Tag: Spotify

Spotify to run a music playout service for businesses

Article

Ex-Beats, Spotify Execs Form Soundtrack Your Brand To Sell Spotify To Businesses | TechCrunch

Spotify-based service puts an end to lousy coffee shop music | Engadget

Previous Coverage

Make Spotify and Shazam work with your favourite bar or cafe

From the horse’s mouth

Soundtrack Your Brand

Product Page

My Comments

Spotify - to be available as a legitimate business music service

Spotify – to be available as a legitimate business music service

Spotify is now moving in on the commercial-music-playout game by working with a firm founded by the founder of Beats Music to offer businesses access to the Spotify music library for a subscription.

The main issue that was being considered an obstacle for Spotify to enter this game was copyright implications concerning playback of music in a commercial setting like a bar or a shop. This involved the concept of making sure musicians, composers and record labels got their public-performance royalties when music is used this way and has been sorted out in Stockholm before the service went to launch in that market.

They want to offer features like scheduled music so you can have particular music to set a venue’s mood for a particular time of day; along with offline play so that slow Internet connections don’t impact on music playout. This also allows Spotify business customers to establish their presence on the Spotify service which may, hopefully, allow either a “take it home” service for the music or the ability for regulars to influence the playlist and is part of allowing that business to cement their position on Spotify like they can do on other social media.

Sony enters the network CD receiver market as part of their new home AV lineup

Articles – From the horse’s mouth

Sony Europe

Sony’s expanded High-Resolution Audio line-up brings you musical clarity you’ve always dreamed of (Press Release)

My Comments

Sony MAP-S1 CD receiver courtesy of Sony

Sony’s new entry to the CD-receiver scene

Sony had launched some newer hi-fi components in to the European market including the STR-DN1050 and STR-DN850 surround-sound receivers and the BDP-S7200 optical disc player which can play SACDs or Blu-Ray Discs. All of these can be part of the home network by implementing at least DLNA functionality and access to varying online-content services with the receivers even supporting Bluetooth and AirPlay functionality.

But what drew my attention to this playlist was Sony climbing on to the high-quality network-enabled CD-receiver bandwagon by offering the MAP-S1 CD receiver. These are systems that have a CD player, broadcast-radio reception, amplifier functionality and, now. access to network-hosted and online content like Internet radio but are optimised for high-quality sound. They take on the spirit of the late-1970s music centre or cassette receiver (casseiver) where a very good unit of this class could offer what a baseline component-based hi-fi system of the time offered in both sound quality and functionality.

Previously, I had given a fair bit of space to the network-enabled CD receiver, including my review of the Rotel RCX-1500 as well as a fair bit of commentary about this product type in my coverage of the Australian Audio And AV Show 2013. This is due to the “lifestyle audio” product class becoming more relevant as the small elegantly-furnished apartment becomes more relevant especially for those of us whose children have flown the family nest.

This product is different from their CMT-series micros systems due to the idea of users being optimised for high sound quality. One of the factures was that a user could supply their own speakers for this system or they could purchase a pair of Sony high-grade bookshelf speakers and use them, very much like Onkyo’s FR-435 CD/MiniDisc “music-centre” system.

The Sony MAP-S1 offers the network connectivity for DLNA, AirPlay and access to online music services like Spotify and Internet radio, and also offers the ability to work with Bluetooth smartphones using the NFC pair / connect functionality and the aptX codec. As well you can have it become a USB DAC/amplifier for a computer thus exploiting the high-resolution audio content available for download if you host that on a Windows or Mac regular computer.

One question that can be raised with this class of network-capable AV equipment is whether the equipment will support dual-band wireless networks whether using 802.11n or 802.11ac technology. Similarly, there will also be the issue of network and online functions not being available with developments that offer “headline” Wi-Fi Internet that implements Web-based login. In these situations, the Sony MAP-S1’s Bluetooth and USB Audio functions would come in to their own when it is used with a regular computer or mobile device to “pull in” online music services including Internet radio.

As more of these network-capable CD receivers come on the market and yield the high-quality sound, especially from mainstream as well as boutique AV-equipment manufacturers, a compact hi-fi system for that apartment or house could be about buying one of the CD receivers and buying or resurrecting from the garage a pair of good hi-fi speakers.

Make Spotify and Shazam work with your favourite bar or cafe

 

A cafe who can benefit from DLNA network AV technology

A cafe who can benefit from DLNA network AV technology

Spotify, Shazam and similar programs are music programs that can come in handy with people who have a café or bar as a favourite watering hole. This is whether through creating a playlist that relates to this location or identifying songs that are playing on the music system there.

