Tag: vinyl records

Turntables with digital output–are they worth it

simonmackay 22/04/2024 Current and Future Trends, Network Media Devices, Network Multiroom Audio No Comments

Pro-Ject T2W Wi-Fi Turntable press image courtesy of Pro-Ject

Pro-Ject T2W Wi-Fi turntable – an example of a turntable with a digital output

The recent vinyl revival has been driven not just by the hipsters who saw the vinyl record as an ironic statement but also by people who grew up through most of the late 20th century where these records were the main music distribution format.

Some of these people even kept a music system that can play vinyl records along with a sizeable record collection, and kept putting these records on even when there was an expectation in the 90s and 2000s to move away from that format. In some cases, these people kept vinyl records that wouldn’t be reissued on any newer media. This is in addition to DJs who worked with vinyl records and, in some cases, used the turntable as a musical instrument.

As well, the turntable and a collection of classic-rock records by talent like the Beatles, Pink Floyd or Fleetwood Mac recently became an alternative to the motorcycle or sports car as a “mid-life crisis” symbol for men. This is because of these men were teenagers or young adults through the 1960s and 1970s where this kind of music was played on vinyl records using a reasonably-priced but good-sounding hi-fi system.

What are these turntables that have digital outputs

VinylPlay – an integrated-phono-stage turntable that raises the bar for this class of turntable

As part of the vinyl revival, nearly all turntable or record-player manufacturers are offering at least one turntable or record player with a digital output of some sort like Bluetooth, Wi-Fi or USB or a digital recording subsystem.

Nearly all of this equipment has the customary “from-the-cartridge” analogue output that can be a raw phono-grade signal for use by amplifiers with a PHONO input, or an amplified line-level signal for equipment that only has a line-level input. This would be in addition to the digital sound path mentioned above and would permit, in the case of a Bluetooth turntable that you used with a Bluetooth speaker, you to upgrade towards a better hi-fi setup with an integrated amplifier and pair of speakers.

There are some record players that use digital inputs like Bluetooth or USB as an “external-equipment” programme source for their onboard amplifier which amplifies the sound for integrated or connected speakers. But the turntables are their to work with a separate amplifier or sound system.

Why do these turntables and record players exist

A few reasons these turntables and record players have appeared include people dabbling in vinyl for the first time and using Bluetooth headphones or speakers as their initial audio setup. Or your audio system uses am amplifier that omits a tape loop connection to connect a recording device to but you want to record your vinyl records to your computer for mobile use or to salvage them.

The audio signal path in these turntables

The signal path from the moving-magnet cartridge that follows your record’s grooves is sent via a preamplifier that brings the music signal to a stronger line-level signal, then to the analogue-digital conversion circuitry which converts the analogue signal to a digital signal for the digital use case. This is similar to a regular turntable that is connected to an amplifier that implements digital signal processing or “digital-to-the-speaker” amplification like some new Technics amplifiers do.

The digital use cases that come about for these turntables are:

Bluetooth audio source which works wirelessly with Bluetooth speakers or headphones
Wi-Fi or Ethernet home network connection to work with a network-based multiroom audio setup or DLNA-compliant audio setup
USB Audio Device class source connection so you can plug the turntable in to your computer to record that LP using digital-audio-workstation software
Digital recorder subsystem to record that LP to a USB memory stick or similar storage device

These will still play your records properly

All of these turntables are engineered in a similar way to most of the other well-bred turntables that exist out there. Typically this is because these turntables are part of a series of products offered by a manufacturer that share a common design and are offered as an “extra feature” model in the series. The moving-magnet pick-up cartridges used on these turntables are of the same expectation for something that would be on the end of a decent turntable’s tonearm.

As well, they still maintain that traditional record-playing experience with most offering a fully-manual operation approach. Or some units have some form of automatic operation such as for themselves to lift the tonearm off the record at the end of the side or to have you press a button or move a lever to have the tonearm move to the start of the record and commence playing then park itself at the end of the record. Of course, the tonearm on these turntables is equipped with a cueing lever to protect the stylus when you lift the arm on to the record.

