Tag: digital TV

Traditional media like the Ten Network commercial free-to-air TV establishing an online presence

I often hear remarks about people, especially youth and young adults, not using traditional media like newspapers or broadcast media for their news. Rather they are using social media or other online sources as news sources and reading their news from a smartphone or tablet.

This has been driven by the “cord-cutting” issue within the USA especially where younger people are cancelling pay-TV subscriptions and relying primarily on online media. In some cases, this underscores the idea of moving away from established media outlets towards what there is on the Internet.

But the way we view media is changing now that we are in the online age.

Media publisher types seem to be divided between two major classes.

One class is the established media outlet who has been a publisher or a broadcaster for a long time. They have been associated with long setup costs and requirements such as printing presses and distribution infrastructure including newsstands; or broadcast licences and RF infrastructure (transmitters, satellite systems or cable-TV setups). Examples of these are the major newspapers or the public-service or commercial broadcasters.

The other class are the online-first publishers like bloggers, podcasters or YouTubers who publish their content primarily on one or more online platforms. They typically set themselves up on the online platforms typically by creating an account; or in some cases, they rent hosting space at a Web hosting provider and buy “online real estate” in the form of one or more domain names to create a Website.

An increasing role of online services that aggregate content

Smartphones, tablets and laptops being the devices we consume media on nowadays

Then there the online platforms like social media, news aggregators, podcast directories, Internet-radio directories and video servers that simply serve a purpose of aggregating content produced by other online publishers.

This can also include portals like MSN.com, Google or Yahoo hat show news at a glance on a home page along with search directories like Google or Bing. We are also expecting to see more of these services come about as the Internet becomes the backbone of media distribution.

Publishers have seen these services as being of questionable value due to them not being able to monetise their work especially if their work is reproduced verbatim by the aggregator. This has caused continual spats between the established publishers and Big Tech who have been seeing themselves as publishers rather than aggregators.

What is the reality

Established media appearing online

RSS Webfeeds appearing through Feedly

But established media outlets have also set up multiple online front-ends whether free or paid. These also include at least a news portal ran by the publisher or broadcaster. But they also include RSS Webfeeds, podcasts or videos that appear in podcast and video directories, and content that is posted to the Social Web by the publisher.

Examples include TV broadcasters setting up “broadcast video on demand” platforms where they have their broadcast content available for viewing at any time; established news outlets offering their video reports on YouTube or some radio stations running online news portals. Or there are the Internet radio services that work with apps, Internet radios or smart speakers to bring traditional broadcast radio from anywhere in the world to you without the need of local RF-level presence.

Add to this attempts by TV and radio technology guardians to blur the distinction between consuming broadcast media via RF and Internet means and assure a familiar user experience when listening to or watching broadcast content. There is also pressure from established broadcasters to improve the discovery of their content that is offered linearly or on-demand through newer Internet-based devices.

Media outlets catering to the younger audience

A significant trend for established media publishers is to establish “youth-focused” media brands intended to appeal to teenagers and young adults. These nowadays appear exclusively or primarily on online platforms and the content is created and edited by young adults. As well, the content-presentation style is designed to appeal to youth and young adults, typically with snappy audio and video presentation, youthfully-fresh writing styles or simply on-trend with the young audience.

It is in addition to new “young-audience-first” media outlets appearing with content pitched to the young audience. Previously this would have been one of these media outlets running a magazine or radio station, where the content was primarily about fashion or pop-culture trends. But nowadays this manifests in the form of a podcast or online masthead accessible on the Internet and covers all issues of interest to young people including lifestyle issues.

This is something that some of the established media have been working on prior to the Internet, typically through running magazines, radio stations or broadcast shows that appealed to younger people. Here, these shows were seen as being complementary to the rest of that media outlet’s output so limiting the content of that brand to topics like the latest pop culture news.

Here, youth-focused media was seen as a way for business to court a valuable market that was represented by young people, using these platforms to pitch products and services relevant to that age group. Or, for broadcasters that didn’t rely on advertising, it was a way to see themselves as being relevant and attractive to younger audiences.

A history of adapting to new realities

These are steps being taken by established media outlets in order to keep themselves with the online generation, especially the younger generations. It is similar in prior times to how newspaper publishers had to cope with the new radio broadcasters when radio became popular, and how radio broadcasters had to cope when TV became popular and newer pure-play TV broadcasters appeared on the TV dial.

The main example is to have a Web-driven online newspaper that is offered for free, through donations or through subscriptions dependent on the publisher’s business model. Other approaches also include audio-on-demand (podcast) or video-on-demand material, or having the broadcast stream offered by Internet means.