As a café or bar owner

A café or bar can make Spotify work with their Website even if they can’t legally play content from this service through their music system. The manager could create a Spoitify account which is a so-called “public account” and use this just for sharing the playlists. Here, they identify tracks that are in the current playlist or on the music system and create a Spotify playlist based on these tracks.

Shazam for Android

Shazam song-identification for Android

This is then inserted in to their Website using the code that Spotify supply for inserting playable playlists in to a Website. Customers who visit the Website can have these songs playing through their computer which should be connected to a hi-fi or a pair of good speakers. They can even “subscribe” to these playlists to have them play through their Spotify-Connect-enabled equipment or their mobile devices.

As a “regular” customer

Customers can put Shazam, MusicID or similar music-recognition apps in to service to identify tracks that they like playing through the venue’s music system. This is more important with venues that have music systems that don’t readily show details about what’s currently playing but can be a problem in crowded venues where there is a lot of noise contesting the music.

These apps keep a record of what you have identified using them and have a link to various apps and services. For example, one could share the track names through Facebook or other social networks or play the tracks on Spotify or buy them through iTunes or other affiliated “download-to-own” online music stores.

Spotify screenshot with album tracklist

Spotify, one of the most popular online music-streaming services

What I even do is create a “favourite places” playlist on Spotify which is comprised of songs that I have identified at my favourite cafes and bars. Here, I can then play this playlist on Spotify or use this as a reference for purchasing music or syncing it to my phone.

iOS users simply buy the songs from iTunes Music Store and download them to their to their iPhone or iPad “as they go”. Then they sync them to a Macintosh or Windows computer using the iTunes desktop software. Android users use a music store that supplies music as MP3s on a download-to-own basis like Amazon or Big Pond Music. If you aren’t comfortable with downloading the music to your device, you can use the store’s “wishlist” function to create a memo list of the music you have liked when you trawl around Amazon to buy CDs online or visit your favourite music store.

Once you have bought your music, you could then work on a playlist or compilation CD/MiniDisc/cassette that focuses on these songs in a similar vein to what can be done with a subscription music service like Spotify.

Conclusion

Once you use Shazam, Spotify and similar software on your mobile computing environment, you can be able to get more out of your favourite watering holes.

Consumer Electronics Show 2014–Part 1 (Home Entertainment)

I am reporting about this year’s Consumer Electronics Show which was held in Las Vegas and is effectively becoming a trend-setting show when it comes to the online lifestyle. This will be spread over a few parts so as to capture the main trends with the first part covering home entertainment.

Televisions

Every consumer-electronics trade fair always touches on technologies to do with televisions and video-based entertainment with two key trends affecting this class of product.

4K Ultra-High-Definition TV

4K UHDTV - Sony press image

4K UHDTV – The symbol of the Consumer Electronics Show 2014

This year is being seen as a make-or-break year for the 4K ultra-high-definition technology what with screen sizes starting at 49” and reaching to 110” in some quarters. But do most of us have the wall-space in our living rooms to accommodate a 110” TV screen?

We are also seeing a few manufacturers, namely Samsung and LG offer curved-screen TVs that yield the experience of the curved cinema screen that was brought on with the Cinemascope and Panavision wide-screen cinema technologies of the 1950s. Some manufacturers even are working on the concept of having a display that appears flat one minute then curved the next.

As well, this year is becoming a point where the TVs are becoming cheaper and available at 50” screen sizes. For example, Polaroid are putting up a 50” 4K set at US$999. Similarly most of the other manufacturer are offering a variety of models such as Sony offering the XBR-X950B at 65” and 84” screen sizes, the XBR-X900B at 79”, 65” and 55” along with the XBR-X850B at 70”, 65”, 55”, and 49”, all of which implement their Triluminos and Clear Audio + improvements along with  Wi-Fi networking, NFC and Miracast. Sony are even fielding a short-throw 4K video projector that can throw an image of around 103” but this would be considered big time for most households and small business. What I still see of this is that the sets will still be at a point where they are an upgrade for the main-viewing-room TV set with the fact that existing 1080p sets will end up being “pushed down” to secondary areas.

As for content, the main bearer for 4K-grade content will be through the home network courtesy of video-on-demand services. Services like M-Go, Amazon, Netflix, Sony Video Unlimited and YouTube have strong plans to run 4K content and build partnerships with the various TV manufacturers for delivering the content. Even Netflix is running the second season of “House Of Cards” in 4K and making it available at that quality. Sony are even going to run the FIFA World Cup 2014 soccer tournament in 4K video.

