Tag: Pandora

Yamaha supplements the CD-N500 network CD player with an affordable model

Articles – From the horse’s mouth

Yamaha CD-N301 Network CD Player press image courtesy of Yamaha Music Australia

Yamaha CD-N301 – a more affordable network-capable CD player

Yamaha

CD-N301 Network CD Player

Product Page

My Comments

I have been keeping an eye on and given space on this site to the Yamaha CD-N500 which is a CD player that also doubles as a network audio adaptor and is a device I have called out for those of us who want to add CD playback and network media playback to our favourite hi-fi systems.

But Yamaha have also supplemented this player with the CD-N301 which is offered at a cheaper price than the CD-N500. It is also offered in a variant that has a black finish that would go along with hi-fi racks that had that same finish.

Both this player and its older brother, the CD-N500, connect to your amplifier or receiver via a line-level analogue input, occupying just one input on your amplifier’s source selector. But if you have a digital-analogue converter, home-theatre receiver or digital amplifier, these units also provide an SP/DIF PCM digital output via an optical or RCA coaxial connection. They connect to your home network using the tried and trusted Ethernet connection which also allows for you to use a HomePlug AV adaptor if your house isn’t wired for Ethernet or your router isn’t near your hi-fi system.

They also can pull in file-based audio content from a NAS according to DLNA 1.5 specifications or can stream Internet radio courtesy of the vTuner broadcast-stream directory. The file-based audio content can be handled all the way to “master-grade” quality (24-bit 96kHz WAV or FLAC files). If you run iTunes on your Mac or Windows computer or use an iOS device or recently-built Macintosh with recent version (Mountain Lion or newer) of the MacOS operating system, both these players support Apple’s AirPlay network-audio-streaming protocol.

The CD-N301 is based on newer construction but is what I would describe as being “Wi-Fi ready” where you can connect it to a Wi-Fi wireless-network segment of the home-network kind if you use an optional wireless-network adaptor module. There is also inherent software-level support for Spotify Connect and Pandora along with support for vTuner Internet radio and content held on your DLNA-capable NAS.

But it doesn’t have the USB connection for audio playback from USB storage devices or iOS devices. This may not be an issue if your network-based music exists mainly on a DLNA-capable NAS or an online service.

Yamaha shows again that a network-capable audio CD player does exist as a viable option for those wishing to upgrade or replace their existing CD player and add network-audio playback to their hi-fi system. Similarly they also see these players earning their keep for those of us wanting to add CD and network-audio playback to an existing hi-fi system at the same time.

5 Year Special–Entertainment In The Connected World

5 Years Special iconAnother major trend that has come about over the past five years is increasing interest in “connected entertainment”. This has been augmented with the role of smartphones, tablets and computers having access to online content services, typically through natively-coded client-side apps.

But it is also about a surge in the availability of traditional devices that are associated with entertainment being connected to the home network and drawing down online content from various sources.

Network-capable entertainment devices

Increasingly we are purchasing network-capable entertainment devices that are fit for use in the main living or family areas of our homes.

Panasonic VIERA AX900 Series 4K UHDTV press picture courtesy of Panasonic

Panasonic VIERA AX900 Series 4K UHDTV

Firstly, most TV manufacturers are supplying “smart TVs” that have network connectivity and access to online content services. Typically the manufacturers, primarily the “big-name” companies are offering this towards mid-range and premium models in their product lineups. This feature is also being extended to Blu-Ray players, “home-theatre-in-box” systems and the like so you can add this feature to existing TV sets which is important as TV sets last a long time and are capable of being “pushed down” to secondary viewing areas. It is also a key feature for any of the newer 4K “ultra-high-definition” TVs that show images that are sharper than the regular Full HD TVs on the market.

Cyrus Lyric 09 CD receiver

Cyrus Lyric CD receiver – a network-capable stereo system

Similarly, network-capable music-playback devices are reaching standards that befit high-quality music reproduction. Here, these devices are either as “wireless speakers”, integrated music systems or hi-fi components that can be connected to existing hi-fi systems.