Analogue purists will not like the idea of these digital-output turntables because they expect the audio signal to travel from the pickup cartridge to the speakers via amplification that is purely analogue in nature. This is the same group who will not like analogue-digital-analogue amplification approaches that Technics, JBL and a few other names have been dabbling in. It is although these turntables offer the analogue audio output whether as a line-level output or as a “phono-level” output for external phono preamplifiers or amplifiers with their own phono-stage circuitry. As well, some of these turntables have a switch to turn off the power to the digital-audio circuitry which will benefit those who want that pure analogue sound that isn’t tarnished by any digital circuitry.

Some extra compromises may appear with this digital-audio approach. This can be where the analogue-to-digital circuitry may be sub-par or Bluetooth applications may limit the codec to SBC which is not really fit for hi-fi. Units that implement an on-board USB recorder function can be limited by the inability to select high-grade lossless audio filetypes like WAV or FLAC for recording.

You may also find that it may be difficult to set up the digital functionality in some of these turntables. For example, pairing a set of Bluetooth headphones to a Bluetooth turntable may be difficult, or the recording procedure may be difficult for a unit that implements its own USB recorder.

My comments about these digital-output turntables

Personally I would see the purchase of a turntable with digital output as being something that suits your particular needs. This could range from something that can facilitate salvaging cherished or way-out-of-print records using your computer, to use with your network-based multiroom audio system or to use with Bluetooth headphones or speakers.

Here, the purchasing of these turntables is made easier because you can refer to the “baseline” model of the same series to see whether they are something you would like to play your records on. On the other hand, if you are satisfied with your turntable and amplifier, you may not need to buy any of these turntables that have digital outputs.

It is more so where your amplifier has a line-level output independent of the volume control like a “tape output” typically used for cassette decks or other recording devices. In this case, you could connect up a USB sound module, Bluetooth transmit adaptor, network multiroom audio “on-ramp” adaptor or similar device to the amplifier to suit your digital audio needs. Some of you who own a record player or vinyl-capable three-piece music system may find that your equipment may have one of these line-level outputs.

These turntables don’t diminish the analogue character of vinyl records but are able to extend them to particular use cases such as to provide elementary private listening through Bluetooth headsets or salvaging them. Here, it is about choosing the right turntable for your needs but making sure you are getting a good-quality unit that you can trust with your vinyl records,

A Pro-Ject turntable joins the vinyl revival to the home network

simonmackay 29/08/2023 Current and Future Trends, Network Media Devices, UPnP AV / DLNA, UPnP AV / DLNA media controller software, UPnP AV / DLNA media-server hardware No Comments

Article

Pro-Ject T2W Wi-Fi turntable with LP record lifestyle image courtesy of Pro-Ject

This is about bringing the vinyl record to the UPnP AV / DLNA Home Media Network

The Pro-Ject T2 W wireless turntable looks to accelerate the vinyl resurgence | T3

From the horse’s mouth

Pro-Ject

Pro-Ject T2W Wi-Fi turntable

Product Page (English, Deutsch)

My Comments

The vinyl revival is upon us whether you are a young person who didn’t grow up with playing records or an older person who habitually played records on that stereogram or hi-fi system and maintained that record collection. But a significant number of turntable manufacturers have moved away from the purely-analogue “back-to-basics” approach to the classic LP record by bridging digital technologies with that classic music medium.

In a lot of cases, turntable manufacturers have issued at least one turntable model in their range that uses Bluetooth to stream audio from that record to Bluetooth speakers or headphones. Yamaha recently issued the MusicCast VinylPlay 500 turntable that streams the record you are playing through your home network to their MusicCast speakers and amplifiers or plays online sources using a MusicCast app.