This is brought on through the use of H.265 codec or the VP9 codec and all of these sets will come with HDMI 2.0 connections for video peripherals.Qualcomm are also offering a processor which is optimised for 4K smart-TV applications. As well, Dolby have developed and premiered their Dolby Vision technology which optimises how the pictures are displayed on the screen according to the master – so the “Double-D” logo is not just about sound quality anymore.

Smart TVs

One major trend for smart TVs is for manufacturers to avoid reinventing the wheel when it comes to developing the operating systems for these sets. Here, they are working on implementing general-purpose operating systems like those of the Linux tree and shoehorning them to work with the “10-foot lean-back video-driven” experience that TV requires.

For example, LG is implementing the WebOS which was developed by Palm and HP in their smart TVs due to the improved user experience. For example the setup tutorial encourages users to get the most out of their sets through the use of a Clippy-style Bean-Bird mascot, along with a simple card-based switching user interface and relating to what device is being connected to a particular input. This is where, for example, you might see PS4 rather than HDMI 3 if you have a PS4 hooked up to the set’s “HDMI 3” input. Similarly, RCA and HiSense are toying with Android as an operating system for their smart TVs and Mozilla are working on a variant of the Firefox operating system for use with smart TVs and video peripherals.

MHL is becoming an increasingly-important connectivity feature for TVs launched through this year’s CES. This is brought on by Roku who are using the “Roku Ready” brand to say that their TVs can work with the Roku stick that connects between your TV’s MHL-capable HDMI input and your home network, making it become a smart TV using the TV’s own remote.

Other trends in this field include Samsung offering a simplified pebble-shaped remote control for their TVs which also supports gesture control along with Sharp running SmartCentral which provides search-level aggregation of the content that is available to you. Panasonic are also working on implementing facial-recognition in the application class while working with Mozilla to develop Firefox OS’s smart-TV implementation.

AV Peripheral Devices and Home Audio

Online Audio and Video

Even the separate audio and video equipment are taking on key online-enablement features. For example, an increasing number of Blu-Ray players and home-theatres are being equipped with Miracast technology to allow you to project the display from your suitably-equipped Windows laptop or Android mobile device on to your large-screen TV. Similarly, network-enabled audio equipment are becoming equipped with Spotify functionality such as Spotify Connect so you can benefit from the Spotify celestial jukebox on these devices as I mentioned in my coverage of the Australian Audio & AV Show 2013.

Audio Reproduction and AV equipment

One main trend being observed here is the increased interest in so-called “lifestyle” speakers such as soundbars and wireless speakers.

Many manufacturers are offering soundbars or pedestal speakers that have at least Bluetooth A2DP streaming with NFC “touch-to-go” setup. These are designed to sit in front of or underneath your flat-screen TV to provide a deeper better sound from these sets rather than using the set’s integrated speakers. A significant number of these units come with a wireless subwoofer to provide that meatier bass yet can be relocated easily without the need to worry about wires. Even Philips has shown up with a TV pedestal speaker that has an integrated Blu-Ray player that is a quick “leg-up” for adding Blu-Ray playback, smart-TV experience and better sound.

There are an increasing number of wireless speakers that work with Bluetooth A2DP and, in some cases Wi-Fi with DLNA or AirPlay functionality. For example, Sony are releasing the SRS-X7 and X9 with this functionality and a 2.1 layout that has a common bass driver.

Pure Jongo T6 wireless speaker

Pure’s wireless speakers and Internet radios to come Statesside

Regular readers of HomeNetworking01.info will know of Pure due to the Jongo speakers and some of their Internet radios that I have reviewed on this site. This brand has made an assault on the US with the Jongo T4 Wi-Fi/Bluetooth speakers along with the Evoke F4  FM/Internet radio with Bluetooth. This radio will also support Jongo synchronous multi-speaker functionality

But the WiSA wireless-speaker standard for high-quality sound has been premiered at this year’s CES with a Sharp Blu-Ray home theatre system that works as a WiSA wireless-speaker hub being used to work with Bang & Olufsen WiSA speakers including a new take on their legendary “pencil” column speakers.

