Tag: IPTV

There is room for the next-generation broadband service

A common remark that I hear about next-generation broadband is that it is a service we don’t need. Here the image that is underscored is that current-generation broadband services like ADSL2 or cable-modem Internet are good enough for email and Web browsing with a dash of multimedia communication thrown in.

But the next-generation Internet services are providing for newer realities especially as we increasingly do some of our work from home or increase the use of multimedia that is available online.

Video and entertainment applications

A major driver for the next-generation broadband technology is its role in delivering entertainment content to customers. This has been underscored through the availability of network-enabled AV equipment that can also draw down this content from the Internet.

High-resolution video

One major application class that I see with next-generation broadband is the distribution of video that has very high resolution. This will become the norm as more display devices will have high pixel-density displays. For example, a device like a 10” tablet to a 21” personal-display screen will acquire something like a 1080p resolution while the 32”-55” group-viewing displays will acquire the resolution for a 4K UHDTV picture.

This year, the 4K ultra-high-definition TV technology is being premiered by the likes of Sony, with the idea of the content currently being delivered on to hard disk media players connected to these displays.

Similarly, more newer video content is being turned out with the 1080p full high definition images. This includes older content, especially the material that was mastered to 16mm or 35mm film being mastered to 1080p full high definition video.

IPTV and video on demand

Another key application is the provision of Internet-based video services. These could be in the form of scheduled IPTV broadcasts or video-on-demand services where you can pull in video content to view. The video-on-demand services could be offered as a streaming service where the server streams down the content as you view it or as a download service where the content is downloaded to local mass-storage for you to view from that location.

The cost of entry is being reduced significantly at both the service provider’s end and the consumer’s end. In the latter case, this is enabled through various smart-TV platforms offering this service through TV sets and video peripherals like Blu-Ray players, games consoles and network media receivers. The former case is underscored by the arrival of an “action sport movie” channel that is running movie and TV content themed around high-action sports and making use of IPTV due to its low cost of entry.

It also appeals to the different business models like advertising-supported, pay-per-view, content rental, time-based subscription and download-to-own, with the operators being able to offer a mix of models to suit the content and the audience.

Telecommuting and small-business enablement

Another key application that the next-generation broadband will provide is various communications and business-enablement services. This can cater for people who telecommute (work from home for an employer) on a full-time or ad-hoc basis, people who maintain a shopfront for their business but do their office work at home or those of us who run professional or other business services from our homes.

Videoconferencing and IP communications

With the success of Skype in the consumer space, the concept of IP-based communications is likely to drive the need for next-generation broadband.

For example, the videocalls currently offered through Skype allow for 720p video resolution through the current generation of Webcams in the field. Similarly, HD voice communications which allows one’s voice to come through in FM-radio quality is being supported by Viber and most over-the-top telecommunications services. This latter ability can benefit people who have a distinct accent in that they can be heard easily.

In some cases, this could extend to “real-business” telecommunications like PABX functionality or telepresence / teleconference being made available to the small-business crowd. For example, a small-business owner who sets up shop in another area could benefit from VoIP tie-lines that link both locations or a professional services provider could engage in videocalls with clients using Skype or better services.

Cloud computing

Another key driver for next-generation broadband is the idea of “cloud computing”. This can extend from email, social-networks and Internet banking through to file-drop, media-sharing and online-backup services. Even businesses and multiple-premises home networks are or will be implementing “small private cloud” setups which interlink computer systems that are at multiple locations, whether on a remote-access or peer-to-peer basis.

But what is common with these services is that they require the ability to transfer large amounts of data between the home network and the service provider. This will cause a demand for the bandwidth offered by the next-generation broadband services.

Conclusion

Although it is so easy to say that there isn’t a need for next-generation broadband, as the new applications come on to the scene, these applications could ultimately underscore the desire and need for this technology.

Sports action movies in Australia to become a viable IPTV niche

Articles

Sports films to stream online – mUmBRELLA

Film streaming service kicks off on Coast | GoldCoast.com.au

From the horse’s mouth

Garage Entertainment

Homepage

My Comments

The IPTV concept has provided a lower cost of entry for television-content niches than ever before and is something I have stood for with this site and the home network. A good example of this is the latest effort by Garage Entertainment to run a movies-on-demand service that focuses on the sports action movies that a lot of men like.