But Pro-Ject have come forward with a network turntable that uses UPnP / DLNA to stream the music off that record you have put on to a wide range of network audio equipment using your home network.

Pro-Ject have had a significant hand with the vinyl revival. This is with designing and releasing a value-for-money manual turntable that answers the expectations of “born-again” vinyl enthusiasts and participating in the Australian edition of Record Store Day which celebrates independent “bricks-and-mortar” record stores.

The Pro-Ject T2W Wi-Fi turntable is a belt-drive manual-operation turntable that works with 33rpm and 45rpm records. Records are placed on a glass platter rather than a plastic or lightweight-metal platter, which does a better job of absorbing unwanted vibrations. The tonearm is equipped with a Sumiko Rainier moving-magnet cartridge most likely

But this turntable streams the music content over your Ethernet or Wi-Fi home network to any UPnP / DLNA network audio endpoints with it supporting a best-case FLAC lossless audio stream. The Wi-Fi wireless network connection works best case to Wi-Fi 6.

You have to use the Pro- Ject Control App on your smartphone or tablet to set the T2W up for your home network. But this also works as a UPnP / DLNA Media Controller, allowing you to “push” the music stream from your currently-playing LP to a DLNA audio endpoint. The turntable also has a button to “push” the music stream to the last-connected DLNA endpoint so you don’t have to get out your smartphone to do this before you lift the arm on to that album. The Pro-Ject Control App also can allow you to use Sonos or Apple AirPlay 2 compatible equipment to hear that album.

Between the moving-magnet phono cartridge and the Wi-Fi streaming subsystem exists a high-quality analogue split-passive phono preamp which also yields the sound from that album to a line-level input on an amplifier. This would come in handy with music systems that don’t have a phono input that you would typically connect a turntable to. I have done further research and there doesn’t seem to be the ability to run the audio signal to an external phono preamp such as the one built in to that 70s-era hi-fi receiver.

Pro-Ject recommends that you use the control app associated with a UPnP / DLNA capable network multiroom setup to discover the turntable and push its output across the speakers in that setup. This is to assure proper synchronous sound output because one device would be used to “collect” the signal and synchronise it across the different member endpoints in that setup. Pro-Ject doesn’t assure that the T2W’s UPnP setup will lead to proper sync across different devices due to differing buffering capabilities.

This may appeal to people who have an Internet-capable audio system that uses UPnP / DLNA and want to play records through that system via the home network without it being necessarily close to the turntable. But I would like to see Pro-Ject or another company offer similar functionality in a standalone box that can be connected to existing hi-fi equipment.

But I see Pro-Ject’s effort with the T2W as linking the vinyl revival with the home network using standards-based technologies like DLNA. Time to put that record on through the home network!

Australian Hi-Fi And AV Show 2016

simonmackay 26/10/2016 Australian Audio & AV Show, Australian Hi-Fi And AV Show No Comments

A Cambridge Audio / Rega hi-fi system representing all of the music sources – vinyl, CDs and file-based audio

The Australian Hi-Fi and AV Show, previously known as the Australian Audio and AV Show appeared this past weekend at the Intercontinental Melbourne The Rialto hotel. This attracted a significant number of hi-fi and home-AV names even though some of them had exhibited at another competing hotel-based hi-fi show that was held on July 1-3 at the Pullman Mercure Hotel near Albert Park.

Core trends

Most manufacturers were running equipment setups that had a turntable and a network media player and, in some cases, a CD player connected to the setup’s main integrated or control amplifier. This was to demonstrate their equipment’s prowess with both analogue and digital material while underscoring a reality with most of us heading between these different media for regular listening as some time in our lives.

Hi-Fi speaker designs

This year has been a chance for some manufacturers to showcase some interesting hi-fi speaker designs as these actually utter the music being played through the hi-fi system. There is still a strong interest in the traditional stereo setup rather than surround-sound audio, typically associated with watching Hollywood movies.