CSR are working on improvements for Bluetooth speakers to allow multiple Bluetooth speakers to play in sync with each other from the one source, an improvement similar to their aptX codec which improves the audio playback quality of Bluetooth audio equipment. Similarly, Broadcom are working on the AllPlay SDK to make it simpler for manufacturers to integrate Wi-Fi with DLNA and AirPlay along with multi-speaker sync into wireless speakers and music systems

Also Sony are still pushing the HiRes Audio barrow that they did during the 2013 Internationaler Funkaustellung show in Berlin. Here, they are pushing the file formats and amplification abilities to their high-end Blu-Ray home theatres in the form of the BDV-N9200W, BDV-N7200W and the BDV-NF7220 two-speaker Blu-Ray home theatre amongst other devices that can play file-based audio content. These all have Wi-Fi, Bluetooth with NFC touch-and-go pairing, Miracast, and Spotify.

For that matter, Sony have refreshed their Blu-Ray player lineup, keeping them as a single unit that adds smart TV abilities to existing display devices. The top 2 models offer Miracast and have integrated Wi-Fi networking while every model except the entry-level model supports DLNA network media playback. They also have just released two single-piece CD/radio/Bluetooth stereos with NFC touch-and-go pairing. The more expensive model also has Wi-Fi with DLNA, AirPlay, Spotify Connect and the Internet-radio “band”.

Panasonic have released the SC-BTT465 and SC-BTT405 Blu-Ray home theatres which have Ethernet and are Wi-Fi ready needing the USB Wi-Fi dongle. Like most recent stereo equipment, they have  Bluetooth audio playback with NFC touch-and-go setup. As well, they provide access to the popular Internet video services. Like Sony, Panasonic have launched their latest Blu-Ray players as being “smart-TV enablers” with access to online services via Wi-Fi and their high-end BDT-360 is Miracast-enabled and has its own Web browser.

Still and Video Cameras

Connectivity to the network and Android-driven cameras

A key feature that is appearing on cameras across the board is the ability to use Wi-Fi to connect to a small network or be their own access point. This is augmented by cameras like the Polaroid Socialmatic and the Samsung Galaxy Camera 2 having direct access to social networks like Facebook or Instagram for uploading photos or cameras having the ability to benefit simply from Miracast or DLNA to show your pictures on the big screen.

The social-network ability is being augmented by cameras implementing Android rather than a reinvented operating environment, thus allowing for quicker application development and access to Android app markets.

Even Olympus has fielded a voice recorder that can upload audio files it captures to Dropbox via Wi-Fi technology. This is more as a way of saying that the dedicated voice recorder exists in the era of the smartphone and its voice-recording application.

Video cameras that shoot at 4K

Sony has come out with a consumer-tier video camera that can shoot to flash memory at 4K resolution. This camera, known as the FDR-AX100, sells for  USD$2000 and is equipped with Wi-Fi networking and NFC setup so you can exhibit those movies on that 4K TV. Of course it comes in the tried-and-trusted HandyCam handheld form-factor which would please most video hobbyists.

Action Cams

Sony and others are furthering the “action cam” which is a small video camcorder that attaches to various accessories to provide hands-free “first-person views”. These have been modelled on the GoPro action camera which clips to the various accessories.

Sony’s latest Action Cam, the top-shelf HDR-AS100V has live streaming, pro features and a splash-proof body and the ability to create time-coded movies for multiple angles in one picture efforts. There is an optional wrist controller with screen which also allows you to start and stop five of these cameras at the same time from this controller. This camera also joins the home network using Wi-Fi wireless and NFC touch-and-go setup.

Polaroid has joined the club by offering an entry-level “action cam” with not much in features but pitched at the same “social and casual” market, of course with the coloured body and rainbow stripe.

JVC has bucked this trend by offering a highly-ruggedised camcorder that can work in very extreme environments yet be handled like a camcorder.

Field photo printing

Polaroid and Fuji are putting up devices that are about “print-and-share” photo-printing. The former example is the previously-mentioned Socialmatic camera which has a Zink printer which mimics the classic experience with the Polaroid instant-picture cameras. It has even been styled in a way to evoke memories of their OneStep / 1000 series of entry-level instant-picture cameras with the white front and the rainbow detail under the lens.

Fuji have provided the Instax printer which uses a Wi-Fi link to print to 2”x3” instant-print film. This may be considered more as a toy or “quick-print” device to snap at Polaroid’s solution.

Gaming

The games market has been effectively controlled by the XBox One and PlayStation 4 consoles with casual and small-time gaming taking place on the mobile platforms.