These are offered for view across all devices on a pay-per-view business model or a monthly subscription business model with the subscription under AUD$6 per month. As for the content, they are working across films, clips / shorts and similar material for even as far back as 15 years ago and having these available on-demand. At the moment, people who own an Internet-enabled Sony BRAVIA TV or Blu-Ray player such as the BDP-S390 that I reviewed on HomeNetworking01.info will have direct access to this service through the device’s menu. As well, Garage Entertainment are intending to provide direct access to this service on other “Smart-TV” platforms.

What I see of this is that the idea of running a niche-content IPTV service is being lifted “off the ground” and exposed to most people. Some of us may scoff at this idea because it opens the path for poor-quality content but once these services know how to solicit the content properly, this reputation could disappear. On the other hand, filmmakers who focus on particular niches may find that these IPTV services may give their works an airing beyond the film festivals and similar events.

An example of this idea with the growing popularity of the foreign-language film and TV content which could benefit from country groups like Alliance Française running their own channels or content-on-demand services to have more of that particular country’s output even though one or more “art-house” channels run this content on TV. Similarly, a Christian bookshop like Koorong could run a similar channel or content-on-demand service focusing on the wholesome Christian movies even though they are able to sell it as a DVD or Blu-Ray disc. In both examples, these services could extend the offering not just to pay-per-view / rental or subscription models but provide the option to sell the content on the “download-to-own” model.

As for the smart-TV platforms, there needs to be the ability to discover the channels and sign up to the paid content from your armchair. In the same light, the channels could be promoted across public events and other media so people are aware that they exist.

Who knows how this kind of content availability could pan out as the bandwidth increases for Internet TV applications and the number of Smart TVs and similar video peripherals in circulation increases.

Samsung Smart TVs in France now can replace the décodeur for the Livebox service

Article – French language

La TV d’Orange débarque sur les Smart TV de Samsung – DegroupNews.com

My Comments

France has become the first country to bring to the mainstream one of the key pillars for Internet-driven TV. This pillar is for an IPTV or single-pipe triple-play provider to allow us to gain access to their Internet-driven TV service without the need for a set-top box to be supplied by them and for this practice to be seen as becoming mainstream.

Here, people who subscribe to the Livebox service provided by France-Télécom (Orange) and own a recent Samsung smart TV view the baseline TV package for their triple-play service just by using the Samsung TV’s remote control.

This will require the user to perform a firmware update through the TV’s menus. You may have to “press the “Menu” button to bring up the “Assistance” option then bring up the “Firmware update” (Mise à jour de logiciel). Then you have to select the “On-line” (En ligne) option to draw down the firmware via the home network. Here, the set will show up the Orange TV options on its Smart-TV menu when you click the “Smart” diamond on the remote. A question that I would have is whether Samsung is intending to roll this out to the Blu-Ray players and home-theatre systems that have the integrated Internet-TV functionality because these devices would be used to “extend” this functionality to cheaper and older TVs.

At the moment, this will yield the baseline channels but Orange want to take this further with their premium, catch-up and on-demand services. As Orange liaise with other smart-TV platforms to roll this method out to the other platforms, this could become a chance to prove to the IPTV scene whether the smart TV can become the control surface for pay-TV. Here, smart-TV integration only works well with broadcaster-developed video-on-demand front-ends or a smattering of “over-the-top” video-on-demand and subscription-video services which aren’t heavily promoted.

In the US, the FCC could place high value on this concept if all the smart-TV vendors come to the party, as a way of “liberating” the American cable-TV subscriber base from the control of the cable-TV companies. Here, this could be facilitated with a broadcast-LAN gateway for cable-broadcast / satellite-broadcast services as well as this interface for selecting broadcast, recorded-broadcast, online and on-demand material.

Who knows what this could mean for IPTV as the increased number of Smart TVs and video peripherals become increasingly available through the retail channel and the home network becomes a mainstream requirement for the average household.