Denon HEOS wireless speakers

Denon HEOS wireless speakers

The “wireless speakers” are single-piece tabletop speaker systems that connect to the home network in a manner similar to what Sonos envisaged with their products. Here, you can have a group of these speakers that are connected to the same network play the same audio content without them being out of sync. Most of the setups may work in a “party-mode” setup where they play the same content whereas an increasing number of these speakers can allow you to set two like units up as a wirelessly-linked stereo pair for increased stereo separation or wirelessly link a subwoofer to the speaker to provide some extra bass. A trend that could easily come about is to have a wirelessly-linked multiple-speaker setup for surround sound, which could make this concept more appealing because of the absence of wires.

At the moment, Wi-Fi-based multiroom wireless speakers will work with other speakers that implement the same technology, typically by having the same or compatible chipsets. This is because no standard has been defined for these kind of speaker setups.

WD MyCloud EX4, WD MyCloud EX2, WD Red 6Tb hard disk

WD MyCloud EX Series NAS units able to benefit from the 6Tb WD Red

Another device that is being considered highly important for the “connected entertainment” world and is something that every home network will have to have is the network-attached storage appliance. These devices work as “always-on” media servers that can provide audio, image and video content and most, if not all of them implement UPnP AV / DLNA and iTunes / DAAP media-server functionality to do this on a level playing field. This means that you don’t need to run a desktop computer all the time to make the latest photos or the music you ripped from your CDs or downloaded from iTunes or similar services available to your smart TV or your network-connected stereo equipment.

Online Content Services

Pure Sensia 200D Connect Internet radio

Internet Radio

Previously, online content services were typically Internet radio services which offered global access to Internet-hosted simulcasts from various broadcast radio stations and networks. I saw this as the “new shortwave” because you could hear a radio station that is local to a particular city or town through this setup and these have been facilitatied by a few Internet-radio directories like TuneIn Radio and vTuner.

Now we have seen the arrival of the “global jukebox” in the form of music-streaming services like Spotify, Deezer and Pandora. These services allow you to legally stream an album, song or playlist via the Internet and work either for free with advertising or for a modest monthly charge. They are becoming a way to, for example, sample music you are interested in or even just listen to music for a modest cost or for free.

Spotify screenshot with album tracklist

Spotify, one of the most popular online music-streaming services

For music, the buy-to-download business model still exists courtesy of the likes of iTunes, Google Play, Amazon or most other online stores. There are some label-direct music stores that offer music on a “buy-to-download” basis. Most of these services offer the music as CD-quality 320kbps MP3 or 256kbps AAC files for each album track but some are offering them as master-quality FLAC or similar files. As well, most of these tracks are being made available as single tracks for pennies’ worth for those of us who want to construct the perfect playlist.

Netflix official logo - courtesy of Netflix

Netflix – the sign of on-demand video’s progress

This is also including music distributors and online retailers like Amazon who sell us vinyl records or CDs that come with “pre-ripped” MP3 files that are available to download. For most of us, this avoids the need to rip the CD or to copy the record to the computer’s hard disk so it can be heard over the network or on our portable devices.

Online video is mainly driven by the likes of streaming services like Netflix who are even producing their own content as well as licensing other parties’ content. They are also being augmented by “catch-up TV” services where one can view one or more previous episodes of a TV series “on demand” after it was shown. Because these services are yielding high-quality content, they have led to people in the US abandoning their cable-TV services and watching content on these services.

Naim UnitiQute 2 on dressing table

The Naim Uniti!Qute 2 – a high-quality network-connected music system for that small room

Most such services are nowadays being delivered via set-top boxes that connect to your home network and implement a native front end to these services. But, as smart TVs come on the scene, anyone who offers a video-on-demand service has to provide a native front-end for the main smart-TV platforms.

In some parts of Europe, ADSL and fibre-based next-generation broadband is being used to deliver pay-TV. This is more so as part of telecommunications companies offering a “single-pipe triple-play” service to their customers where one connection to the customer’s home carries broadband Internet, landline telephony and multi-channel pay TV.

They have also implemented a “hybrid broadcast broadband” platform for television where it is becoming feasible to provide TV content services, including interactive TV, by interlinking traditional broadcast TV with content available via the Internet. Broadcasters primarily use this to deliver a supplementary video-on-demand service such as a catch-up TV service to the main TV set.

At the moment- there isn’t a level playing field for providing video content on an “electronic sell-through” or “download-to-own” basis in a similar way to what is being used for audio content. There are still issues with digital-locker services or digital-rights mechanisms binding users to particular content platforms or the risk of people losing access to the content they bought if an electronic-sell-through platform ceases to exist. They are not at a point where you could buy a movie or television series online and download it to a NAS for viewing at home knowing that you still have access to the movie even if the vendor goes off-line.

