-robust radio-listening experience. There is also the ability to tune stations by selecting from a list of the stations’ names rather than trying to remember frequencies which also makes the experience very much “part of” the smartphone.

The LG Stylus 2 smartphone will have the expected features of one of today’s Android smartphones and will use a variant of the LG Internet-radio app for station navigation. This phone will be made available in markets where there is an active DAB-based digital radio service like most of Europe, Australia and some of Asia.

The Cyrus Lyric CD receiver now arrives on the Australian market

Article

Cyrus Lyric Launches Down Under | Australian Hi-Fi

My Comments

Cyrus's latest CD receiver

Cyrus’s latest CD receiver

Previously I had reviewed the Rotel RCX-1000 as a network-capable CD receiver capable of high-quality sound from CDs, FM radio, DAB+ digital radio, Internet radio along with access to content held on one or more DLNA media servers. This, along with the Naim Uniti and a few others, was the kind of CD receiver you could pair off with a set of high-quality speakers of your choice, be a pair of new small bookshelf types that are on sale at the hi-fi store or that pair of good bookshelf or furniture-piece speakers that you had dusted off after finding them in your Dad’s garage.

This follows on from the music centres and casseivers of the 1970s and early 80s along with the steady run of high-grade integrated audio systems that Bang & Olufsen turned out i.e. the Beocenter 7000 series LP/cassette systems, the Beocenter 9000 series CD/cassette systems along with the Beosound 9000 6-CD system. This was also augmented with the Proton AI-3000 CD/cassette music system which came on the scene in 1988 and the arrival of the Bose Lifestyle music systems in 1990 and followed on with the Onkyo FR-435 CD/MiniDisc music system of the late 1990s.

Now Cyrus have launched the Lyric “full-width” CD-receiver range to the Australian market. This system which was premiered at the Australian Audio And AV Show which was held at the Intercontinental Melbourne The Rialto hotel, is one that follows from this lineage of integrated audio equipment that is about top-quality sound. Here, this unit can play CDs or tune in to FM, DAB+ or Internet radio broadcasts or stream in content from your NAS or PC-based network media server. It also uses Bluetooth with aptX to stream through content held on your smartphone or effectively work as your laptop’s sound-card. Here, I had seen the advance-preview sample in full-flight playing content from a smartphone via Bluetooth and driving a pair of newer “furniture piece” speakers that were being demoed at the show.

Even the way the product was styled eschewed various conventions like the classic “box with knobs and buttons” approach. Rather this used a touch-panel with a colour LCD screen for local control across the top half of the front panel along with a neatly-disguised CD-loading slot. This is similar to how the Bang & Olufsen Beocenter 9000 series was styled with a dynamically-lit-up touch panel below a large aluminium panel that had the CD and cassette bays hidden under doors that slid away.

There are two variants of this music system – the Lyric 5 with a a 100-watts/channel amplifier going for $4000 and the Lyric 9 with a 200-watts/channel amplifier going for $6000. I asked the demonstrator men about how much a decent music system for a small apartment which is based around the Lyric 5 CD receiver and he could call the Lyric 5 with commensurate-standard bookshelf speakers for around $6000.

This is definitely a sign of things to come for “integrated” lifestyle audio solutions that can work with any regular speaker, yet lead the way to a neat sound system that puts up some high-quality music.

Another full-band network audio tuner appears, this time from Onkyo

Article – From the horse’s mouth

Onkyo

T-4070 | ONKYO Asia and Oceania Website (Catalogue material)

My Comments

Previously, I had seen in action the NAD C446 Media tuner which is effectively a “four-band” (AM/FM/DAB+/Internet) broadcast-radio tuner and file-based audio-content player that can play from USB memory sticks or the DLNA Home Media Network. This was able to do its job in a very exacting manner yielding high-quality sound from these sources to the sound system that it is providing these playback services to.

Denon fielded a network audio player with FM/AM tuner functionality in the same box but those of us who have DAB / DAB+ digital radio broadcast services in action may find that this tuner misses the mark. This is more so if the AM talk and sports stations like ABC Radio National in the metropolitan areas do simulcast on DAB and you find that you can’t hear the programme hosts on these stations due to electrical interference but you find that the DAB simulcasts “answer your prayers”.