The first satellite-based 4K Ultra HDTV service launched in Europe

Article – French language

Eutelsat lance la première chaîne satellite ultra HD en démo – 01Net

My Comments

Once the 4K Ultra HDTVs were shown at this year’s Consumer Electronics Show, something happened concerning the idea of TV broadcasts in this resolution for those big screens.

Eutelsat have launched on the Eutelsat 10a satellite a TV channel that broadcasts these programs across Europe. This is primarily a proof-of-concept demonstrator channel to show that this kind of broadcasting can be done. This is although there is a lot of long-form entertainment coming from America using 4K Ultra HDTV as the production workflow standard. It includes the cinema movies that are being distributed digitally for the big screen.

They are expecting a future video-compression standard to come about for use with this resolution and the larger 8K resolution.

Personally, I would also see the Ultra HDTV technology be carried primarily using IPTV methods and exploiting the next-generation broadband services that are appearing. It may also work hand in glove with the hard disks that are in the order of terabytes and home networks that work in the order of gigabytes.

A tabletop Internet radio that doubles as an Internet TV

Articles – German language

19. Dezember – Albrecht DR870 HD-TV,7′ Internet Radio-TV Media Player zu gewinnen | GIZMODO DEGIZMODO DE

Product Page

Albrecht DR870

My Comments

Here is another Internet radio, pitched for use in the kitchen, that has the typical features of a set of its class. This set, known as the Albrecht DR870 and available in Germany, has the FM, Internet radio, local media playback via SD card and access to the DLNA Home Media Network. It would mean that it can play whatever is on the NAS or a Windows computer running Windows Media Player.

But it is also pitched as an auxiliary TV which can pull in DVB-T digital TV as well as various Internet TV services and show these on a 7” LCD screen. This class of compact AV product could earn its keep a fair bit more for “glancing” at news, sports or other events in the kitchen or similar location while you do other activities.

What I see of this is that it could raise the bar as far as a compact radio that is destined for the kitchen, office or small shop. Here, this can integrate TV reception as well as radio reception and media playback in that class of unit and shows what the direction is for a tabletop radio or similar device.

Product Review–Sony BDP-S390 Blu-Ray Disc player

 

Introduction

I am reviewing the Sony BDP-S390 Blu-Ray Disc player which is one of many value-priced Blu-Ray players that don’t just play Blu-Ray Discs but effectively add Internet TV functionality to cheaper and older TVs.

There is a more expensive variant known as the BDP-S590 which adds 3D playback with suitable TV equipment and a top-of-the-line model known as the BDP-S790 which adds on 4K high-resolution playback for the largest high-resolution displays as well as support for Skype functionality. But I am focusing on the BDP-S390 as a model that ticks most of the network and Internet video boxes at an affordable price.

Sony BDP-S390 Network Blu-Ray Player

Price

Recommended Retail Price: AUD$179.00

Functions

Internet Radio vTuner, local audio services
Internet TV Locally-available online video services like ABC iView, SBS OnDemand, YouTube, etc
Interactive Services Web browser, Facebook, Twitter, Opera TV Store
The Internet services will change and increase by the time you purchase this unit
Network Media DLNA Media Player / Media Renderer
Optical Disc Blu-Ray / DVD / SACD / CD
Stored Memory USB Mass-Storage Device

 

Connections

Output
Audio Line output Stereo RCA sockets
Digital Audio output PCM or Bitstream via RCA coaxial; HDMI output
Video Line output RCA socket
Video HDMI output Yes
Network
Wi-Fi 802.11g/n
Ethernet Yes

 

The unit itself

The Sony BDP-S390 is much smaller than most common DVD or Blu-Ray players and may be described as not fitting the average AV equipment rack due to this size. But this wouldn’t be of concern if you you are just plugging it in to the secondary TV set and it is sitting on the bench under or beside that set.

Being a video-focused device, there isn’t a display on the unit and you have few controls on that unit. Therefore, you are encouraged to operate this unit from the remote control and using the TV screen. This may make the playback of audio-focused content like audio CDs or vTuner Internet radio become more unwieldy as if you are listening to digital radio via a satellite-TV or digital-TV set-top box; or listening to the radio through the TV in some hotels.

