Tag: UPnP

Introduction

I am reviewing the Marantz Audio Consolette speaker dock which is the first item issued as a tribute to Marantz’s 60th anniversary as a major force in hi-fi sound. The name came about from the first product issued under this brand which was an amplifier which was about top-notch record reproduction and mono hi-fi sound.

Here, we are talking about one of a few top-shelf speaker docks or network-enabled single-piece audio systems that are all about top-notch sound reproduction/

Marantz Audio Consolette speaker dock

Price

The unit itself:

RRP including tax: AUD$1650

Form Factor

One-piece music system with integrated speakers (stereo speakers).

Functions

Connections

Speakers

Network

The unit itself

Control panel detail – press on the Marantz logo to reveal the 30-pin dock for legacy iPods and iPhones

The Marantz Audio Consolette has been designed as a high-grade hi-fi system with a timber back panel that is effectively curved amongst other symbols of elegance.

There are the elements of style that are very consistent with some of the high-end Marantz amplifiers, tuners and receivers over the years, such as a large thumbwheel for tuning and a porthole style presentation for power / tuning-aid meters found on these components.

Here this is reflected with a large thumbwheel that serves as a volume control or selection control as well as a “porthole” display for showing the unit’s operational status including the current time.

Rear view with wooden back

There are six power amplifiers integrated in this unit (3 per channel) and these are arranged in a combination of a bi-amplified and a bridged setup. For each channel, one 25 watt amplifier looks after the middle and high frequencies while a pair of 25-watt amplifiers bridged to work as a 50-watt amplifier handle the bass frequencies. This makes sure that this unit can provide a clean and meaty sound as well as not “running out of steam” when it is taken to higher volume levels.

Setup and connectivity experience

The Marantz Audio Consolette follows the trend for most network-based audio equipment when it comes to network setup. Here. the device becomes its own access point and Web server during the setup phase to obtain Wi-Fi network parameters for non-WPS networks and you have to associate a smartphone, tablet or laptop that is equipped with Wi-FI to this access point and open a Web page hosted on the device’s Web server to determine your Wi-Fi network’s credentials.

External connections – RCA connections for other hi-fi components as well as Ethernet connection and network setup buttons

You can also connect this unit to an Ethernet network and the line-in connections for existing hi-fi components are infact gold-plated RCA sockets rather than the typical 3.5mm mini phone jack.

Pushing on the Marantz logo bar under the speakers yields a 30-pin dock for Apple iPhone and iPod devices that are suitable equipped such as the iPod Classics, the iPhone 4S and the iPhone 3GS. You may have to buy a Lightning-Connector adaptor to use this connection with newer iPhones or iPads.

Useability

Remote control

It can work with most third-party DLNA control point programs for music playback from network resources. This comes in handy when a control point program excels in certain tasks like playing from a mobile phone’s music collection or an online music service.

If you are using the Internet radio function, you would need to use Marantz Consolette app to find the stations you are after but can use this to allocate them to the presets that you can use to directly access them on the remote control.

There is the large thumbwheel on the front of the unit for adjusting volume or selecting options and sources. But you can also operate this unit with its supplied infra-red remote control for source selection, track navigation and other basic tasks. Here, the remote control has that metallic feel that is all about quality equipment.

Sound quality and network prowess

The Marantz Audio Consolette speaker dock does sound very clear with most sources and yields a very tight bassline that doesn’t dominate even with the latest dance tracks, which I had observed with a few of the Hed Kandi dance tracks.

I was able to get this speaker dock to 80%-90% of the volume level before it started to clip and sound awful, which shows that the amplifier array including the BTL-bridged power amplifiers makes for a very powerful system. This would make the Consolette be able to fill larger rooms like dining rooms or small lounge areas with good-sounding music and could satisfy party needs or even challenge the Sonos as a music system for that small café or bar.

As far as the home network was concerned, the the Marantz Audio Consolette worked well even on the “edge” of the Wi-Fi network segment, staying associated with the the Wi-Fi segment. When it cam to streaming Internet content like the Internet-radio channels, it kept the stream going and didn’t “give out” even in worse conditions.