But Onkyo have shown up with a tuner with the same functionality as the NAD C446 tuner. This means it can pick up broadcasts from FM, AM or DAB as well as Internet streams; alongside playing audio content that exists on your DLNA-enabled home network or USB memory keys, providing these services to the sound system that it is connected to. If you have a smartphone or tablet full of music, you can stream audio content that exists on the device to this tuner via your home network using Apple AirPlay or DLNA.  The same holds true with computers that are packed to the gunnels with music and use iTunes, newer versions of Windows Media Player or other DLNA-capable media management programs.It also has access to the Spotify online music service as well as another service called Aupeo.

This function set, whether with or without DAB+ broadcast reception could end up being determined for audio-based network media adaptors, especially when it comes to gaining access to broadcast and Internet radio as well as network-hosted audio content, including online services. As well, the fact that mainstream hi-fi names are cutting in to the market shows that the class of product is being given serious thought.

I would see this device and its peers becoming simply a network media adaptor for audio content or a high-quality way to add DAB and Internet radio to that hi-fi system you so love.

Product Review–Pure Sensia 200D Connect Internet table radio

Introduction

I haven’t reviewed any of the Internet table radios for over a year because of a desire to review the “big sets” such as the hi-fi equipment and systems; as well as encompassing other computer equipment.

But now I have the chance to review the Pure Sensia 200D Connect Internet table radio which is the successor to the original Pure Sensia, the first Internet table radio that is controlled in the same manner to the smartphone or tablet. This set has been optimised for Pure Connect which is the rebranded version of the original “Lounge” online content service offered by Pure, with this service also become a music-content streaming service as well as an Internet-radio directory.

Pure Sensia 200D Connect Internet radio

Price

The unit itself

Recommended Retail Price: AUD$599

Accessories and options

Optional ChargePAK F1 battery: AUD$79

Functions

Analogue Radio / TV FM RDS
Digital Radio / TV DAB+
Internet Radio Internet radio via Pure Connect (Pure Lounge) directory
Interactive Services Facebook (activate multiple users at desktop), Twitter
Network Media UPnP AV / DLNA
Stored Memory USB

 

Connections

Input Count as for a device
Audio Line input 1 x 3.5mm stereo jack
Output
Headphone output 1 x 3.5mm stereo jack
Network
Wi-Fi 802.11g/n WPS

 

Speakers

Output Power 30 Watts (RMS) Stereo
Speaker Layout 2 3” full-range

The Internet radio iteslf

Pure Sensia 200D Connect Internet radio remote control

Oval-shape remote control

The Pure Sensia 200D Connect, which is available in white or black, is an egg-shaped radio which can sit directly on the bench with its touchscreen display angled upwards. As well it can be perched on its supplied base so the display can face straight forwards. It also comes with an oval-shaped infra-red remote control that can be used to operate the basic functions.

As for power. the radio can work on AC with the supplied AC adaptor or can work on the optional ChargePAK F1 rechargeable battery which allows it to be a portable radio.

Pure Sensia 200D Connect Interne radio connections - Aux In, Headphones, USB

The connections available on the radio – AUX IN, Headphones, USB

One feature I am pleased about is that this radio has a headphone jack so you can use it with headphones or connect it to external powered speakers like computer speakers for a better sound.

The sound from the internal speakers has some good bass response which works well for voice and music, something that would be expected from a good table radio. Even when I tried it with the New Year’s Eve broadcast form Heart London, the sound from Big Ben’s chimes that rang in the year at midnight GMT (UTC) had that same weighty sound. As for tone control, you only have the bass & treble settings, without any loudness compensation or other tone preset.

For FM radio, the Pure Sensia 200D Connect is not all that consistent in “nailing” a clean stereo signal for all Melbourne stations when it was used downstairs of our split-level house. On the other hand, the set was able to catch all DAB+ multiplexes in Melbourne and play the expected clean sound from the services that are on the multiplexes. Of course the radio supports full information display for RDS-capable FM stations and DAB+ stations.

Pure Sensia 200D Connect Internet radio function selection

This set is operated primarily via this touch screen

The Internet radio functionality that the Pure Sensia 200D Connect has work well even though it was dealing with over-subscribed Internet broadcast streams. Like other Pure radios, the Sensia uses a form-based selection arrangement for “drilling down” Internet stations that you are after. This is different to the “tree-based” arrangement that most Internet radios use.

As well, you sign up with the free Pure Connect to store your favourite stations, which can also work as a listening point for Internet radio on your computer. There is also the ability to record from DAB+ or Internet broadcasts to a USB memory stick in the same way that you used to in the 80s with the classic boomboxes. But this function doesn’t extend to FM broadcasts.

