Tag: over-the-top TV

FAST streaming TV becoming more common

TenPlay Website screenshot with some FAST channels offered by the Ten Network.

The Ten Network offers some FAST-TV channels through its TenPlay platform

FAST streaming TV is a new way of offering TV services via the Internet. FAST stands for Free Ad-supported Streaming TV; implying that the service is dependent on advertising for its income like a commercial free-to-air TV station. Personally, I would prefer to refer to these services as FST services to encompass public-service broadcasters or community broadcasters who run a business model that eschews advertising or subscriptions, such as the BBC in the UK or ABC in Australia.

But this is about offering a linear TV service via the Internet without having it appear on an RF-based carrier like terrestrial (aerial), cable or satellite. This is in contrast to free-to-air and subscription TV operators who run their linear TV services using Internet means in addition to RF (terrestrial, cable or satellite) means. There is also the ability to offer interactive and personalised advertising which may appeal to advertisers and viewers.

The two main approaches

FAST services are being offered under two different approaches. One is via a broadcaster or other content provider who already has significant presence within its market including offering their own content on their own service. This approach is being taken by most of the commercial free-to-air TV stations in Australia and could work for established broadcasters or the “basic cable” content providers moving themselves off cable to over-the-top Internet delivery. This is in addition to offering the channels distributed normally through RF means being offered using Internet means and, in some cases, providing editorial content for areas different to what is received locally via terrestrial or cable using an Internet stream.

Some TV providers like Australia’s public-service and commercial free-to-air TV networks use FAST-equivalent Internet-delivered TV streams as a way to allow viewers to “jump” editorial borders and, perhaps, watch an interstate news bulletin. We experienced this by accident once when we couldn’t find the TV’s remote control and used our Apple TV and its remote control to control our TV via HDMI-CEC.

Here, we used the ABC iView app to watch the ABC TV stream but accepted the default setup which provided us with the Sydney feed rather than the Melbourne feed which was relevant to us. The news bulletin was full of Sydney-based news including NRL rugby-league and the NSW weather report rather than the Melbourne-based news with AFL Australian-rules football and Victorian weather report. This kind of viewing could be seen as of relevance to, for example, people travelling to another district and wanting to know what the weather will be like at their destination.

The other approach is a company that hasn’t created its own content but simply redistributes channels, runs the user experience and sells advertising time. Such a company can be a TV or set-top device manufacturer like Samsung, a connected-TV platform developer like Roku or someone who just offers an app to many connected TV platforms. Here, content producers would offer TV channels via Internet or satellite means to one or more of these FAST TV services.

What is this leading to

Supplementary, niche and heritage content

Some of the traditional free-to-air broadcasters are using the FAST (FST) approach to offer extra content in an Internet-first means. This is seen as a low-risk means to offer supplementary content rather than having to engage in a high-risk approach of obtaining extra RF capacity or licences for a new service.

For example, TenPlay in Australia has been exploring this approach to offer supplementary content for sports events they have rights to and even brought the Pluto TV PAST service in to Australia. Or the Seven Network used 7Plus were providing “direct-to-sport” access for the Olympic Games where you could see the fixtures relating to a particular Olympics sport of your choice.

At the moment, traditional free-to-air TV broadcasters and channels who appeared in basic cable-TV tiers are showing interest in FAST services. For basic-cable-TV services like news services, it is seen as a way to become less dependent on cable and satellite TV networks leading to a way to reduce costs and assure some editorial independence. The traditional free-to-air broadcasters see this as a way to take their content further including to “take advantage of the moment”.

Here, a key advantage is to provide niche content whee it is not justifiable enough to acquire RF space like a satellite transponder or DVB-T multiplex bandwidth to serve that niche. It can also be seen as a way to try out particular geographic or, more so, demographic markets with content that appeals to them, also courting advertisers who offer products and services appealing to that demographic.

For example, the Seven Network have set up a FAST Bollywood channel through 7Plus to offer content that appeals to the Indian-subcontinent diaspora in Australia. Or the Ten Network have annexed the Pluto TV FAST service to Australia and offered it vla TenPlay with ad space for local businesses.