Active speakers

Bang & Olufsen Beolab 90 digital-active speakers

During the 2013 show, a few manufacturers were demonstrating active speakers that had integrated power amplifiers as viable pieces of hi-fi equipment, breaking the mould of “computer speakers, lifestyle audio and PA speakers” for this class of speaker. It included Linn even demonstrating “digital-active” speakers, a concept that Philips had pioneered with the DSS-930 and DSS-950 digital-active speakers that could be fed from an SP/DIF digital signal source.

This year, there were some more manufacturers presenting active-speaker designs including some “digital-active” designs coming from Linn and Bang & Olufsen. Here, this was more about proving that the speakers can house the amplification circuitry and, in some cases, digital-signal processing and conversion circuitry yet yield clear hi-fi sound without “stressing”.

The B&O Beolab 8000 “pencil” in a new form – the Beolab 18

For that matter, Bang & Olufsen had been a stranger to the hi-fi show circuit especially in Australia until this year where they occupied one of the banquet rooms to present their Beolab 90 digital-active speakers (14 ICEPower amplifiers and 4 Class-D amplifiers serving 18 speaker drivers) along with the Beolab 18 which is the latest iteration of the Beolab 8000 “pencil-design” speakers and the Beovision 14 flat-screen TV. Typically, they didn’t want to compete with the traditional hi-fi industry and pitch towards the traditional “audiophile” mindset, but focus towards those who appreciated very good music and flim and those who valued the design they were known for.

A glass speaker housing

Spunc Sound presented a cube-shaped speaker design at this show. Here, it was using speaker drivers back-to-back to create a powerful clear sound for speakers in a glass housing rather than a traditional wooden housing that would normally require insulation to work against standing waves.

I even heard these speakers playing a Lady Ga Ga track from a CD to underscore how they responded with highly-rhythmic electronic-dance-music content as well as demonstrating the way they used sound-cancellation techniques to yield that clear sound. It underscored that rare possibility of being able to see through the back of the speaker that was in full flight.

Old speaker legends rediscovered

But some manufacturers have been rediscovering legendary speaker designs that have had a subsequent influence on how the stereo speaker was designed over the years.

The BBC influence

The Harbeth speakers based on the legendary BBC monitor speakers

Two manufacturers had been demonstrating speakers that were based on their involvement with designing “near-field monitor” speakers for the BBC through the late 1960s. These were tools that came in to being for any radio or TV show that the BBC had a hand with, whether through the sound-production or the broadcast process.

One of these were the Harbeth speakers which were designed by the BBC as part of their R&D efforts and the first to implement polypropylene speaker cones. The other was the KEF LS50 50th Anniversary bookshelf speaker which was based on KEF’s LS 3/5 monitor speaker that was designed by the BBC to be used in their outside-broadcast vans, but implemented coaxial drivers which is something often associated with automotive sound.

Yamaha brings back their 70s-era speaker classic

Yamaha NS-5000 speakers that were based on the NS-1000M speakers launched in 1974

Yamaha had presented the NS-5000 floor/shelf speakers that were being launched at the show. These are a pair of speakers based on the NS-1000M speakers launched in 1974 when Supertramp released their “Crime Of The Century” album. But there have been a lot of today’s improvements built in to these speakers such as newer material for the speaker drivers.

I had heard these in action with Paul Simon’s “Late In The Evening” played from FLAC-based audio via a Yamaha CD player serving as a USB DAC, connected to one of Yamaha’s latest integrated amplifiers. Here, the song came through very clearly and underscored what the legendary design was about.

Open standards being used for network-based audio

FLAC files that can be created by Windows 10 Media Player handled by this network media player

There were two main paths for passing through computer-based audio – a Windows or Mac laptop connected to a DAC, CD player or digital amplifier which worked as a USB-based sound module; or a small network linking a NAS or other media server to one or more a network media players and implementing DLNA network media discovery technology.