Limitations and Points Of Improvement

Personally, I would see this system equipped with Bluetooth A2DP wireless audio for environments which don’t represent the typical small network such as business networks or resorts that implement Wi-Fi hotspots which require Web-based login.

As well, the Marantz Audio Consolette could benefit from access to Spotify and related services from Android and other devices or simply from the unit’s control surface.

To satisfy the newer network trends, this could benefit from dual-band 802.11n Wi-Fi networking as we see a move away from the crowded 2.4GHz band for the small Wi-Fi wireless network. The RCA connections can be complemented with a 3.5mm stereo jack for walk-up connection of smartphones, laptops and similar devices.

Similarly, Marantz could also provide the ability to operate Internet-radio and DLNA media player functionality using either the controls on the unit or the remote control rather than you using a smartphone app to perform these tasks easily.

Conclusion

I would position the Marantz Audio Consolette for a person who wants a single-piece speaker dock / Internet radio for an iOS device or for a small network that has DLNA-based media sources but places high value on the sound quality.

Here, the Audio Consolette could come in to its own with the trend for downsizing to the many city apartments or simply for use as something that can earn its place on the dining-room sideboard as a secondary music system.

Article – From the horse’s mouth

Sony

Sony – Simple, secure content sharing on the move: the evolved portable wireless server from Sony that’s made for your mobile : : News : Sony Europe Press Centre

My Comments

Over the last few years, I have come across many different mobile network-attached-storage devices which serve content to smartphones and tablets while on the go by creating their own wireless network. If you use these devices, you typically have to use a Web form to download the content to a regular computer and may find it hard to upload the content from a regular computer using the Web form.

Of course, when you use these devices with smartphones or tablets based on common mobile operating systems, you have to download an app from the mobile platform’s app store to your mobile device before you can transfer files to or from the mobile MAS.

Sony have just released the WG-C20 mobile NAS which uses an SDXC card as its storage or can work as a USB file server. But this mobile NAS takes things further by implementing a UPnP AV/DLNA server as well as its regular mobile-platform file server, which is a function that I have wished for with the mobile NAS devices. It also is the first of its kind to implement NFC for one-touch Wi-Fi setup with suitably-equipped Android smartphones.

There is the bridging ability to link the mobile NAS with an existing Wi-Fi segment for Internet use but I am doubtful whether this bridging function would allow a user to share the stored data to the existing Wi-Fi segment. Here, I would improve on the bridging ability to allow a user to determine whether the Wi-Fi segment they are annexing the WG-C20 to for Internet access is a home/business or public network so as to enable file sharing to that segment as appropriate.

This could allow you to preview those pictures and videos from your digital camera on your smartphone, tablet, laptop or DLNA-capable Smart TV just by taking the “film” (SD card) out of the camera and putting it in the WG-C20. As well, you could use this device with the Pure One Flow or similar portable Internet radio to play music files through that UPnP AV-capable radio while on the road.

What I see of this is the way Sony has raised the ante with this class of device rather than selling the same old mobile NAS with the same old functionality.

Originally posted: 5 January 2009, Updated 29 August 2013

Netgear ReadyNAS business-grade NAS working as a DLNA media server

Very often, DLNA and UPnP AV are typically marketed as being for use in the home due to the reduced amount of configuration needed for devices that comply to these standards. But devices based on these standards can appeal to business use, especially to small “mum and dad” shops, community / religious organisations and other similar businesses who don’t have regular access to “big business” IT resources.

The functionality is typically available as low-cost or free software or, in some cases like the Windows regular-computer operating systems since XP, available as part of the operating system. There is an increasing number of “business-grade” network-attached storage boxes that have the functionality for business continuity but also can work as DLNA-compliant media servers, whether out of the box or through the addition of a very=low-cost or free program installed on that device. A good example of this are the Netgear ReadyNAS units such as one I saw in action at the Australian Audio & AV Show 2011, and the QNAP units, including the TS-459U Series 4-disk rackmount “pizza-box” NAS server which would be pitched at the office server room.

The main issue that one will encounter with this kind of setup will be that the network that you intend to connect all of the DLNA-capable equipment to must be on the same subnet or logical network, served by the same DHCP server. This will be fine for most small-business, and SOHO networks, including the “private” segment of networks that provide Internet access to the public such as wireless hotspots and Internet cafes.