In addition, a broadcaster who has a lot of heritage built up in their intellectual property could run FAST channels based around that content. This is an approach that a lot of the free-to-air broadcasters and film studios are taking with FAST TV by offering channels celebrating this heritage.

FAST as another form of “cable TV”

In some countries like North America where the classic cable-TV business model has been valued, third-party companies like TV manufacturers or connected-TV-platform developers have simply ended up being FAST service providers. They simply ended up managing the end-user experience, partnering with channels and selling advertising time.

Here, this leads to the many-channels cable-TV experience in a new over-the-top Internet-driven package. It could especially allow the channels that were typically offered in a basic cable package to continue to exist as well as providing a platform for niche channels to exist.

There will be the “Netflix/YouTube” type of TV viewers who will have done away with linear TV in all its forms. This cohort would place emphasis on carefully choosing which shows to watch so as to avoid being seen as the couch-potatoes of yesteryear. This also includes binge-viewing of TV series that they show interest in by seeing a run of episodes in a single session.

Complementing video-on-demand and broadcast TV

FST TV complements AVOD (Advertising-supported Video On Demand) or BVOD (Broadcaster-provided Video On Demand) by allowing the same provider to offer streamed linear and on-demand content. That means that viewers who prefer the traditional discoverability of content offered by a linear service and those who prefer to view what they are interested in using an on-demand service.

A service provider can easily consider offering shows on FST and VOD under the same user interface. This could work in a similar way to the BVOD services offered by traditional broadcasters, where a viewer can see earlier episodes of a show they watched on a linear service. For example, it could be about catching up on a season of a show or watching a few prior episodes to justify whether to continue watching it.

Both these services will have various attributes in common such as to support interactive TV for editorial or advertising material from the get-go. This can appeal to both editorial content such as alternative angles or commentaries for sporting events; or advertising where you can follow through on advertised products or services that interest you.

Once DVB-I and similar integration technologies come in to play, it could be about the ability to channel-surf between FST channels and traditional TV channels. This could make FST platforms more appealing to those of us who like to continue watching TV on the big screen.

Key questions

Brand safety and social licence to operate

Most FST channels would implement production values similar to established public-service and private TV networks. As well, there would be an expectation by the FAST TV services to place ads beside appropriate content to assure brand safety and suitability.

But the Free Streaming TV ecosystem could become a breeding ground for services and channels that don’t have social licences to operate. This could be about news channels that engage in fake news and disinformation or channels running content that is socially questionable. Or there can be issues like when certain editorial and advertising content should be on air so as to make sure children aren’t seeing inappropriate material.

This could be facilitated by a FAST service that is laissez-faire about whom they partner with or what they offer. Or, like I have seen with various “free speech” social networks, it could be easy to set up a FAST service that offers controversial content because there isn’t the need to acquire a broadcast licence or agree to use cable or satellite capacity.

But this issue could be answered with FAST services or trade association who resolve to vet channels that they want to partner with. Similarly app-driven platforms could exert a “gateway role” regarding apps for connected TV services. This is something that Apple, Google, Samsung, and the video-game console platforms have done successfully.

Or countries could apply the “rules of broadcast” to the FST TV ecosystem and have it subject to scrutiny by their broadcast and communications authority like Ofcom or ACMA. It is something that may be easier if the content services or distributors are founded in or have an office in their jurisdiction.

Simplifying the user experience

TV remote control

FST TV will need to permit simplified lean-back operation with the TV remote control if it is to be successful

FST TV will also need to permit a user experience similar to what has become customary for traditional RF-based broadcast TV. This is to provide for the ability to:

  • channel-surf suing the typical up-down button on the remote control,
  • view an electronic programme guide that shows what’s on across all channels and services;
  • enter a channel number to gain direct access to a particular channel and
  • use a “previous channel” button to switch between two different channels.

Here, this avoids a long-winded channel selection process where the viewer would be expected to go up to the FST service’s menu to select another channel or to the main “connected-TV” menu to switch between FST services.

This could be facilitated via DVB-I or similar technologies associated with TV content distribution. The TV sets and set-top boxes would then be required to create amalgamated channel lists and EPGs that are, perhaps, sorted by “channel numbers”, priority lists or service providers.