Here, most of these setups were dealing with FLAC audio files which have effectively been “opened up” to Windows users through Windows 10 providing operating-system support for these files, whether for playback or “ripping” from regular CDs. It could be very feasible to use Windows 10’s Media Player software to play a high-grade FLAC file in to any USB DAC shown at this year’s show without the need to add extra software.

Bricasti M12 Dual-Mono Source Controller – an example of a USB-capable digital preamplifier

Some setups even exploited TiDAL as an online music source, even though there is the difficulty with running network-capable consumer AV equipment with a hotel network based around the notion of logging in via Web-based authentication. But IHG worked around this issue by providing the equivalent of a “home Internet connection” to most of these rooms for the duration of the show.

The fact that most of these setups implemented standards that aren’t owned by particular vendors meant that there was the ability for the companies to innovate. This was more so with the ability to focus on writing software and designing hardware that was about sound quality but without the need to reinvent the wheel.

Network-based lifestyle audio

There is still some interest amongst a few manufacturers in audio equipment that exploits the home network as a media-distribution path while fitting in with your lifestyle. But the idea of high-quality sound still exists for this class of equipment, whether in the form of a multiroom speaker system or a network CD receiver or network audio receiver that is the hub of a high-quality three-piece stereo system.

Denon had launched their latest generation of the Heos multiroom platform which included some speakers and network media players with one of these devices being able to stream audio content out from existing equipment to a cluster of Heos speakers.

Naim mu-so soundbar and mu-so Qb wireless speaker

Naim were also showing the mu-so multiroom speaker systems including the mu-so Qb which is a cube-shaped take on the original mu-so soundbar. As well, the latest iterations of their network media players can serve as master or client devices in a Naim-based multiroom setup.

But there is still the problem with the network-based multiroom audio scene where it is totally dependent on customers using equipment from the same equipment manufacturer or with the same chipset platform. There hasn’t been any effort in the AV industry to provide a standard for distributing real-time content like audio or video content in sync across a network to multiple endpoint devices of different types from different manufacturers.

Marantz CR-611 network CD receiver

There is still some interest in the high-quality lifestyle music system from some manufacturers. Marantz exhibited their CR611 network CD receiver which was paired up with a set of Jamo bookshelf speakers as their entry in to this scene, following from the previously-issued CR603 network CD receiver that was seen at the 2011 show. Here, it was highlighted with a Sound and Image award as the best “system solution” of the year for 2017, representing this class of equipment that can easily be sidelined by some peiple in the hi-fi scene.

Arcam Solo Music network CD receiver

Arcam used this show to premiere the Solo Music network CD receiver which is the follow-on to the Solo Neo and was previously mentioned on HomeNetworking01.info. This was a chance for me to try it out and I played one of the CDs from the ABC Classic 100 Swoon collection on it. I had “this unit play “The Lark Ascending” by Vaughan Williams and this unit, paired with the previously-mentioned KEF LS50 speakers, proved what these systems were about with this kind of music, something that would underscore one of the use cases that I highlighted for this class of equipment.

George Robertson, who represented Arcam even highlighted the way the Solo Music and its stablemates were built, underscoring the use of traditional electronics-building techniques along with Class-G amplification design. He even asked me to attempt to lift up the unit and I had found it very heavy, which showed how it was built to last.

Naim Uniti Atom network media receiver and Naim Uniti Core “ripping NAS” media server

Naim used this show to premiere the new Uniti range of lifestyle audio equipment. The first two products and the ones that were shown were the Uniti Core which is a media server or, should I say a “ripping NAS”; and the Uniti Atom which is a compact network media receiver that can be wired up to a pair of speakers. This even went as far as implementing a touchscreen user interface on the main unit along with a volume control located on top of that set – easy to find! But this doesn’t omit the high-quality sound associated with this brand.