If you are concerned about security of business data or the integrity of business systems, you could run a separate server for the DLNA-presented media data rather than use the main server for this purpose. Then you can lock down the main server as tightly as it should be for the data.

Western Digital WDTV Live network media adaptor

As for client hardware, the equipment that you use to play or show the content is available at most good consumer-electronics outlets whether it be the electrical department of a mainstream department store, a store that is part of a popular mid-tier consumer electronics chain like Best Buy or JB Hi-Fi, or a specialist hi-fi or home-AV store. You may find it difficult to buy equipment with this feature at some “big-box” discount chains like Wal-Mart, Target or Big W due to the their goal of satisfying the mass market with “loss-leading” goods where the goal is to take it out the store, plug it in and have it playing.

DLNA content collections listed as sources on a Samsung Smart TV

As for control of your content, you can either “pull” the content up from your DLNA-capable device’s control surface i.e. the display that is integrated in or connected to the device and the controls on the device itself or its infra-red remote control. On the other hand, you can “push” the content to the device using a software-based DLNA media control point for your regular computer or mobile device like TwonkyMedia software (all platforms), Windows Media Player with its “Play To” function (Windows 7 onwards), PlugPlayer (MacOS X, iOS, Android)  or BubbleUPnP (Android).

Visual Merchandising

Sony BDP-S390 Network Blu-Ray Player – a Blu-Ray player that adds DLNA to an existing TV

DLNA-based setups can come in to their own when it comes to all sorts of visual merchandising applications. This is more so for small businesses who cannot afford to buy business-grade “digital signage” solutions or find the “digital signage” difficult to manage due to complex setup and operation requirements.

Pioneer BDP-160 DLNA-capable Blu-Ray player

Similarly, these setups can allow one to simply and quickly update the screenshow to suit different seasons or campaigns without having to recall USB memory keys or SD cards from electronic picture frames or flatscreen TVs to perform thse updates. Places like cafes and bars can benefit from using a DLNA-capable flatscreen TV or a projector connected to both a TV set-top box and a video-based DLNA media player such as the Sony BDP-S390 Blu-Ray player to show live sports or cultural events to their customers but run these sets as a visual-merchandising aid at other times.

You can have images or videos of products that are always kept fresh and up-to-date and can intermingle these images and videos with up-to-date “electronic signage” that you create with programs like Microsoft PowerPoint. The best example of this being used would be the real-estate agent who uses the setup to show pictures of the houses he has currently for sale or a beauty salon showing examples of the most fashionable hairstyles they have done lately.

A DLNA-compliant network electronic picture frame like the Kodak EX1011 or the D-Link DSM-210 can work wonders here as can any DLNA-compliant network media receiver (or games console) hooked up to a large flat-screen TV or monitor. Similarly, a DLNA-compliant flat-screen TV like one of Sony’s recent LCD TVs or the Samsung Smart TVs can fulfil the same needs here, especially now that the cost of these sets in in affordable territory and the sets are available from most electrical retailers. The Samsung smart TVs do the job more elegantly by deeming the DLNA media server as a logical source.

Select “JPEG File” for exporting PowerPoint slide or presentation for use with DLNA devices

As well, an increasing number of recently-issued Blu-Ray players and Blu-Ray home-theatre systems also work as DLNA media players thus becoming a cost-effective way to add this functionality to a video projector or a large-screen display that doesn’t offer DLNA capability such as most of the “Wal-Mart-special” or “Big-W-Special” flatscreen TVs.

The media server can be part of the file server’s functions or can be hosted on a separate box such as a network-attached storage unit. You just need to add the media to this server by using a standard network file-transfer protocol like SMB or FTP. You will need to make sure that the media server presents the files either by keywords (tags) and / or folders of the file system so that you can file the pictures how you want to file them. Windows Media Player and TwonkyMedia do support working by keywords and folders.

Determine whether to export this slide or the whole presentation as JPEG images

If you use a presentation program like Microsoft PowerPoint to create “electronic signage”, you just need to export all of the slides in your presentation as JPEG files in to a folder available to the media server. This is done in PowerPoint by opening the presentation and selecting “File” – “Save As” and selecting “JPEG” as the file type. You then have the option of exporting the current slide as a JPEG or exporting all the slides in the presentation as JPEG files in a folder named after the title of the presentation.