Conclusion

FAST TV / FST TV could act as an over-the-top Internet-delivered equivalent to terrestrial, cable or satellite TV in providing that linear discoverable viewing experience that we have loved for a long time.

Steps are taking place to make Amazon Echo Show become a kitchen TV

Articles (German language / Deutsche Sprache)

Amazon Echo Show in kitchen press picture courtesy of Amazon

A German software developer is taking steps to make the Amazon Echo Show become that small kitchen TV

Amazon: Neuer Alexa-Skill verwandelt Echo Show in einen Fernseher | Netzwelt.de (Germany / Deutschland)

Amazon Skill link

Fernseher für Alexa | Live-Streams hören und sehen

My Comments

There has been a practice amongst a significant number of households to keep a small television in the kitchen. This started off with the arrival of the small portable TVs but is now facilitated through the availability of small flatscreen TVs including computer monitors equipped with an integrated TV tuner. Here, it has been seen as a way to watch those news and lifestyle shows that are run during breakfast time by the TV stations while you are eating breakfast, or to watch daytime TV shows like “Days Of Our Lives” while ironing in the kitchen.

Similarly using a tablet that runs the appropriate client apps could yield the same goal, whether you are dealing with a “broadcast-LAN” tuner, a free-to-air TV platform that has member stations stream their content, a TV-Everywhere platform ran by a pay-TV service or something similar.

Now, with Amazon Echo Show and Spot on the scene along with the imminent arrival of smart displays based on the Google Assistant platform thanks to Lenovo and JBL, a software need has been identified. This need is to bring regular TV stations to these devices so they can become like that small TV.

One effort has taken place in Germany to bring the Internet streams provided by the German public TV stations and most of the cable channels to the Echo Show at your voice command. Hear, you can ask this “Stream Player” to show a station by name or by “channel number” and it will show up on the Echo Show.

What I see of this Alexa Skill that is being premiered in Germany is something that can appeal to a “free-to-air TV” consortium of the Freeview kind, a voice-driven interface for a broadcast-LAN tuner including the SAT-IP platform or a cable-TV provider’s “TV Everywhere” platform. Here, these Alexa Skills or platform-equivalent apps could then enable smart displays to work as the traditional TV. But it may be considered “heretical” by the Millennial generation who are used to watching content on their own terms.

Two niche video-on-demand providers are starting to show up strong

From the horse’s mouth

Acorn TV – SVOD provider offering the best of British telly to the USA

Native Clients

Mobile: iOS, Android

TVs and Set-top Devices: Apple TV (tvOS), Roku, Amazon Fire TV, Samsung Smart TV (newer)

SBS On Demand – AVOD provider offering foreign and art-house content to Australian audiences

Native Clients

Mobile: iOS, Android, Amazon Kindle Fire, Windows Phone

Regular Computers: Windows 10

TVs and Set-top Devices: Apple TV (tvOS),  XBox 360, XBox One, PS3, PlayStation 4, Humax, Fetch TV, Telstra TV, Telstra T-Box, Sony Bravia Smart TVs, Android TV, Google TV, Samsung Smart TVs, LG Smart TVs, Panasonic Viera Smart TVs, HBBTV, TCL TV

My Comments

As the mainstream “over-the-top” video-on-demand market becomes saturated with service providers who try to cover all the bases, a few companies are rising up or will rise up to offer an “over-the-top” video-on-demand service that targets a niche audience.

Some of these companies are based on an existing media-publication or distribution platform that already courts that particular niche like a home-video distributorship, a TV broadcaster or a bookstore. Here, I would simply see a niche video-on-demand provider very similar to an art-house cinema or a specialty bookstore.

The different companies provide these services on one or more of the following three business models

  • AVOD (Advertising Video-On-Demand) – advertising-funded with TV commercials run during the show like with traditional TV. It is commonly used with services that started out as “catch-up TV” services offered by TV broadcasters who sell advertising.
  • SVOD (Subscription Video-On-Demand) – funded by users paying a monthly or yearly subscription fee to see all of the content offered by the video-on-demand provider. It is the same kind of business model that Netflix operate on.
  • TVOD (Transactional Video-On-Demand) – viewers pay to have access to a particular movie or series title either on an infinite basis or for a certain time period. It is similar to the video offerings provided by the platform app stores (Apple iTunes, Google Play or Microsoft Store).