BenQ treVolo electrostatic Bluetooth speaker

BenQ treVolo portable Bluetooth electrostatic speaker

I was even able to hear one of the BenQ treVolo Bluetooth electrostatic speakers that proved that the electrostatic speaker design isn’t just for the highly-esoteric hi-fi setup preferred by audiophiles with too much money to spend. Here, this setup yielded a very clear sound that could encompass all music types from your mobile computing device that is playing out those FLAC files.

Headphones

The “HeadZone” that existed during previous years where headphones were being premiered and demonstrated had gone but some manufacturers were still promoting premium headphones.

For example, BeyerDynamic had used their room to promote their newest range of headphones but the range they were exhibiting while Naim demonstrated a range of premium music headphones along with their headphone amplifier.

What was really becoming the case was that the headphone market has become very saturated with many different sets of “cans” on the market although there are some that do certain tasks well. Here, this show had focused on the headphones that were about listening to music through headphones at home rather than during your public-transport commute for example.

Conclusion

The Australian Hi-FI And AV Show kept the reality alive regarding how recorded music is played, whether through the familiar vinyl records or CDs, or file-based media streamed from a computer or NAS connected via a home network, or even a high-quality audio streaming service. But it has underscored that each of these music-reproduction paths can yield high-quality sound with the right equipment.

Legacy analogue audio to today’s needs–can this be done?

simonmackay 23/03/2015 Audio Accessories, Computing Tips, Home computer setups, Network Media Devices No Comments

Problem

You can bridge the old turntable to today’s digital needs

Most of you will be wanting to link legacy audio media like vinyl or cassette to today’s needs. This will be true for people who have lived through the time period between the 1950s to the 1990s where vinyl records, tapes in the open-reel, 8-track cartridge or cassette form, or newer digital-recording formats like DAT, DCC or MiniDisc were part of one’s music-listening life and you have built up a collection of music on one or more of these formats. On the other hand, you may have started to dabble in the classic audio formats such as participating in the return of vinyl courtesy of the recent “Record Store Day” effort or had shown interest in cassettes courtesy of “Guardians Of The Galaxy” with the Awesome Mix Vol 1 tape (CD at Amazon / JB Hi-Fi, Spotify, MP3 on iTunes / Google Play ) in the Star Lord’s Walkman.

An “on-ramp” digital media adaptor for a network-based multiroom audio setup

Similarly, you may find that it is hard to acquire particular recordings or kinds of music on anything other than the aforementioned legacy media. This holds especially true for the “easy-listening” music of the 1950s to the 1970s which has been retroactively dubbed “lounge” or “space-age bachelor-pad” music, or some world or folk music that was turned out through that same era. This leads to you rummaging through second-hand music stores, charity-run thrift stores, eBay and the like for this content and picking it up on records, musicassettes, or similar media.

But there are the new trends like network-based multiroom audio or the ability to copy the music to a file-based audio format to enjoy on your smartphone or via a DLNA-capable home media network. Similarly, you may want to use a computer-based audio-editing program to digitally salvage an old recording before it goes to waste.

Creative Labs Sound Blaster Digital Music Premium USB sound module press image courtesy of Creative Labs

Creative Labs Sound Blaster Digital Music Premium USB sound module – useful for copying old media to your home network

What you want to be able to do is bridge these classic media to the new requirements, whether by operating a turntable to play records through your network-based multiroom system or copying that old open-reel tape to your computer to digitally salvage it and have in a ready-to-play form.

The multiroom system can be catered for through the use of an “on-ramp” module which may also be part of a speaker or network-media-player module. This device takes an incoming audio signal and converts it in to a bitstream that suits the multiroom system it is designed to work with. then presenting it to that system via the home network. Then you use the multiroom system’s control app to select that input and have it play through the speakers.

Lenovo Yoga 3 Pro convertible notebook at Rydges Hotel Melbourne

A Windows laptop can be used for “digitizing” old irreplaceable media

You could use a USB sound module, PCI sound card or an integrated sound module along with a recording program like Creative Media Toolbox, WavePad or Audacity to record from legacy media to file-based media. These tools have functionality to allow you to “clean up” recordings that had come through below par such as to clean out tape hiss or clicks and pops.