But the main activity that has been occurring at this year’s CES is Valve launching the SteamBox gaming platform with many PC-based gaming names launching their “Steam Machines”. These are computer systems that work to Intel-based microarchitecture but run Valve’s “Steam OS” games operating system rather than Windows. They also work on the cloud-driven games distribution and gameplay model that Valve championed with their Steam concept. There is even the Digital Storm Bolt 2 which is a gaming computer which boots either to Windows 8 or the SteamOS gaming operating system.

NVIDIA also built up the Shield handheld-gaming concept which allows games on the PC or a GRID server to be played on a “PlayAnywhere” handheld.

These are about furthering a concept of streaming gameplay to a local display and control surface or using “download-to-play” setups to allow portable gameplay using the home network and the Internet.

Sony is not taking this lying down by launching the PayStation Now platform which allows you to play PS3 games on Android phones or tablets thus keeping the PlayStation name in everyone’s heads.

Conclusion

The next part of the series touches on the trends that are affecting personal computing including mobile computing devices like smartphones and tablets. It will also touch on the newer technologies that are affecting the home network and other small networks.

Denon’s network audio player component which is primarily an add-on for existing systems

Article – From the horse’s mouth

Denon

DNPF109, Optional Mini Network player for DF109, Audio Products Group

My Comments

If you are looking for an audio-focused network media player for your hi-fi system, you will typically come across devices that have an integrated broadcast radio tuner or optical disc player. This may be OK if your sound system doesn’t have these functions and may come in to its own with those network media players that have an integrated DAB+ or ISDB digital-radio tuner so you can add digital radio to your existing system.

But you may find yourself “doubling up” on functionality especially if you have an AM/FM tuner or broadcast-radio subsystem that is doing its job very well with broadcast radio.

Denon have filled in this gap with an audio-focused network media player in the form of the DNP-F109 that just provides access to network-hosted or Internet-hosted audio content as well as file-based audio content for existing audio systems. They pitched it primarily as an optional-extra component for their D-F109 bookshelf hi-fi system which consists of a CD player and a stereo receiver feeding a pair of bookshelf / mantelpiece speakers. Here, you can link this unit to the other components in a way to permit simplified “one-touch” operation or control with the system’s remote control.

But the DNP-F109 comes with its own remote control and has a coaxial digital output along with an analogue line-level output, thus allowing it to be plugged in to a vacant tape, CD, tuner or aux input on the amplifier. The digital output comes in to its own with “Dolby Digital” home-theatre receivers, digital amplifiers and digital-analogue converter components for best-case sound reproduction.

It can work with a small network that implements Ethernet or Wi-Fi connectivity and supports DLNA and Apple AirPlay setups. You also gain access to online media services like Internet radio and Spotify as well as the ability to play media held on USB-connected devices.

These kind of components can go a long way as an alternative to hooking up a laptop computer or tablet to an existing music system to play network-hosted or Internet-hosted audio content without making existing components or functions redundant.

Apple iRadio–another entrant to the crowded music-on-demand market

Article

Why Apple’s iRadio could fly or flop | Business Spectator

My Comments

We have seen the likes of Pandora, Spotify and last.fm establish themselves in the new world of listener-driven music-on-demand “virtual-radio” services. These offer the ability for listeners to “pull up” and play songs on what is effectively a “worldwide jukebox”.

They also have a function to play content like what has been listened to previously as a “virtual radio station” with this factor based on what music you have searched for previously or, in the case of last.fm, content you have listened to from your own library.

Most of these services operate on a freemium model which provides free ad-supported listening on a regular computer or allows the user to listen to the content ad-free on more devices for a subscription of up to AUD$120 per year. As well, an increasing number of consumer electronics manufacturers are integrating access to the services as functions for their network-capable audio and AV equipment.

Now Apple has started to enter this crowded market with their iRadio service. This will be typically tied in to their MacOS X and iOS computing platforms through iTunes integration. They are playing on the people who use their computing platforms and offer the same kinds of service – a free ad-supported service or a premium subscription service.

They will have to compete against Pandora, Spotify & Co for both listeners’ ears and ad dollars when targeting this market. This is especially as these services can be listened to from the Apple platforms whether through a Web page or a platform-specific app. There will be the usual limitations of not being able to benefit from iRadio content on devices other than Apple devices.

Personally I would like to see Apple integrate the iRadio service with the iTunes Store in the way that a person could buy the content they listen to using the iTunes “download-to-buy” music store. This could be a way to work their iTunes platform harder and, in some cases, provide a new way of buying music – “buy as you listen”.