These providers may find that the business model that they choose may please the audience that views their content, especially if they are capitalising on their media-distribution heritage. On the other hand, they may have to operate the different business models together such as taking a “freemium” approach with an advertising-funded service but allowing viewers to subscribe to a premium ad-free service.

There are two services I am calling out in this article that are answering to the niche video-on-demand market.

 

Screenshot of Acorn TV website

Acorn TV – the best of British telly in the USA

One of these is Acorn TV, a subscription video-on-demand service that is supplying the best of British telly to the American market. It was based on the Acorn imprint which sold British shows on packaged home-video media (VHS videocassettes and DVD / Blu-Ray discs) in to the USA since 1994. Acorn are even heading towards creating their own content as well as redistributing the content offered by the British TV channels in to the USA. It appeals to British expats who have moved to North America along with Americans who appreciate the high-quality content that British TV is known for.

SBS On Demand Windows 10 platform app

SBS On-Demand (Windows 10 native app) – foreign-language TV in Australia thanks to SBS

The other of these is SBS On Demand, an advertising video-on-demand service that is supplying Australian viewers with foreign and art-house content. This service evolved from a “catch-up TV” service that SBS, a publicly-funded radio and TV service that focused towards Australia’s ethnic communities since the late 70s, ran in conjunction with their free-to-air TV service. Here, they have become the Australian TV outlet for the rising classes of subtitled content like Nordic Noir crime fiction even before such content came on the scene in the UK and USA. SBS still create their own edgy TV content to show on their regular TV service or directly on this on-demand service.

Most of these providers work on traditional content trees with content grouped primarily by the standard content genres with opisodic content listed by series title. But as this class of on-demand video provider evolves,  there will be the curated thematic content groups appearing in their content trees, focusing on particular themes like content classes that underscore the niche very well like the “Golden Age of British Comedy”.

What needs to happen is the ability for those niche video-on-demand content providers not to just represent themselves as just another app in your smart TV’s or mobile device’s app store but to expose the fact that they provide a particular class of content.

Canal+ offers an OTT décodeur independent of any French ISP

Article

Cube S OTT box from Canal+ | Advanced Television

Canal+ mise tout sur l’OTT avec son nouveau décodeur | Freenews.fr (French language / Langue française)

From the horse’s mouth

Technicolor (Thomson)

Press Release

My Comments

Most people who want to benefit from Canal+ in France were required to subscribe to this service via the telecommunications provider who would make it available via their existing décodeur equipment. This also depended on whether Canal+ had a direct partnership with their provider.

Now Canal+ is heading down the “over-the-top” route where they are able to provision their service via the Internet independently of whoever was the customer’s telecommunications provider.

This is based on a Technicolor-built DVB-T set-top box called the “Cube S” which can connect to the Internet via your Ethernet or Wi-Fi home network. It is primarily a small cube-shaped device that connects to your TV via a vacant HDMI or video input.

One of the advantages pitched by Canal+ is that the device is portable amongst locations and amongst carriers so you can keep your TV subscription even if someone offers a better broadband package than what you are on.  This is more so with a highly-competitive Internet-service market that is taking place in France where each provider races each other to provide the multi-play Internet service with the best value.

Canal+ could improve on this concept by offering the Cube S as a local PVR to record TV shows from free-to-air or their pay-TV service or work on “software-only” endpoints that are based around regular-computer, mobile or smart-TV platforms so that customers aren’t dependent on extra hardware to receive this service.

It is being seen as another way for a pay-TV provider to move away from an infrastructure-based model where a lot of money is tied up in their own infrastructure towards a model that is independent of that infrastructure. This also allows them to be sure that customers that aren’t in their infrastructure’s footprint can subscribe to the pay-TV service by virtue of their Internet provider.