Sony BDP-S390 Blu-Ray Disc Player connections

Connections – Composite video, stereo line-level audio, digital audio, HDMI A/V, Ethernet LAN

As far as the home network is concerned, the Blu-Ray player comes with Integrated 802.11g/n Wi-Fi as well as Ethernet connectivity rather than being “Wi-Fi ready” where it would need a dongle to connect to the Wi-Fi network. It can connect to video systems that use a CVBS (composite) through an RCA jack or HDMI display and can connect to audio equipment via an RCA line-level stereo feed, a PCM or bitstream (Dolby Digital) feed using an RCA socket or a digital feed via the same HDMI socket. This same HDMI socket also allows the player to work with “one-touch-start” setups that use HDMI-CEC control abilities. The front has a USB socket so you can connect up a memory key to store BD-Live data or play / show media content held on a memory key.

The setup routine was relatively quick although you would need to use SMS-style data entry when you enter the passphrase for a Wi-Fi segment that doesn’t implement WPS quick-setup. This routine can be annoying if you have punctuation in the passphrase due to the confusing reference to an “input method” where you would need to press the yellow key on the remote to gain access to the punctuation.

Sony BDP-S390 Blu-Ray player remote control

The standard remote control that comes with this player

The Sony BDP-S390 does support “smartphone-as-remote” operation with the Sony Media Remote app for the iOS and Android platforms. This allows you to use the smartphone and your home network as an alternative to the infrared remote control and could allow you to conceal the player in a cabinet yet be able to operate this Blu-Ray player.

As a member of the DLNA Home Media Network, the Sony BDP-S390 ticked all the boxes properly. Here, it worked well with TwonkyMobile on my Android phone to allow me to “throw” a Facebook album image to the TV’s screen and it had come up properly. It could also quickly list every DLNA media pool that existed on the network as part of the top-level XrossBar menu.

The Internet TV experience was very smooth for the visuals and came through without any glitches. As well, it didn’t take long to load up whatever was in an IPTV channel’s lineup.

Even though I had access to an average TV to test this player, the Sony’s picture quality did come up very well with photos and videos. The colours were still true to the video no matter the source.

Limitations and Points Of Improvement

The Sony BDP-S390 could provide support for extended DLNA applications like setting up shows to record using DLNA-compliant PVRs; and RVU which allows it to be a user interface for advanced cable-TV PVRs and to some extent, hospitality applications.

The Skype feature could be made available across all of the Sony Blu-Ray players so as to allow existing TVs to work as Skype videophone terminals.

Similarly, I would like to see this set as well as other Sony consumer-electronics equipment be able to work with IPv6 networks so they can be future-proof. As well, this Blu-Ray player, as well as other Sony network-enabled consumer-electronics equipment could support WPA2-Enterprise setups as a field-installable add-on so small businesses don’t need to create separate WPA2-Personal segments to implement Wi-Fi-enabled DLNA-compliant audio and video equipment in their network environments.

Of course, some of us might think that this player looks a bit ho-hum because it uses a drawer to load discs rather than a direct-load slot.

Conclusion

Sony BDP-S390 Blu-Ray Disc PlayerI would recommend the Sony BDP-S390 Blu-Ray player as a valid option when you want to enable an existing TV or HDMI-equipped video projector with Blu-Ray, DVD, DLNA and / or Internet video capabilities. The price makes it even right to purchase this player as an entry-level Blu-Ray player / network-video terminal that can be used with an entry-level flat-screen TV.

For example, you could buy that low-end LCD TV and this player from Harvey Norman in order to get cracking with Blu-Ray Discs and “The Shire” on Channel 10 Catch-Up TV. Or you could use this player and any old LCD TV or HDMI-equipped video projector to set up a DLNA-driven visual-merchandising arrangement for your business or organisation.

The higher-end Sony models could go well with a high-grade TV that excels on picture quality yet you want to get your foot in the door with network and Internet video as well as Blu-Ray playback.