Pure Sensia 200D Connect Internet radio controls

Controls for power and volume on top of the radio

The Pure Sensia 200D Connect does work as part of the DLNA Home Media Network, more so when you select the content from its display rather than “push” the content from another DLNA Control Point device. You also have the ability to have this device show images on its display thus working as an electronic picture frame.

It can also work as a clock radio that responds to two alarm events and a kitchen (count-down) timer. The alarm events can be set to a particular weekday, Monday-Friday or the weekend as well as the ability to sound every day. There is even the ability to set the alarm to sound once which can be useful for specific events or if you have the Sensia 200D Connect in a guest bedroom.

When you turn the Pure Sensia off, the screen shows the current time, but goes blank until you touch it. You can override this so that the radio can work as a clock, showing the current time all the time when it is off.

Limitations and Points of Improvement

One point of improvement that Pure could implement is to be able to use a USB-connected optical drive as a CD player when you just want to play CDs. Similarly, the support for Bluetooth, DLNA MediaRenderer or Apple Airplay functionality could allow for wireless playback of music from smartphones or tablets.

This radio has the potential to be the basis for a platform-driven table radio product with such things as an app store or a software package that provide enhanced functionality. For example, it could benefit from a “hotel package” which provides an easy-to-set alarm clock that is reset when a guest checks out, volume limiting, tourist-information display and the like to benefit the hotel industry. Similarly, there could be apps that show the news, weather or RSS newsfeeds.

Conclusion

I would recommend the Pure Sensia 200D Connect radio be useful for a network-enabled radio that can be used in the kitchen, office or shop; or as a clock radio for the bedroom. This is more so if you value the large touchscreen or the online integrated functionality that this radio offers.

Product Review–Sony CMT-MX750Ni Internet-enabled micro music system

Introduction

I am reviewing the Sony CMT-MX750Ni Internet-enabled micro music system which is a small-form-factor CD/iPod stereo that can connect to the home network for Internet radio or DLNA-based music playback. It is equipped with a DAB+ digital-radio tuner but there is a version of this system known as the CMT-MX700Ni which doesn’t have this tuner and is available in areas that don’t have Eureka 147 DAB / DAB+  digital-radio services.

From henceforth, I am directing the comments in this review also at the Sony CMT-MX700Ni music system as well as this CMT-MX750Ni, except for any DAB digital-radio comments.

Sony CMT-MX750Ni Internet-enabled micro music system

Sony CMT-MX750Ni Internet-enabled music system main unit

Price

Recommended Retail Price: AUD$449.00

Functions

Analogue Radio FM radio with RDS
Digital Radio DAB+
Internet Radio vTuner Internet radio
Network Media UPnP AV / DLNA playback
UPnP AV / DLNA controlled device (network media)
CD CD player
Stored Memory USB Mass-Storage x 1
iPod / iPhone iPhone dock

Connections

Input Count as for a device
Audio Line input 1 x 3.5mm stereo jack
Network
Wi-Fi 802.11a/g/n WPA2 WPS
Ethernet Yes

Speakers

Output Power 50 Watts (RMS) / channel 2 channels stereo
Speaker Layout 2 separate speakers Each speaker:

Back-ported bass-reflex construction
1 x 120mm Woofer
1 x 2.5cm dome Tweeter

Speaker Connections Proprietary plug connection on main unit Push-in connection terminals on speakers

 

The system itself

Setup and Connection

The CMT-MX750Ni can connect to a network either via Wi-Fi wireless or Ethernet. This allows for flexibility with wired and wireless network setups, such as working with highly-reliable Ethernet and HomePlug networks. You need to use the remote for setting up the music system on a Wi-Fi network that doesn’t use WPS push-button setup. Here, you use the numeric keypad on the remote to enter the WEP or WPA passphrase for your wireless-network segment in an SMS-style manner.

Sony has “reinvented the wheel” when determining how the speakers should be connected to the main unit. Here, they have used a proprietary Molex-style plug at the system end of the speaker cords like they have done with their DVD home theatre systems. Personally, I would prefer that they use a two-conductor 3.5mm phone plug, or the older 2-pin speaker-DIN plug, both of these connections can allow for easier-to-replace, easier-to-modify speaker connection. Infact a lot of the music systems that were sold through the 1970s and 1980s with supplied “separate-piece” speakers, such as the “detachable-speaker” boom-boxes have used either the 3.5mm phone plug, 2-pin speaker-DIN plug or RCA plug to provide “plug-in” speaker connections and these have just worked as well for plug-and-play operation.