For that matter, you could create all the “Buy Now” digital signage for a particular campaign using one presentation, then alter the presentation and save and export it again as a new presentation for another campaign. A seasonal campaign can allow you to create a new presentation with material specific to that season but you can “rope in” JPEG files that are general to seasons of a kind like Christmas or Valentine’s Day when you determine what appears in the promotion folder on your DLNA server. Similarly, you can just mix photos you take with the slides you create in that same folder for merchandising food, flowers and the like.

Background Music

Denon CEOL Piccolo DLNA-capable music system

If you are sick and tired of the radio or those business-to-business music services yet want “hands-off” background music, you can use a computer as a music server, with the music playing out through a DLNA-compliant network media player. This can be a unit like one of those Internet radios, a bookshelf music system like the Sony CMT-MX750Ni or a wireless speaker like the Sony SA-NS510.

As I have mentioned in my previous DLNA feature articles, it is very easy to do whether you decide to use a computer or a network-attached storage box as a media server. Most of the network-enabled music players support shuffle-play which can be very useful for this application to avoid predictable music-listening experiences and a lot of them have a line-out connection so you can connect them to a public-address amplifier or music-on-hold interface. Similarly, you could use something like the Yamaha CD-N500 network CD player or a network-enabled radio tuner like the NAD C446 to play music from your media server through your public-address system or an existing music system.

Education, Worship and Allied Applications

Educational institutions, churches, funeral homes and the like can find that DLNA can suit their needs in many ways, not just for a constantly-updated visual display.

The media library

A DLNA-based media system can work well when it comes to education. It doesn’t matter whether the idea is to show a video to a class or whether a student is viewing a video they saw in class “once more” in the library.

A capable DLNA media server with a properly-indexed media collection can work wonders here, with the users selecting the AV material through the DLNA media player’s user interface. Most such players can connect to existing AV equipment or the DLNA functionality can be part of the equipment’s functionality.

Similarly, if the media server provides it, you could allow Web-based access via any computer connected to the facility’s network. This can allow wireless-linked regular computers and tablet devices to be used to “pull up” the learning resources.

Content on demand

A church or similar location can find that they can benefit from having content “on hand” to pull up during the service. Here, you have a system that can grow with the different needs of that facility as it evolves.

For example, a small congregation may work from backing tracks for their worship singing until they have skilled musicians that they can trust or most congregations may show visual material during a service like images and video footage from the mission field.

Similarly, a funeral home may set up a dedicated NAS so that images, audio and video content are placed on to it by the deceased’s family so these can be shown on a “rolling basis” in the foyer before the funeral service, pulled up as required through the eulogy then shown on a “rolling basis” in another hall after the service while the mourners are chatting.

Here, it could be desirable to create a static collection of the content kept on a NAS which can be pulled up using Windows Media Player or VLC on a regular computer or on regular AV equipment. Other worship areas like a Sunday School or fellowship hall may also benefit by being able to “pull up” different content from the same library using the DLNA-capable AV equipment.

Other business-based DLNA applications

DLNA is eventually heading in the direction of a common IP-hosted data system for transferring media between portable and fixed devices including consumer-electronics devices.

A typical application may include uploading images and movies from a digital camera or camcorder to a “base” computer for editing and viewing. Similarly, there may be the application of downloading AV material from a computer to a smartphone using a DLNA-based client like TwonkyMedia so it can be viewed on that phone’s display.

Conclusion

What needs to happen is that DLNA needs to be viewed as not just being for the home but being for business, education and allied purposes as well.

Article – From the horse’s mouth

Sony

Sony launches new premium 3D Blu-ray Home Cinema System : Consumer Products Press Releases : Sony Australia

My Comments

I had some experience with two of Sony’s premium network-capable Blu-Ray-based home-theatre systems, especially the BDV-E990W (BDV-N990W) unit. This was in the form of setting up the prior model which was the BDV-E980W (BDV-N980W) for them and eventually troubleshooting it to find out they had ended up with a faulty unit which was replaced under warranty with the ‘E990W. Even when they received the replacement model, I was involved in setting it up and testing it to make sure it worked.