Similarly, could other computing-platform companies like Google or Microsoft jump on the bandwagon and license music through their own “virtual radio” services? As well, could a “download-to-own” online music store run a subscription “virtual radio” service of their own?

Another trend that is also surfacing is the creation of software like Tomahawk that integrates multiple subscription music services and your own music library to search for music content or run custom playlists. This capitalises on the fact that one could be subscribing to two or more of these services whether as a free ad-driven setup on one of them and a full paid service on anther in order to catch more of the music or use with more of the devices they have.

What I see of these services is them existing as a complementary service to one’s physical or digital music library and access to traditionally-programmed broadcast radio. Here, these services work as a way to track down elusive items of music to hear them again or to discover music similar to what you are listening to.

Another full-band network audio tuner appears, this time from Onkyo

Article – From the horse’s mouth

Onkyo

T-4070 | ONKYO Asia and Oceania Website (Catalogue material)

My Comments

Previously, I had seen in action the NAD C446 Media tuner which is effectively a “four-band” (AM/FM/DAB+/Internet) broadcast-radio tuner and file-based audio-content player that can play from USB memory sticks or the DLNA Home Media Network. This was able to do its job in a very exacting manner yielding high-quality sound from these sources to the sound system that it is providing these playback services to.

Denon fielded a network audio player with FM/AM tuner functionality in the same box but those of us who have DAB / DAB+ digital radio broadcast services in action may find that this tuner misses the mark. This is more so if the AM talk and sports stations like ABC Radio National in the metropolitan areas do simulcast on DAB and you find that you can’t hear the programme hosts on these stations due to electrical interference but you find that the DAB simulcasts “answer your prayers”.

But Onkyo have shown up with a tuner with the same functionality as the NAD C446 tuner. This means it can pick up broadcasts from FM, AM or DAB as well as Internet streams; alongside playing audio content that exists on your DLNA-enabled home network or USB memory keys, providing these services to the sound system that it is connected to. If you have a smartphone or tablet full of music, you can stream audio content that exists on the device to this tuner via your home network using Apple AirPlay or DLNA.  The same holds true with computers that are packed to the gunnels with music and use iTunes, newer versions of Windows Media Player or other DLNA-capable media management programs.It also has access to the Spotify online music service as well as another service called Aupeo.

This function set, whether with or without DAB+ broadcast reception could end up being determined for audio-based network media adaptors, especially when it comes to gaining access to broadcast and Internet radio as well as network-hosted audio content, including online services. As well, the fact that mainstream hi-fi names are cutting in to the market shows that the class of product is being given serious thought.

I would see this device and its peers becoming simply a network media adaptor for audio content or a high-quality way to add DAB and Internet radio to that hi-fi system you so love.

How could on-demand music-streaming services fit in to the music ecosystem

Article

Will Streaming Music Ever Be A Sustainable Business? | Gizmodo Australia

My Comments

Spotify screenshot with album tracklist

Spotify, one of the most popular online music-streaming services

As people cotton on to the likes of Spotify with its business model of free ad-supported desktop streaming and premium all-device streaming, we end up wondering which direction the trade in recorded music would go.

Some people reckon that use of these music services would displace the concept of buying music whether as CDs or vinyl from a physical store or online; or as “electronic hard-copy” files (MP3s, FLAC files, etc) from an online outlet like iTunes.

For me and most other readers, I get hold of music on a “to-own” basis where we prefer to buy a CD or record, or download music as an “electronic-hard-copy” format like MP3. Personally, I use Spotify as a tool to discover music of interest or give that album that I am thinking of a “test run” before heading to JB Hi-Fi to buy the CD or visiting BigPond Music or iTunes to “pick-up” the files.

The article was placing in to doubt the ad-supported or subscription-driven business models that these places use and whether they are really sustainable as far as the business is concerned. As a music consumer, I would like to see the development of an ad-supported or subscription-driven streaming service that is augmented by the ability for one to buy the tracks or albums as 320kbps MP3s or high-grade FLAC / WMA files on a “download-to-own” basis. This kind of service could be extended by the ability to buy CDs, SACDs or vinyl records through the service and have them shipped out to them.

Such a service could be offered by a pure streaming-content provider like Spotify through a partnership with someone like Amazon, iTunes or Deezer; and they could provide a “points model” or subscription rebate to support those who wish to buy the music as well as stream the new titles.

The streaming services can work alongside the “to-own” model of acquiring music and video material by allowing discovery and test-run opportunities for those of us who are thinking of newer content