The speakers are a typical bass-reflex two-way setup but aren’t aggressively styled. One thing I am pleased about these speakers is that they are well-built and the enclosures use an all-wood construction rather than a plastic front baffle which shows the quality behind the system.

In use

You have the ability to perform basic content-navigation tasks using the controls on the Sony CMT-MX750Ni’s front panel but you need the remote control to use this music system to the fullest. The system uses an “Inverse” LCD display as its display. This yields readable text but Sony could implement a monochrome OLED or fluorescent display rather than the LCD which makes it look “cheap”.

Sony CMT-MX750Ni Internet-enabled music system remote controlOther than that, when you operate the Sony CMT-MX700Ni or CMT-MX750Ni music systems, you find that you are operating a well-built music system. The switches and mechanisms don’t exhibit any sort of tackiness that can be noticed in a lot of bookshelf music systems. The remote control is relatively large and with it you have one-touch access to the sources and main functions as well as being able to do advanced functionality.

The FM tuner didn’t perform properly on the “pigtail” aerial that was supplied with the unit, especially as it was on the lower level of a split-level house. Here, I would recommend connecting it to a better FM aerial like an outside one if you want the radio to work properly in a difficult scenario.

This setup didn’t challenge the DAB tuner with it able to survey the DAB+ multiplexes in Melbourne and provide clear and reliable reception from any program on these multiplexes.

The CMT-750Ni and CMT-700Ni use an iPod dock that drops down from the front panel. This makes it easier to hide the dock if you are not using an iPod or iPhone with it. As well, the iPod or iPhone can lean against the front panel while plugged in without the need to use any dock adaptors. The only limitation with this is that you need to pull back a hard-to-discover latch before you can close the iPod dock.

The front-panel USB socket allows you to play music of a USB memory key, SD card adaptor or smart phone. But it is “live for power” only when system is in operation and supplies the power when you select other sources so you can charge up your Android smartphone or other USB-connected device. This situation is similarly true for the system’s iPhone dock and it could be tempting for users to dock their iPhone in this CMT-MX750Ni’s dock in order to charge even if the system is not playing. It could have the option to supply power to charge devices connected to the USB socket or iPhone dock even when the Sony music system is in standby.

When the Sony CMT-MX750Ni or CMT-MX700Ni plays Internet radio and loses the connection to the station, it doesn’t try to reconnect to the station unlike the other Internet radio products I have used. Here, it just goes back to the main menu and you have to retune to that station, and this can be annoying with over-subscribed Internet streams. Other than, the Internet radio experience works properly as best as the link can allow.

This system works as an audio device in the DLNA Home Media Network. This includes the ability to play audio content that is “pushed” to it from a DLNA-compliant control point like Windows Media Player or TwonkyMedia Controller. It serves this function properly whether you pull the content up using the unit’s control surface or push the content out using a DLNA control point.

These music systems can work in the “Party Streaming” mode where multiple Sony receivers or music systems connected to the same home network can stream the same content at the same time. The CMT-MX700Ni or CMT-MX750Ni systems can work as either a host or a client system in this aspect.

Sound Quality

There is the ability with these Sony music systems to adjust the tone of the sound system. This can only be done using the remote control and you have to press the EQ button on that controller. Here you have access to bass and treble adjustments but you can also enable a “Dynamic Sound Generator” mode using a separate button. This may add “extra bite” to some recordings but may not yield difference with other recordings and may be about providing “big speaker” sound out of small speakers.

The sound quality is typical for a high-end “micro” form-factor music system but can clip or sound “muddled” around just near the maximum volume point. I have observed this with recent popular RnB music which is tuned for a loud sound with excessive bass but It can “go loud” on recordings that weren’t tuned “loud”, although I have had the CMT-MX750Ni run at “flat” tone settings.

I even ran this system on a DAB+ broadcast of an ABC Radio National program and had noticed that the speech from the show’s presenters came through very clear, crisp and intelligible. This didn’t matter whether it was a man or woman speaking in the show.