The Net Neutrality battle comes to Australia courtesy of Optus

Articles

Netflix official logo - courtesy of Netflix

Optus considers breaking net neutrality in Australia | IT News

Optus may charge Netflix and streaming services for video quality | Mashable

Optus Wants Netflix To Pay For ‘Premium Service’ Over Its Network | Gizmodo

Optus wants Netflix to pay up to ensure quality video streaming | Digital Life (Sydney Morning Herald)

My Comments

There has been a huge stoush in the USA between the established cable companies and telcos versus the Internet content providers, Internet users and the FCC regarding the issue of Net Neutrality.

This principle is where an Internet service provider can’t charge an internet content provider like Netflix for better throughput to their customers. This has got to the point where the FCC and President Obama had pushed for the Internet to be deemed a utility service in a similar vein to the telephone service. But this is being subject to a legal challenge which is being watched by a lot of the Internet operators over here as well as in the USA.

Now Optus have thrown the possibility of charging Netflix, Stan & Co a premium fee for higher throughput to their customers as one of many ways to cater for the arrival of streamed on-demand video via the Internet. The argument that is pitched is that customers will complain to their ISP rather than the OTT video provider or catch-up TV service if the experience with their video-on-demand service isn’t up-to-snuff.

Like in the USA, Netflix has been standing for Net Neutrality thus wouldn’t go for any unmetered data arrangements with any of the Australian ISPs. So they wouldn’t go for Optus’s arrangement of whoever pays the piper plays the tune.

Issues were also being raised about the cost and availability of wholesale and retail bandwidth in the Australian market especially in the face of video-on-demand becoming more popular thanks to Netflix and co. This will also include factoring in quality-of-service for content streaming so as to avoid “glitches” through viewing sessions along with catering for higher resolution video content.

It certainly is showing that Australia is needing to cope with a higher demand for real broadband with the proper throughput and this has to be provided in a highly-competitive manner and with assurance of Net Neutrality and quality-of-service.

How is the Internet affecting Pay TV?

Articles

Pay TV market becoming more segmented; service providers can take advantage | V-Net

My Comments

The connected home and ubiquitous Internet access is placing the traditional Pay-TV marketplace at a crossroads. More and more people are using tablets and laptop computers to view content that is streamed from the Internet when they want to view it in a personal setting while TVs and video peripherals like Blu-Ray players are serving as integrated endpoints for viewing various Internet-hosted video services.

Here, a few content packages with many channels that is delivered by the service provider’s own infrastructure and viewed via equipment supplied by that provider doesn’t cut it anymore. In North America especially, where the customer deals with pay-TV providers who primarily offer a content-carriage service, younger people are “cutting the cord” on pay-TV service and watching either over-the-air content or content delivered “over-the-top” by independent “over-the-top” TV services like Netflix.

The traditional pay-TV companies are having to take a few different paths to gain and retain customers.

Service offerings

TV Everywhere

This is sold in conjunction with a traditional pay-TV service like Sky Go or Foxtel Go but has the content delivered over “two paths” – the traditional cable or satellite infrastructure along with the Internet. This is primarily to allow the customers to view the same content on their computers or their mobile devices.

Typically this is furnished using an app or Web page for most desktop and mobile computing platforms where you can watch the content, and you typically authenticate with the service provider by providing your account details to that app. Some providers may allow you to view this content only in your own home while others may allow you to view it anywhere in the country that they operate in. Some of these services may offer a “download now, view later” option where you can download content to view at a later date especially if you may be in a position where you don’t have reliable Internet access.

Over-The-Top Pay TV

Another direction is to provide an “over-the-top” pay-TV service like NOW TV or Foxtel Play which works with your computer, tablet, games console of the XBox One or PlayStation 4 kind, Smart TV or similar device. These services are typically provisioned over the Internet without the need for a set-top box to be delivered to you and provide for increased package flexibility.

For example, they are provided by-the-month rather than on a multi-month long-term contract and allow for increased segmentation of content. In this case, we are starting to see the availability of separately-branded “lightweight” or “budget” content packages pitched at this form of delivery or for people to choose packages based on a personally-selected mix of genres or other factors that appeal to them.