These home-theatre systems were very capable when it came to functionality such as being able to work with their setup which involved their first flatscreen TV which was a low-end entry-level model from a discount store along with a recent-issue cable-TV set-top box. This was because of the number of HDMI input ports along with the HDMI output port that these systems were equipped with.

The reality with this setup was that most older and low-end “bargain-basement” flatscreen TVs don’t have the HDMI-ARC functionality for returning sound from the TV’s tuner or video peripherals connected to the TV’s HDMI ports. Also, by connecting the cable box to the home theatre system, there is a guarantee of “best-case” video and audio quality for the premium pay-TV channels even if the TV had just one HDMI connection which is something that a lot of cheaper sets like the Kogan “Kevin 37”, which was on sale at the time of Kevin Rudd’s economic stimulus package, had. Here, you have the ability to have best-case sound and vision even if you start out cheap with your flatscreen TV and gradually upgrade to better equipment as you can afford it.

For that matter, I would like to see the HDMI Consumer Electronics Control and Audio Return Channel features effectively “pushed down” to lower-tier flatscreen TV sets. This is more so as we see manufacturers equip Blu-Ray home-theatre systems, soundbars and similar “compact” AV equipment with this functionality and use it as a way to cut costs by reducing the number of HDMI and other connections on these devices. Similarly, from my experience the HDMI Consumer Electronics Control functionality has helped with simplifying the operation requirements with consumer AV setups and this has been a boon with older friends of mine who aren’t confident with operating consumer-electronics equipment.

I have also been pleased with the wireless surround-speaker link which pleased the house-proud owner who wouldn’t like the sight of cables coming from the front to the back of the viewing area. The microphone-assisted auto calibration routine made things easier for keeping the soundfield at an optimum level which has led to a “properly-placed” surround-sound experience when I watched the “Back To The Future” Blu-Ray with her and is to be used when you rearrange the lounge area in such a way as to relocate the speakers relative to each other.

These sets also offered what was expected for equipment that was to be part of the home network where they gave access to Internet-hosted radio and TV services as well as access to DLNA-hosted media collections on that network.

But the Sony BDV-N9100 Series adds some extra icing on the cake for Android users. It has integrated Bluetooth A2DP audio streaming so you can wirelessly play your smartphone or tablet through the system’s speakers. This is finished off with NFC “touch-and-go” setup for Android devices that implement NFC functionality. Like the rest of the current Sony Blu-Ray home-theatre range, this unit also has the “sports sound” mode labelled as “Football” but this should be used with all of the stadium sports like cricket, baseball or most Olympic Games events.

An improvement that I would like to see for these systems is for Sony to provide units with the same connectivity and functionality at a more reasonable price that can appeal to most purchasers. The best way to go about this would be to add some of the high-end functionality to mid-tier models and add extra functionality just to the high-end models. Similarly, these units could effectively answer Panasonic by integrating Skype capability with the optional camera. But, as high-end highly-capable home-theatre setups that are part of the home network, they have earnt their keep in this regard.

Article – From the horse’s mouth

Pioneer introduces new-generation media centre systems that play audio and video from a variety of music sources (Press Release)

My Comments

Pioneer has released in to Europe a new lineup of home-theatre media systems with varying capabilities. They have issued two different “ranges”, known as the “advanced” range and the “regular” range. The systems have a “media centre” main unit that is common across their range but have different speaker sets with the high-end model having 4 tall freestanding speakers for the main channels along with a centre dialogue speaker and a subwoofer; the mid-tier model using 4 compact box-like speakers that could be put on shelves or mounted on walls along with the centre speaker and subwoofer; as well as the low-tier unit just having 2 main channels with two slim speakers and the subwoofer. I would also see the latter systems fit well in with people who aren’t used to the idea of speakers surrounding them or for a system that is to work in a small room.

The main consoles in both these system implement 4 of the HDMI sockets and 2 USB sockets that can work with memory keys or hard drives. Of course, they would have a Blu-Ray player and an FM broadcast tuner. The USB ports can allow for transfer of music files between a USB hard disk and a memory key; as well as “ripping” of CDs and recording of FM broadcasts.