Limitation and Points Of Improvement

The “pigtail” aerials (antennas) supplied for DAB and FM use are inadequate for reliable FM or original-specification DAB digital radio (UK, Denmark, etc). As well, these supplied antennas remind you of using the typical clock radio which has this kind of FM aerial and are out of character with this system’s class. It could do better with a “whip-style” aerial similar to what is used for the Wi-Fi network connectivity and could support “single-input” aerial setups through an option.

Other connectivity improvement that It could also benefit from include having a pair of RCA line-input connectors or a “tape-loop” set of input and output RCA connectors on the back of the system for whenever you connect a computer, tape deck or other piece of audio-equipment in a semi-permanent manner. It can also benefit from a headphone jack for private listening purposes. Similarly, it could also benefit from integrated Bluetooth A2DP functionality so it can work with phones and media players that use this medium as a way of transmitting music data.

Sony CMT-MX750Ni Internet-enabled music system iPod dock

iPod dock with fiddly latch that needs to be released to close it

I would also improve the iPod dock so that you don’t have to operate any latches to open or close the dock. As well, I would provide the ability to charge smartphones connected to the USB socket or docked in the iPhone dock while on standby as a user-selected option. This can allow the user to keep an iPhone or other smartphone “topped off” when docked or connected to the system.

Another point of improvement would be to allow the CMT-MX750Ni music system to retry Internet-radio streams if the stream it is tuned to “gives up the ghost”.

I would also like to see the Internet-media and home-network-media functionality implemented into most of Sony’s bookshelf-stereo range and / or for Sony to develop a network-connected CD receiver along the same lines as the Rotel RCX-1500 CD receiver I previously reviewed.

Conclusion

I would recommend purchasing the Sony CMT-MX750Ni or CMT-MX-700Ni network-enabled music systems for use in a small room like a bedroom, den or office. It may work well for use in an apartment’s small living area.

On the other hand, I wouldn’t use this music system in situations where it is expected to fill a large room with music or play in a noisy area like a party or cafe.

Internationaler Funkaustellung 2011–Part 2

IFA LogoWelcome back to the second part of my report on the Internationaler Funkaustelluing 2011. In the first part, I had touched on home appliances briefly but had focused on computing technologies like smartphones, tablets, laptops and the home network.

Now I am focusing on consumer electronics which mainly is focused around digital cameras, TV and home-theatre / hi-fi technology.

Consumer Electronics

Cameras

3D is still being considered a dominant technology with some of the cameras being equipped with two lenses and sensors. As well, Samsung have also fielded a camera with two screens – one on the back and one on the front.

The camera manufacturers are releasing more of the small interchangeable-lens cameras. These are typically in the “non-SLR” style with the screw-on lens mounts. It is leading towards the appearance of more compact cameras with high-factor zoom lenses. Here, these cameras are being pitched mainly as  mainly “bridge-cameras” which exist between the “point-and-shoot” camera and the SLR camera and have many adjustable photography factors including semi-automatic and manual exposure modes.

An issue that may affect the launch of digital photography equipment at this or subsequent IFA shows is the up-and-coming Photokina photo/film/video trade shows. These shows appear in Cologne at the end of September and they are often seen as a major launchpad for anything to do with photography or videography. A valid point may be raised about whether companies with digital photo / video equipment show their equipment at both shows, launching consumer equipment in Berlin and “enthusiast” equipment (DSLRs, high-end camcorders) in Cologne.

Of course, there hasn’t been much interest in using network technology for photo and video equipment when interlinking with computer equipment.

TV and Display Technologies

There are a few key trends that are occurring concerning the television receivers being promoted at the IFA.

One is the DVB-T2 digital-TV standard which is to launch in Germany. This revision of the DVB-T terestrial digital-TV standard will provide for more HDTV with H264 video. It will also allow for advanced interactive TV (HbbTV, VoD) platforms, robust terrestrial reception as well as more services per TV channel.

3D is still a dominant technology with Toshiba and other names promoting glasses-free 3D viewing where their sets use a polarizing screen and support an ersatz 3D effect for regular content. Haier are also using a similar technology for their 3D Internet-enabled set. LG are running 3D TVs that work with cinema-style passive polarizing glasses. ,

For content, Deutsche Telekom  is providing “Entertain 3D” channels as part of their Entertain IPTV service. This requires the  Deutsche Telekom “Entertain” set-top box and access to a VDSL2 next-gen service. There will be the magazine channels as well as highlight footage from Bundesliga football (soccer) matches as well as the “usual suspects” – those popular 3D action and animation films from Hollywood.