On-demand content

The pay-TV provider is now entering a position to run an Internet-based on-demand content service which has a larger content library than what was available on their “video-on-demand” or “pay-per-view” services that were furnished via their traditional cable or satellite infrastructure.

They can offer these services to their existing customer base as an adjunct to the pay-TV services that they are offering or simply provide them to other people as a standalone “over-the-top” service. The former setup will typically have a “download-to-view” component for customers who use a PVR-type set-top box like a Foxtel iQ2 where the show would be downloaded to the device’s hard disk for later viewing.

Other offerings

Another service that could be evolved would be the so-called “multi-room” or “multi-screen” options which are typically offered by some pay-TV providers on a “per-room” basis. In a lot of cases, this could encompass an integrated TV Everywhere service.

Thanks to DLNA’s VidiPath technology which I covered previously, they could be offered simply as a “per-household” basis which or even as part of the regular content package for a regular pay-TV service. It could mean that the extra TV would be equipped with a Blu-Ray player, network media player or games console that is VidiPath-certified while the main DVR-equipped set-top box is a VidiPath content server. TV manufacturers could even roll out Smart TVs that have this feature. Not sure if you have such equipment? The pay-TV provider could sell a cost-effective VidiPath-certified network media player to connect to your regular TV and home network to benefit from this service.

Trends

But why are they offering these services?

Young people and the connected lifestyle

One reason is to court the younger consumers who are Internet-focused and device-agnostic. Here, they see the large-screen TV serving as a display for other devices like games consoles or Blu-Ray players; or they see regular and mobile computer equipment as something they can watch video content on.

As well, they live on the Internet with a desire to have their video-content viewing linked with other interactive activity. For example, they want to use the Social Web or online knowledgebases in conjunction with what they are viewing. As well, we are living a time-poor lifestyle where we wouldn’t have time to spend on poor-quality TV content.

The traditional pay-TV business model that is focused around dedicated infrastructure and the set-top box doesn’t cater for this readily especially as Internet-based technology marches on very quickly. A

Content providers are offering “direct-to-consumer” packages

In North America particularly, content providers who used to provide their TV content via a pay-TV service are now offering their content on a “direct-to-consumer” basis. This is following trends in other industries where product manufacturers and distributors are setting up online and other storefronts to provide their wares direct to the consumer in addition to having retailers sell them.

This has come about due to the “cord-cutting” trend that is occurring there, along with an increasing number of situations where a content provider who had pay-TV presence across the whole of the US is not likely to have this same level of presence. The latter situation has been brought about due to arguments and fights between the content provider and the cable-TV or satellite-TV provider about content-licensing terms.

Conclusion

I reckon that as the bandwidth improves, it could be come another path for delivering multichannel TV content in a highly-flexible cost-effective manner. Let’s hope it doesn’t become “101 channels and nothing on” – many channels and content providers that provide nothing but worthless content.

FCC intends to place over-the-top Internet TV on a par with cable TV

Article

FCC Moves to Give Internet Video Same Rights as Cable Co’s | Broadband News and DSL Reports

From the horse’s mouth

US Federal Communications Commission

Tech Transitions – Video And Future (Blog Post)

My Comments

The recent US Supreme Court decision against Aereo has shown up how facilities-based multichannel TV providers i.e. cable and satellite TV providers have the upper hand with negotiating access to content offered by the Hollywood studios and sports leagues.

But the FCC are considering allowing “over-the-top” Internet TV providers access to this same content on a par with the likes of Comcast and DirecTV. This is also in response to the fact that many American TV viewers are ending up with cable or satellite TV packages full of content they don’t want i.e. “57 channels and nothing on”.

The issue with the current situation is that Internet-based “over-the-top” TV providers aren’t placed on an equal footing to the big cable-TV providers. This is similar to how the US Congress passed laws requiring satellite TV providers like DirecTV and DISH to have access to the channels on an equal footing to cable-TV providers and this opened the doors to competition.