One key difference is that there is Wi-Fi ability on the “Advanced” units as a differentiating feature. This extends to the ability to support Wi-Fi Direct operation which works hand-in-glove with laptops, smartphones and tablets for music and video playback without needing an existing Wi-Fi network segment.

There are some questions that need to be asked about this range of home-theatre systems. One is whether the cheaper “regular” systems can be connected to a home network via an Ethernet socket and benefit from all of the network features like Internet radio, DLNA and control via smartphone using the existing Wi-Fi segment with this network connection? The other is whether audio-only network sources like Internet radio or audio files hosted on a DLNA server can be brought up and played without the need to use the TV?

At least there is an effort to create DLNA-capable home theatre systems that support flexible setup across the range by most of the manufacturers.

Introduction

I am reviewing the Denon CEOL Series music systems and had a chance to review the CEOL but am focusing on the CEOL Piccolo. Both these stereo systems are “three-piece” micro systems with a main unit and two speakers, and can work with Internet radio, Last.FM, Spotify, DLNA Home media networks and music held on USB storage or an iPod device. The larger CEOL system also has an FM broadcast tuner and a CD player whereas the smaller CEOL Piccolo just focuses on the online sources.

Denon CEOL with CD and FM radio as well

Price

The unit itself:

Recommended Retail Price:

Denon CEOL: AUD$999

Denon CEOL Piccolo: AUD$799

Form Factor

Both systems: Three-piece stereo music system with separate speakers

Functions

Connections

Speakers

The unit itself

Remote control

The Denon CEOL stereo systems come with a comprehensive remote control or can work from a Denon smartphone app available through the iOS and Android app stores. But they can be worked from the units themselves, with the CEOL’s controls on the front and the CEOL Piccolo’s controls on the top of the main unit.

The main units in these systems are equipped with a monochrome bitmapped OLED display which is a delight to use. Here, the display is bright and easy-to-read, which I find is important for older people or those of us who don’t have good eyesight. As well, the bright display also comes in to its own if you are one of those people who like that dim lighting for romance.

Both systems are very easy to integrate in to your home network with them running a “quick setup” when they are first connected to AC power. This same option can be invoked through the Setup menu which is selected as a “source” when you use the Source button. They can work with most small Wi-Fi wireless networks that implement passphrase-based WEP or WPA network security.

The Denon CEOL comes with a tacky piece of wire as its FM aerial (antenna), which doesn’t do the system justice. Here, I would like to see something better like the classic “T-wire” aerial like what most manufacturers use for their receivers and tuners or the “rabbit’s ears” aerials that were always used with portable TVs. Even the Internet radios that I have reviewed used that telescopic aerial that most portable radios use as their aerial. On the other hand, I would recommend users connect the CEOL to the outdoor TV aerial or buy an indoor TV aerial like the classic “rabbit’s ears” if they want to use it for FM broadcast radio.

The USB port on both these systems can only supply power to peripheral while the equipment is fully on, which can be a limitation if you wanted to charge that Android smartphone overnight. It supports “remote IOS” behaviour where you can connect Apple iOS devices to this port and they behave as if they are iOS devices connected to the docking connector on top of the console unit. This is important when you use an iPad, iPod Shuffle or any newer iOS device that uses that Lightning connector for power and data connectivity.

The USB connections on both systems can also work with Mass Storage Devices like USB flash drives but can’t support MTP functionality which is important with some MP3 players and newer Samsung Android phones.

The speakers that come with the Denon CEOL systems are very well-built and have that piano-gloss finish. The grille is of an unusual shape but the cloth is fixed to a removable plastic frame.

Of course, they yield a clear tight sound with that proper bass response that can do a lot of music justice. Here, you could notice that punchy sound through the newer dance tracks or hear the whole of the sound mix with clear vocals.

Also, I have found that I could run the Denon CEOL systems to 80% of the volume level before they started to clip and sound awful. At that point, it is loud enough to fill a medium-size room. This shows that they are very capable for a small music system.

The CEOL systems do work well for Wi-Fi network reception if they are picking up a good signal from the access point. They also have an Ethernet connection which would allow them to be connected to an Ethernet or HomePlug AV segment for more reliable operation.