Another key trend is Internet-driven smart TV. This is with access to the Social Web, video-on-demand / catch-up TV amongst other interactive-TV services using the home network.

Hama are releasing at this year’s IFA an Android STB with access to full Android Honeycomb service  on the TV screen. This time, the set-top is able to connect to the network via WiFi, or Ethernet.

Samsung are pushing the Social TV agenda. This allows you to view TV and chat on the Social Web at the same time with a button to press to focus on Facebook/Twitter/Google Talk chat streams or TV content. There is also the ability to use a Samsung smartphone or Galaxy Tab as the TV keyboard once you install the appropriate app. Of course, there is a Samsung TV remote that has a QWERTY keyboard and LCD display to facilitate the chat function.

Samsung have also released an app for their Android smartphones and tablets which allows the image on their Smart TVs to be shown on these devices.

Sharp have contributed to the smart-TV race with the AQUOS Net+ app subsystem for their TVs. As well Metz are showing a network-enabled 3D TV with HbbTV broadcast-broadband support and a 750Gb PVR.

There was an increased number of TVs that had the 21:9 aspect ratio being launched at this show. This aspect ration was more about a “cinema-screen” aspect ration that was often used with a lot of movies since the 1950s.

Even the projector scene is going strong at this year’s IFA.

Acer are showing the H9500BD 3D Full-HD home-theatre projector which is to be released October. This unit can work at 2000 ANSI Lumen with a 50000:1 contrast ratio. It fixes the keystone problem that often happens with projectors by using a lens-shift setup rather than digitally skewing the image; as well as a high zoom lens that permits a big image with a short throw and also has wall-colour-correction for projection to non-white-walls  It is expected to sell in Europe for €2499 recommended retail price

Sony are also launching a 3D-capable projector with a 150,000:1 contrast ratio and use of lens-shift as the keystone correction method. The big question that I have about this projector is how bright this projector is in ANSI lumens.

Canon also launched the LV8235 which is an ultra-short-throw DLP projector. Here, this projector can throw a 2-metre (80”) usable image projected with it being positioned at 32cm (1 foot) from the wall or screen.

As well, Sony had used this show to premiere a set of 3D personal video goggles. Here, these glasses show 3D video images on separate OLED screens, mainly for use with personal video players or games systems.

Home Theatre and Hi-Fi

There has been some activity concerning networked home-theatre and hi-fi equipment.

Harman-Kardon are launching a 3.1 HTIB with has an integrated 3D Blu-Ray player and uses a soundbar as its main speaker.

Loewe have used this event to launch the Solist single piece audio system. This has a CD player and access to FM and Internet radio broadcasts as far as I know. It can connect to home networks via WiFi, Ethernet or HomePlug and uses a 7.5” touch screen or Loewe Assist remote control as its control surface.

Sony have launched the SNP-M200 network media player which is the follow on from the SNP-M100, It offers 3D video support and an improved Facebook and Twitter experience. Of course, like the SNP-M100, it has the full DLNA Home Media Network credentials including being a controlled device. They also launched another Blu-Ray player in the form of the BDP-S185 which supports 3D Blu-Ray playback and access to online content.

As well, Pioneer have launched some network-enabled hi-fi equipment including a component network-audio player for use with existing hi-fi setups. Philips are using this show also to launch a Streamiun MCi8080 music system with DAB+ and Internet radio, a CD player as well as network audio. Intenso have launched their Movie Champ HD media player which is one of those media players that play off USB (or the home network). But this one can properly play 3D video in to 3D-enabled TVs.

It is also worth noting that Jarre Technologies is a newcomer to the scene of “worked” audio reproduction technologies. This firm has been set up by Jean Michel Jarre, known for setting the tone of European ambient-music with Equinoxe and Oxygene, and is now following the same path as Dr. Dre’s “Beats Audio” name. Here, they are launching their highly-powerful iPad speaker tower which can work comfortably at 10,000 watts and uses “speaker tubes” but would need a large area to perform at its best. Here, this product is all about proving Jarre Technologies metal and I wonder when there will be premium and multimedia laptop computers that have their audio subsystems tuned by Jarre Technologies on the market and who will sell these laptops.