The opportunities provided by the Internet-based “over-the-top” services are many including the ability to provide TV content packages that are pitched at niche markets in a cost-effective manner. This includes providers that could focus on foreign-language content, wholesome family-friendly programming, and content pitched at expatriates. As well, it opens up the concept of increased carriage-service competition which can increase viewer choice and, hopefully, access to what the viewer really wants.

There is also the concept of taking a “technology-neutral” approach which also allows pay-TV companies and content providers to use a choice of technology to distribute the TV content to the end-user. This means that the likes of HBO, CBS, Comcast and co to implement Internet-based approaches thus increasing reach to a wider market. There is also the hope that this approach will heat up the demand for next-generation broadband through the US and increase the average bandwidth that Americans can enjoy.

For this to work, the FCC need to pass these rules without being sabotaged by Big Money. which is a problem that still dogs American politics.

Netflix to test 4K UHDTV content

Articles

Netflix starts testing 4K content with batch of public videos | Digital Trends

Netflix begins testing 4K video with goal of 2014 launch | Slashgear

Netflix posts 4K test video to streaming service as it prepares for planned 2014 launch | Gigaom

Netflix testing Ultra High Definition video ready for launch next year | Engadget

My Comments

As the price for 4K UHDTV sets becomes cheaper, it may hit the point were you may be considering buying one of these as the main-lounge-area TV. But the question that will be asked is what content will be available that is natively in this resolution rather than having the set upscale 1080p content?

At the moment, Sony is offering a media player and “download-to-own” content from some of their movie catalogue but this is focused towards those of us who purchased Sony 4K sets. Similarly, there is a European trial for broadcasting 4K content using satellite TV. But the reality is that most of this content will be streamed or downloaded via next-generation broadband and a sufficiently-fast home network.

This has been underscored with Netflix offering a trial service where they provide some test and demonstration footage in 4K UHDTV resolution. This company, known as a “gold standard” for providing “over-the-top” on-demand movie and TV content, are planning to have a full commercial service with real content up and running by 2014.

Netflix’s top brass want to become a key supplier of 4K content as the technology matures and these sets become commonplace. But customers will need to implement next-generation broadband or a premium broadband package with high bandwidth along with a home network that runs with Gigabit Ethernet, HomePlug AV2 or 802.11ac Wi-Fi in order for this service to work properly. For them, any shows that they commission like “House Of Cards” or “Lilyhammer” could be mastered in 4K UHDTV and then delivered as 4K UHDTV content as an option.

Of course, people who use computers with 1080p Full HD monitors or “Retina” displays will benefit from the high resolution, which could be a way to taste the ultra-high-resolution content offered in the demo footage.

Mohu to develop a digital-TV set-top with on-demand video for the US market

Article

Mohu Developing Streaming Set-Top Box With TV Tuner | Tom’s Guide

My Comments

The US market is heading towards the concept of “cord-cutting” where they abandon traditional cable or satellite pay-TV for regular broadcast TV augmented with online TV services. This combination of services would typically be provided through the use of the TV’s internal ATSC tuner connected to an antenna (aerial) and a video peripheral such as a Blu-Ray player, games console or network media adaptor that has access to the online services such as Hulu, Netflix or Amazon On Demand.

But if they wanted a “one-unit, one-remote” solution, they would need to purchase a smart TV which has the necessary front-ends for the online services. For those of us who keep an existing TV going, Mohu are intending to field to that market a digital-TV set-top box which connects to an antenna and the home network to gain access to local free-to-air TV and the online video services. Here, you can gain back the ability to watch TV using the one “clicker” and this set-top box can pass through HDTV signals to HDMI-equipped flatscreens or projectors from the free-to-air and online services.

I would like to be sure that this device also uses composite video connections so that it can work effectively with those legacy CRT TVs that haven’t been thrown out as well as being part of the DLNA Home Media Network, whether as a media player or controllable media renderer. This would be important if you do download content to your NAS and play this on your TV.

The concept can be expanded on with a DVR function so that TV shows can be recorded off-the-air and watched without ads or as a DVB-T-based variant for Europe, Australia and other countries that use this standard.

At least this helps the people who want to move away or keep away from cable TV still have the benefits of a set-top solution that integrates both free-to-air and online content.