Conclusion

It will take some time to bring some video content-delivery services to the home network in order to have it accessible on the main TV set, but the home network has become an entrenched part of our entertainment lives/

Apple iRadio–another entrant to the crowded music-on-demand market

Article

Why Apple’s iRadio could fly or flop | Business Spectator

My Comments

We have seen the likes of Pandora, Spotify and last.fm establish themselves in the new world of listener-driven music-on-demand “virtual-radio” services. These offer the ability for listeners to “pull up” and play songs on what is effectively a “worldwide jukebox”.

They also have a function to play content like what has been listened to previously as a “virtual radio station” with this factor based on what music you have searched for previously or, in the case of last.fm, content you have listened to from your own library.

Most of these services operate on a freemium model which provides free ad-supported listening on a regular computer or allows the user to listen to the content ad-free on more devices for a subscription of up to AUD$120 per year. As well, an increasing number of consumer electronics manufacturers are integrating access to the services as functions for their network-capable audio and AV equipment.

Now Apple has started to enter this crowded market with their iRadio service. This will be typically tied in to their MacOS X and iOS computing platforms through iTunes integration. They are playing on the people who use their computing platforms and offer the same kinds of service – a free ad-supported service or a premium subscription service.

They will have to compete against Pandora, Spotify & Co for both listeners’ ears and ad dollars when targeting this market. This is especially as these services can be listened to from the Apple platforms whether through a Web page or a platform-specific app. There will be the usual limitations of not being able to benefit from iRadio content on devices other than Apple devices.

Personally I would like to see Apple integrate the iRadio service with the iTunes Store in the way that a person could buy the content they listen to using the iTunes “download-to-buy” music store. This could be a way to work their iTunes platform harder and, in some cases, provide a new way of buying music – “buy as you listen”.

Similarly, could other computing-platform companies like Google or Microsoft jump on the bandwagon and license music through their own “virtual radio” services? As well, could a “download-to-own” online music store run a subscription “virtual radio” service of their own?

Another trend that is also surfacing is the creation of software like Tomahawk that integrates multiple subscription music services and your own music library to search for music content or run custom playlists. This capitalises on the fact that one could be subscribing to two or more of these services whether as a free ad-driven setup on one of them and a full paid service on anther in order to catch more of the music or use with more of the devices they have.

What I see of these services is them existing as a complementary service to one’s physical or digital music library and access to traditionally-programmed broadcast radio. Here, these services work as a way to track down elusive items of music to hear them again or to discover music similar to what you are listening to.

Holden to add smartphone-linked network audio to their cars

Article

Holden Adds Stitcher To Its Infotainment Systems, Pandora And TuneIn On The Way | Gizmodo Australia

My Comments

Previously I have covered the issue of Internet radio and networked audio in the automotive context and raised the possible scenarios that apply to this application. They were either a smartphone or MiFi device acting as a network router between a mobile broadband service and a Wi-Fi segment in the car with the car radio being an Internet radio; a car infotainment system with an integrated mobile broadband router; or a smartphone or tablet with the appropriate app working as an Internet radio or network audio endpoint and connected to the car stereo typically via USB, Bluetooth or line-level connection.

Vehicle builders and, to some extent, car-audio manufacturers are implementing a two-way setup which integrates the smartphone with the car infotainment system. In most cases, the link would be fulfilled by a Bluetooth wireless connection for control, communications audio and entertainment audio and, depending on the setup, an interface app installed on the iOS or Android smartphone that works with particular information, music and other apps.

Holden, like most of the GM nameplates around the world, have followed this path for their infotainment by introducing the MyLink system to the Barina CDX small car. Here, this would require the use of an iOS or Android smartphone with a bridge app linked by Bluetooth to the car. But the phone would be managed at least using the touchscreen on the dashboard. Initially the Holden solution is to work with the Stitcher Internet-radio platform but they are intending to have it work with Pandora and TuneIn Radio.

There is an intent to allow you to work your smartphone platform’s navigation function on the dash using the “BringGo” software so you are not needing to have the phone on a “cobra mount” if you want to use Google Maps or Apple Maps.

What I see of this is that vehicle builders are integrating your smartphone or tablet as a part of the vehicle not just for communications but for information, entertainment and navigation.