Germany is now heading towards DAB+ digital radio broadcasting which yields an improvement over the original DAB digital-radio technology that it worked with before. Here, this technology uses AAC audio coding, allows for an increased number of broadcast services per multiplex and, from my experience with the Australian setup as I used many DAB+ enabled Internet radios on review, provides for highly-robust digital radio reception. It may be easier for set manufacturers to launch DAB+ digital radios in to this market due to them having DAB+ radios already on Australian and other DAB+ markets; and UK readers may find that their newer digital radios may be already set up for DAB+ technology even though the UK is working on “original specification” DAB radio.

Conclusion

The Internationaler Funkaustellung 2011 has reinforced the role of the networked home especially as Europe takes to the newer Internet technologies like 4G wireless broadband, IPTV and next-generation broadband service.

Interview Series–Network audio and video

Introduction

Between the end of October and the beginning of November, I had a chance to interview people who work with two different companies that work in the consumer audio-video market and had noticed some trends concerning this market and its relevance to the online world.

One main trend was that there was increased focus by consumer-audio manufacturers who work in the popular marketplace on delivering DAB+ digital radio equipment rather than network-connected audio equipment to the Australian market. This may be because some of these firms need to see this technology become more popular here and want to have “every base covered”.

Sony

From my interview with Kate Winney I had observed that Sony had a strong presence in the connected-TV scene. Here, this was more concentrated with their newer “main-lounge-area” TVs but they are providing this functionality on some of their video peripherals, namely their BD-Live Blu-Ray players.

We agreed that Sony had no Internet radio in its product lineup although they implement Shoutcast on their high-end home-theatre receivers like the STR-DA5500ES. But we agreed that they need to make DAB+ available on their stationary “big sets” like hi-fi tuners, receivers, home-theatre-in-box systems and bookshelf audio systems. They are releasing a few DAB+ sets but most likely as stereo systems rather than as portables or components.

I had stressed to Kate about Sony implementing vTuner or a similar directory-driven service which is implemented in most Internet radios. This is because most of these services offer access to the simulcast streams of the government, commercial and community radio stations broadcasting to local countries around the world as well as the Internet-only streams of the kind that Shoutcast offers. It is also because most people who are interested in Internet radio are likely to want to use it as a way of enjoying the “local flavour” of another country that is provided by that country’s regular broadcasters rather than just looking for offbeat content.

Kate also reckoned that DAB+ digital radio needs to be available in the dashboard of cars in the new fleet, preferably as standard equipment or as a “deal-broker” option offered by car dealers for the technology to become popular. I was also thinking about whether Sony should offer DAB+ technology as part of the XPLOD aftermarket car-audio lineup.

Bush Australia

From my interview with Jacqueline Hickman, I had noticed that Bush are still focused on implementing DAB+ digital radio in Australia but are using Internet radio as a product differentiator for their high-end “new-look” sets that are to appeal to young users

Their market focus for consumer audio is on the “small sets” like table / clock radios, portable radios, small-form stereo systems but I have suggested implementing or trying some value-priced “big sets” as product ideas. This is even though they run some “main-lounge-area” TVs and digital-TV set-top boxes in their consumer video lineup.

The ideas I put forward are a DAB+ or DAB+ / Internet-radio tuner that is for use with existing audio equipment and a FM / DAB+ (or FM / DAB+ / Internet-radio) CD receiver with optional speakers. A market that I cited are the mature-aged people who own “classic hi-fi speakers” from 1960s-1980s that they like the look and sound of but may want to run them with a simpler cost-effective component. I had made a reference to the “casseivers” of the late 70s and early 80s which have an receiver and cassette deck in one housing and what these units offered. Jacqui had reckoned that companies like B&O and Bose filled the market but I have said that some of the companies have gone to active speakers rather than integrating power amplifiers in the equipment. As far as the DAB+ tuner is concerned, she suggested that a person could use a portable DAB+ set and connect it to the amplifier using an appropriate cable.

I raised the topic of IPTV but Jackie was not sure whether this will be implemented in any of their TV sets or set-top boxes at the moment. This sounds like a product class that hasn’t been properly defined with a particular standard and platform especially in this market.

Conclusion

It therefore seems to me that there is more interest by consumer-electronics companies in nurturing the DAB+ digital radio system and the DVB-T digital TV system because they are based on established technology and established metaphors; and appeal more to “Joe Six-Pack” than the Internet-based technologies.

Also, I had noticed that it takes a long time for all equipment classes to benefit from a new technology. This is more so with DAB+ digital radio and, to some extent, Internet radio where the mains-operated stationary “large sets” like hi-fi equipment and stereo systems are under-represented.