Smart TV Alliance–the goal of a level playing field for connected TV

Articles

Will Smart TV Alliance challenge cable operators? | FierceCable

LG launches “universal” smart TV platform | CNET

Leading TV Makers Launch Smart TV Alliance, Provide Infrastructure For Effective Collaboration Among Smart TV Makers And App Developers | FierceCable

From the horse’s mouth

Smart TV Alliance – Website

My Comments

At the moment, there are many different connected-TV platforms out there offered by different hardware-manufacturers for use with their “smart-TV” sets and video peripherals.

This provides key challenges for both content creators and video-hardware companies alike. Content creators would be required to work towards creating their interactive content and service-to-TV front ends for each smart-TV platform and, in some cases, this would require negotiation with the platform owner ie the video-hardware manufacturer for them to develop for that platform.

Similarly, there is a higher cost of entry for companies who haven’t established a “smart-TV” platform of their own. This especially applies to those who make TVs, Blu-Ray players and video peripherals for multiple brands on an “OEM” or “ODM” basis or who focus on certain aspects of their device’s design like a European TV maker offering premium TVs that excel in picture and sound quality or a computer-technology name offering network media players.

What has now just happened with LG and TP-Vision; who are represented by the Philips TV nameplate, is that they have started a “Smart TV Alliance”. This is an industry association open to broadcasters, pay-TV providers, video-hardware manufactures and software developers who want to create a level playing field for the connected-video marketplace.

They even targeted the pay-TV industry so that this industry doesn’t have to focus its activity around set-top-box infrastructure which has a high capital-expenditure cost.

Issues that have to be raised include a standard SDK and codebase for applications, encouraging the support for standard network-connected and local-connected peripheral-device classes as well as support for industry-standard broadcast-broadband TV arrangements. This, along with home-network integration, could be worked out using one or more reference implementations for these sets.

Similarly, the Smart TV Alliance could work out issues concerning “multi-box” setups like home-theatre setups and Blu-Ray players as well as network setups like network DVRs and smartphone / TV viewing arrangements.

Such an association can open the path to a critical mass for connected-TV applications such as IPTV channel directories, multi-screen synchronous viewing and video-on-demand services.

NBN–as a way to improve the TV experience

Article

NBN Co – National Broadband Network – Australia | Will the NBN fix my TV reception?

My comments

The question that was often raised in this article was the feasibility for the National Broadband Network to be used as a conduit to providing a reliable high-quality TV viewing experience. This is more so in areas around Australia where TV reception quality is next to hopeless and is something regularly encountered in rural areas.

There are some IPTV (Internet Protocol TV) services in place through Australia but these are offered by some ISPs as a way of delivering multichannel pay-TV service to their customers. Similarly, the regular free-to-air TV stations run Internet-based TV services typically in the form of on-demand TV content. This is where one typically can catch up on past episodes of a TV show or see “12-inch” (extended-length) versions of particular content like TV interviews.

But the National Broadband Network could be used as a platform for delivering an IPTV service similar to what has happened in France with their “n-box” triple-play services, and also what happens in some other European countries. There, one could use the set-top box which is connected to the Internet to tune in to regular free-to-air TV broadcasts. There is even the ability to gain access to extended content offered by the broadcasters like “catch-up” TV from the comfort of your couch.

This is also augmented by the main TV manufacturers rolling out “main-lounge-area” TV sets and video peripherals that have an extended-TV platform and can connect to the Internet. These sets, commonly marketed as “smart TVs”, have been pitched with apps that have access to various functions like broadcaster

Freeview, who represent the free-to-air digital TV platform in Australia, could extend their remit for this service beyond the classic terrestrial-based technology. Here, they could set up a “Freeview IP” environment which uses IPTV and the National Broadband Network to distribute regular “scheduled-broadcast” TV content via this infrastructure. This could be extended to a “couch-based” user interface for extended on-demand content such as catch-up TV.

Questions that may be raised concerning this would include negotiation with sports leagues and cultural bodies concerning using Internet infrastructure to broadcast their content. This may be seen as treading on “online rights” contracts and may break sports-code ideals like “delay-to-the-gate” blackouts (where a fixture can’t be shown live in a city unless a minimum number of seats are sold) or similar requirements. As I have covered before, if the intention is to broadcast in the regular manner on to the Internet as would be expected for a regular TV service i.e. verbatim broadcasting with own talent calling the event and use of regular commercial and continuity material specific to the area, there shouldn’t be a difference.