As for Internet media reliability, they don’t handle things well if the Internet media source isn’t working well for quality-of-service, which can happen at peak times for Internet-radio streams. Here, they give up the ghost on the stream and require you to re-select that stream if you want to continue listening to it again. This is unlike a lot of Internet radios that provide a better allowance for failure by having a longer wait time.

The CEOL systems work properly as a part of the DLNA Home Media Network in that they can either pull up content from a media-server device or can accept content that is pushed to them. The interaction for this feature is very quick, including advertising their presence to a control point.

Limitations and Points Of Improvement

I am finding that it is hard to look for limitations that concern the Denon CEOL music systems, especially for the kind of user that it is targeted at. It works to the DLNA standards and is easy to use from your smartphone, remote control or the unit;s control panel.

Like a lot of these systems, the USB port could have a user-selectable mode which allows “always-on” power so it can charge mobile phones even while it is on standby.

Denon could also supply models in to this series with a DAB+/DMB tuner or HD radio tuner for markets where these digital broadcast systems are in situ. This is because I have noticed the Sony CMT-MX750Ni being able to work with DAB/DAB+ broadcasts.

Similarly, they could offer a variant of the CEOL with a DVD or Blu-Ray player, an HDMI input and HDMI output with Audio Return Channel, and “two-speaker surround”. This would be pitched as an answer to Yamaha’s MCR-755 micro A/V system and build out the “quality” home entertainment system for a dorm room, studio apartment or similar application.

Here, this could be a way for Denon to build out the CEOL range as a series of high-quality micro-form-factor 3-piece AV systems.

Conclusion

I would recommend the Denon CEOL or CEOL Piccolo as an option for any  application where you value good sound quality but desire a music system that doesn’t take up too much space. This could range from something that would work well in that nice studio or one-bedroom apartment in the city to something that could work as a personal music system for that master bedroom or den.

Here, I would value the CEOL for anywhere that you place importance on CD playback, FM broadcast radio or “walk-up” device connectivity. This is important with hotels and serviced apartments who want to have a system that best suits their premium offerings. The CEOL Piccolo would be of importance if you just value file-based audio, online audio services like the “new shortwave” as in the Internet radio or want something for that MP3 player.

Article-From the horse’s mouth

Onkyo

TX-8050 | ONKYO Asia and Oceania Website (Catalog posting)

My Comments

There are situations where a home theatre system may not be appropriate but you like the look and performance of “full-width” hi-fi equipment. The classic example is the formal lounge room that is at the front of the house where you don’t really want to watch TV or movies but would rather entertain guests, read and play or listen to music. Here, you may want to have a hi-fi that is built around a stereo receiver or amplifier feeding a pair of speakers and a CD player, turntable and / or audio recording deck as source equipment.

But a lot of “full-width” receivers that have network capability also come with the surround-sound functionality and, in some cases, are optimised for use with video equipment. If you purposed these receivers for use with a stereo setup, you would find that there is unused functionality and, in some cases, room for operational error.

On the other hand, you may have to buy or resurrect a stereo integrated amplifier and hook this up to an audio-focused network media tuner like the NAD C446 Media Tuner so you can gain access to the audio content on the Internet or network. If you used a stereo receiver, you may find that the FM or AM broadcast tuners in the network media tuner (if it has one) or the stereo receiver may be redundant when it comes to listening to broadcast radio via this system.

But Onkyo have filled in this gap by offering a traditional “full-width” stereo receiver that works with the home network, whether to pull in the fun of Internet radio or music that exists on that network-attached-storage device.

This receiver, known as the TX-8050, has room for expected hi-fi functionality like a phono input for connecting the turntable to play those records and an input-output loop for connecting a tape or MiniDisc deck. The sound path is set up for stereo sound reproduction rather than surround-sound reproduction in the same vein as the classic stereo receiver. There is video switching for some of the video inputs but this works at composite level only, which may not matter with its intended usage application.

What I see of this product is it is another example of what Onkyo has done to fill in gaps in the domestic audio-video market, like their FR-435 CD/MiniDisc receiver which was a full-width component that could be hooked up to any speakers. It has also highlighted a way where AV equipment manufacturers could keep the stereo-receiver product class alive and relevant in the age of the home network rather than treating it as a second-class citizen.