Solution

The classic vinyl record

Turntables that have an integrated preamplifier could be connected directly to equipment that has a line-level input but there is an increasing number of these, typically offered for peanuts, that aren’t really kind to records. These have flimsy construction for both the plinth and the tonearm and use a cheap moving-magnet cartridge. Their “automatics” (mechanisms associated with automatic arm return, automatic stylus cueing (fully-auto setups only) and stylus lift) may not behave properly placing undue pressure on the stylus or even permitting the stylus to drop on a spinning platter rather than the record. This also applies to a lot of USB turntables that are pitched as a way to “dump” records to file-based audio media.

VinylPlay – an integrated-phono-stage turntable that raises the bar for this class of turntable

There may be exceptions to this rule like an integrated music system like a 1970s-era “music centre” that has a turntable that you trusted with your records and have kept in good running order. Some of these systems, especially a lot of the good-quality music centres, will also have a line output, typically so you can connect an outboard tape deck. On the other hand, you may be able to have a good system modified to obtain a line output.

But you may want to use a good-quality turntable or a turntable that you have trusted with your vinyl for a long time especially when vinyl was the main audio medium. Here, you use a regular hi-fi amplifier or receiver that has a phono input and a tape loop that you customarily hooked up a tape deck to. Even that old amplifier that used to be in your hi-fi system but you use for the computer or have left in the garage can do the job. On the other hand, you can purchase a dedicated phono preamplifier to do this job. As well, some USB sound modules like the Creative Labs Sound Blaster Digital Music Premium HD have an in-house phono stage.

You connect the turntable to the PHONO input on the amplifier and the sound module to that amplifier’s tape output and have the amplifier’s input selector set at PHONO. Here, the amplifier works simply as a phono preamplifier in the context the sound module or multiroom “on-ramp” module.

Tapes, digital media, etc

MiniDisc and cassette decks can also be used to bridge these formats to file-based computer audio or multiroom setups

This is a simpler affair because you can connect the line output (playback output) of these devices directly to a line-level input on the sound module or multiroom “on-ramp” module. Most of the digital decks like that work with DAT, DCC or MiniDisc do expose a digital output which can be connected to the sound module’s digital input. For that matter, some DCC decks like the Philips DCC-900 do use this output even when playing standard cassettes.

In the context of the tape-based formats or MiniDisc, you may use them as a “workspace” when you are doing a recording effort. For example, you may find that these could work well in the “capture” context such as “how long is a length of tape” applying to reliably recording live or radio content. Then you would transfer the content to file-based media for post-production and network playback,

You may find that an amplifier can come in handy if you are feeding multiple sources of this kind to the one sound module or multiroom “on-ramp”. On the other hand, you can get away with a switch-box to select amongst the different sources of this kind. This is because they are typically used as the “switchboard” in a hi-fi system. Here, you connect the sound module up to the amplifier’s record output where you would typically connect up a tape deck to record and could even use an RCA “Y-adaptor” on the same outputs if you are serving a tape deck and the sound module from the same outputs.

Other concerns

You may have to be sure that the equipment you are dealing with is mechanically sound so that it doesn’t damage or destroy irreplaceable media. This is more so if you are playing the legacy media through the setup on a regular basis.

For tape equipment, this may also making sure that the heads are kept clean with an appropriate non-abrasive cleaning tape that is in good condition or, in the case of open-reel or some cassette equipment, using a cotton bud (Q-Tip) soaked in rubbing alcohol (methylated spirits) rubbed across the heads. For turntables, it would also mean that the stylus isn’t chipped or damaged in any other way and is kept clean; and the tonearm is set up properly to follow the record’s groove accurately with the right amount of pressure.

Conclusion

You can bridge the classic music media with today’s audio technology once you are sure that you are dealing with equipment that is in good order and know how to connect it to the modern equipment.