As the NBN gets rolled out around Australia, we need to take action on being able to deliver the free-to-air TV content through this infrastructure in a similar manner to how it has been enjoyed.

Online rights for sports and cultural events–what could be done?

After hearing the latest furore about Optus delivering delayed broadcasts of the AFL and NRL football matches to their mobile subscribers, I have thought that something needs to be done concerning how online and mobile rights for sporting and cultural events are worked out.

Typically the online and mobile rights for these events are bought by ISPs or mobile carriers for exclusive distribution to their subscribers. This has become a thorn in the side of sports and cultural bodies, existing radio / TV broadcasters and similar groups due to various limitations that could exist.

For example, most radio stations run an Internet-hosted simulcast of their regular broadcast and this has extended radio to the iPhone and popularised the Internet radios such as the ones I have reviewed on this site. What has happened lately is that radio stations that call AFL or NRL football matches using their own talent have had to run alternate programming on their Internet feeds so as to placate Telstra who have exclusive rights to these matches.

Similarly, Optus running a broadcast-IP setup and cloud-recording arrangement to deliver the football to their subscribers has ruffled Telstra’s and the football leagues’ feathers.

This can cause issues not just with ISPs and mobile providers but can affect companies who deliver any form of IPTV services which is a growing trend with the arrival of next-generation broadband services. It could even extend to usage environments such as hotels and apartment blocks implementing “broadcast-IP” tuners to deliver broadcast content from a rooftop aerial to the building’s LAN with Internet-enabled radio / TV equipment connected to the network showing or playing the content.

What needs to be looked at for defining online rights to a sporting or cultural event is whether the online use is simply a verbatim use of an existing radio or television broadcast or data available on the scoreboard; or whether it is an extended mixed-media interactive use of the content. The “verbatim use” would be something like diffusing broadcasts from a broadccast-IP tuner to a broadcaster simulcasting an audio or video feed of the broadcast to the Internet and providing a user-interface just to gain access to that stream. It can also encompass someone who writes a mobile scoreboard app with their own interface.

This is compared to an enhanced online service with extra data on the game being provided alongside the broadcast of that game, such as on-demand video, a Web scoreboard or a highly-strung scoreboard app with the leagues’ logos.

Here online / mobile rights could be split in to two categories – a default simulcast rights for existing broadcasters which requires verbatim use of the sportscast including all commercial and continuity material normally broadcast; and an enhanced online right for online providers who buy that right. The latter right should then enable access to the content by users associated with competing Internet and mobile providers under the same terms as the rights-holder’s subscribers. There could also be a raw-data right for people who prepare their own data applications like sports-magazine Websites and online scoreboard apps.

For the league or cultural-event organiser, they could be in a position to sell multiple online rights classes or choose to offer “verbatim-use” (simulcast) rights to existing rights-holders as a way of bolstering broadcast-rights packages/ As well, private-network use of broadcast material, including time-shifted copies, should be qualified as a standard fair-use right for users of that network such as a household or a hotel’s employees and guests.

What needs to happen is a common sense of “working out” broadcast rights for live sporting and cultural events so that uses commensurate with broadcasting are protected yet the organiser can sell advanced-interactive use rights to online and mobile providers.

Consumer Electronics Show 2012–Part 2

Audio and VIdeo

Smart TV

There is still intense interest in the smart-TV platforms where your TV is effectively a computer connected to the Internet. This is more so with the idea of integrating multiple viewing screens ie the large TV screen, one or more computer screens, and the screens on tablets and smartphones.

Sony have been dabbling with the Google TV platform, mainly in the form of network video peripherals rather than a TV, which I will mention below. Of course, they are still maintaining their Bravia platform. They were also to promote this concept in a Las Vegas wedding at the Bellagio Wedding Chapel between “Bravia” (Sony’s Internet TV platform) and “Sony Entertainment Network” (Sony’s online content entity).

As far as the interactive-TV lineup goes, Sony have focused this function across their HX and EX “lounge-room” models with the HX series being ready for Skype once the user purchases an optional camera.

Samsung have devoted most of their press event to the TV being the “smart hub” of the connected home. This is with the use of a connected TV chassis that has a dual-core CPU, as well as building up the “Smart TV” platform around an app store and a video-content-distribution platform. They even are using an Android app as the TV’s remote rather than supplying the remote with the TV set. They even ran a competition for the development of a multi-screen app which makes best use of the TV screen alongside a smartphone or tablet screen.

As well, Samsung put forward an “open-frame” design for TV sets with a user-upgradable computer processor. This is in a similar way to how the desktop computer has been designed and is underscoring the fact that these smart TVs are really large-screen computers in their own right and are expected to last for in the order of ten or more years.

Even Lenovo had come to the fore with a 55” LCD set that is driven by the Android “Ice Cream Sandwich” operating system. This would link to their own app store and cloud services and have the usual “smart-TV” features like Wi-Fi connectivity and ability to use an SD card as storage.

Similarly, a “fork” of the Ubuntu Linux distribution, which was targeted at the Internet-enabled TV set, had been launched at this show.

Ultra-high-definition TV

Another main trend surfacing this year at the Consumer Electronics Show is ultra-high-definition TV, also known as UDTV or 4DTV. This is where images have a resolution of 3840×2160 pixels and is pitched at the very large screens of 103” and bigger.

LG is intending to demonstrate an 84” prototype set which works at this resolution while Sony even had the idea of having some of their Blu-Ray players upscale the 1080p video to the higher resolution offered by this newer technology.

3D TV

The main trends affecting this technology are glasses-free 3D screens where you don’t need to wear glasses to watch the 3D effect; use of cheaper cinema-style passive 3D glasses which don’t need to link to the set or require batteries; as well as standards-based active glasses systems.

Toshiba is launching a glasses-free QFHD 3D TV 

OLED as a TV display technology

LG and Samsung have made efforts to bring the OLED display technology to the living-room TV size. Here, they have proven it by demonstrating 55” TV sets that use this technology rather than the LCD or plasma technologies for their screens.

There were rumours that Sony was to dump OLED technology for TV displays but they wanted to refine it to a cost-effective point for professional and consumer users. They have also shown a “Crystal LED” screen prototype which works in a similar vein to LED screens used in public places but implemented on 55” displays.

Other TV news

Some classic names of respect are using this fair to strengthen themselves in the American market. Westinghouse have launched a 3D TV but none of their sets came with Internet-enabled TV functionality. This was to keep their sets at an affordable price point.

RCA had rebuilt their name on a large run of TVs for the North American market as well as fielding a 55” Internet-enabled TV for the Latin-American market. They were using this show to launch some Android-powered mobile TV sets for the up-and-coming “Dyle” mobile / handheld terrestrial TV platform in North America.

Speaking of Dyle, Belkin and MCV were launching an array of equipment and accessories so that people can benefit from this mobile TV platform.

Home-theatre and Hi-Fi

Samsung had used this show to launch two soundbars with iPod / Galaxy S / Allshare (DLNA) integration with one being based on hybrid valve / digital amplification technology. They also ran with two Blu-Ray-based home-theatre-in-box setups with “Disc-Digital” which is Samsung’s implementation of the UltraViolet “digital video locker” service as well as the 7.1 channel unit being based on the above-mentioned valve-digital hybrid amplification technology. The other 5.1 channel version implements a wireless link for the back speakers and both systems use Wi-Fi to link to the home network.

Samsung even launched a home-theatre soundbar which can become two speakers and could link to sources via HDMI ARC (audio return path from HDMI 1.4-compliant TVs) or Bluetooth A2DP. RCA also launched a similar soundbar that connected to the home network and worked as a network media player for Netflix and similar services.

They are also implementing the “DIsc-Digital” UltraViolet implementation across the Blu-Ray player lineup at this year’s CES. One of the players is a similar size to a Discman and accepts discs through a slot while another of the players is a slimline form factor with HDMI inputs for TVs that don’t have enough HDMI sockets.

Sony have shown two Google-TV-based network video peripherals, the NSZ-GS7 which is a network media adaptor and the NSZ-GP9 which is a Blu-Ray player. As well, they have released two DLNA-capable Blu-Ray home theatre systems with full access to the Bravia Internet TV platform as well as a home-theatre receiver. Sony also released a few “HomeShare” DLNA speakers that connect to the Wi-Fi home network and have audio content pushed to them.

Panasonic have run with a large lineup of Blu-Ray players and Blu-Ray home-theatre systems. All of these connect to the home network and support DLNA functionality but the 3D-capable models and the home-theatre systems provide full access to Panasonic’s Viera Connect smart-TV platform including Skype and the Social Web for your existing TV.

These latest releases by Sony and Panasonic mean that you can use the cheaper and older TVs and have full access to the Internet-provisioned “smart TV” content and applications out there. In the case of the Panasonic 3D Blu-Ray players and home-theatres, add the Skype camera and you have just enabled a Skype-based video-conference setup,

Pioneer also used this show to launch the N-30 and N-50 audio-focused network media adaptors which work with DLNA 1.5 and Airplay network-media setups and the vTuner Internet-radio directory. They can handle 24-bit 192-kHz WAV or FLAC high-grade audio files and are Wi-Fi / Bluetooth ready with optional modules. The N-50 can also work as a high-grade digital-analogue converter for a CD player or MiniDisc deck.

Cameras

Samsung, Sony and Toshiba had launched cameras that were capable of uploading images to cloud-based photo-sharing services without the need for a computer. In the case of Sony, their Bloggie Live and Bloggie Sports cameras were being pitched as an alternative to the smartphone’s camera for Internet work.

Toshiba also exhibited a 3D camcorder with a built-in glasses-free 3D LCD screen so you can preview your 3D images properly. As well, Polaroid demonstrated a smartphone-style digital camera with a “proper” optical zoom lens – something that could be considered a bridge between a smartphone or digital camera.

Personal Lifestyle

Appliances

This show still hasn’t become a North-American showground for domestic appliances in a similar vein to the Internationaler Funkaustellung in Berlin. But LG was using this show to promote their “SmarThing” range of network-connected “white goods” which could be monitored from a computer.

Of course, Samsung also demonstrated a washing machine and clothes dryer that used a colour LCD touchscreen but was able to be controlled via an app on a smartphone. This means that you could track your washing from your phone’s screen.

Home Automation and Security

There has been some activity on this front mainly in the form of network-hardware vendors offering IP-enabled surveillance cameras, with TRENDNet offering a lineup of 12 units with varying features.

Other than that, the “Next Learning Thermostat” which learns your heating / cooling settings through the day was premiered at this show. Belkin also premiered the WeeMo home-automation system which is effectively an appliance-control module that responds to your smartphone.

Personal Health Care

There has been some more effort in developing online personal-health-care equipment which interacts with your smartphone or home network.

Withings, previously known for their Wi-Fi-connected bathroom scales, have released a baby scales which also links with the same network enablement and online health-monitoring setup as these bathroom scales. Similarly iHealth have released a wireless body-fat scales along with a wireless blood-pressure monitor and a “Smart GlucoMeter” glucose sensor for your iOS device. As well, FitBits released the Aria Wi-Fi Scale which is bathroom scales that link to your home network and measure weight, body-mass index and body-fat percentage.

IP Telephony

There has been some activity concerning voice and video Internet-based telephony. This is primarily with Skype being part of most of the “big-name” smart TVs and able to be added on to existing TVs through the use of this year’s Panasonic 3D Blu-Ray players and home-theatre systems. But Samsung also launched a Skype HD videophone unit for TVs and Biscotti launched a similar device for their own service.

RCA had demonstrated their voice-based IP telephony systems for business use while Ooma launched a cordless VoIP phone which has a colour LCD screen and can sync to Facebook for “picture caller-ID” images. $10 a month with the Ooma service provides for conferencing, second-line service and advanced call forwarding.

Tomorrow, in the last of the series, I will be talking about the network technologies that are to link these devices to the home network and the Internet.