The media outlets often see this as a way not just to stay relevant but to try different offerings or reach different markets in a low-risk manner. For example, The Guardian and the Daily Mail, two British newspapers, are reaching in to other Anglophone territories by offering an online version of their mastheads that can be read there. Or Communications Fiji Limited who run a handful of radio stations in Fiji and Papua New Guinea are running a Fiji-relevant online newspaper masthead known as Fiji Village.

There has always been criticism about new media types appearing. This tended to occur when there was an increased saturation of that media type amongst the population and the media type offered content that was popular. In a lot of cases, this criticism was directed at newer media platforms that were primarily about content that panders to our base instincts.

Online access to press releases

Most organisations including governments are publishing resources “from the horse’s mouth” online under their brand. These resources typically appear as press releases, blog posts or similar content including audiovisual content. Here, you can find them on the organisation’s Website or on online-service accounts operated by the organisation.

They can come in to play for verifying the authenticity of news material and even be useful for working against exaggeration by media outlets. Sometimes the blog posts can be used to “flesh out” what is being talked about in the press releases.

The issues to think of

A key issue is encouraging people to aware of the quality of news and information they consume from media in general.

Here, the blame about poor-quality news and information tends to be laid at the feet of online media. But these problems appear both with traditional media and the new online media.

For example, tabloid journalism, especially of a partisan nature, has been seen as a long-term media issue. It affects offline media, in the form of “red-top” tabloid newspapers, talkback radio hosted by “shock jocks”, tabloid-style public-affairs shows on Australian commercial TV, and far-right cable-TV news channels; as well as online media especially partisan online media outlets. Here, the issues raised include chequebook journalism, portraying marginalised communities in a negative light, and pandering to personal biases through emotion-driven copywriting.

In the online context, it is often referred to as “click-bait” because end-users are encouraged to click on the material to see further information about the topic. This often leads to seeing many ads for questionable online businesses.

This issue has become more intense since 2016 when it was realised that fake news and disinformation spread through social media was used to steer the outcome of the Brexit referendum and the US presidential election held that year.

What can be done

Media literacy

A key requirement is to encourage media literacy through education. An increasing number of schools are integrating media-literacy in to secondary-school curriculums, usually under various subjects.

As well, some libraries and community-education facilities are teaching media literacy to adults as short courses. You may find that some secondary schools may run a media-literacy short course as part of their community-education effort.

In addition, respected media outlets including public service broadcasters are supplying material about media literacy. Google is also joining in on the media-literacy game by running YouTube videos on that topic. This is thanks to YouTube being where videos with questionable information are being published.

Examples of this include the ABC’s “Media Watch” TV show that critiques media and marketing or their “Behind The News” media-literacy video series that was ran during 2020 as COVID started to take hold.

Here, media literacy is about being able to “read between the lines” and assess the veracity of news content. This includes being able to assess news sources carefully and critically as well as assess how news outlets are treating particular topics.

Flagging, debunking and prebunking misinformation and disinformation

Another effort that is taking place is the flagging, debunking and “prebunking” of misinformation and disinformation.

Fact-check websites ran by established media outlets and universities draw our attention to questionable information and highlight whether it is accurate or not. As well, they write up information to substantiate their findings regarding the questionable information and this is derived from collections of established knowledge o the topic.

Here, one could check through one or more of these Websites to see whether the information is accurate or not and why it is or isn’t accurate.

As well, mainstream online service providers are joining in the game by flagging potential disinformation and providing links to accurate resources on the topic. This was an effort that was very strong through the COVID pandemic due to the misinformation and disinformation that is swirling around cyberspace during the height of the pandemic. Such disinformation was at risk of causing people to make the wrong health choices regarding limiting the spread of COVID like not masking up or avoiding COVID vaccinations.

Then there are “prebunking” efforts typically undertaken by government departments or civil society to warn us about potential disinformation and propaganda. This is to make the public aware of the questionable information in a preemptive manner and publish accurate information on the topic at hand.

A common analogy that is used is how vaccinations work to defend our bodies against particular diseases or reduce the harm they can cause. I also use the common reference to the “guardrail at the top of the cliff” versus the “ambulance at the bottom of the cliff” where the guardrail protects against incidents occurring.

It can be in the form of online resources like FAQs carrying accurate information on the topic at and, typically to rebut the common myths. This can be augmented with other efforts like public-service announcements in traditional media or experts making appearances in the public space or on broadcasts to talk about these issues.

Conclusion

New approaches to distributing and consuming news will require us across the generations to adapt our thoughts regarding the different media outlets that exist. This will be more about the quality of the journalism that these outlets provide rather than how the news is distributed.

This will including identifying sources of good-quality journalism and, where applicable, supporting these sources in whatever way possible. As well, keeping ourselves media literate will also be an important task.

Article

Mohu Developing Streaming Set-Top Box With TV Tuner | Tom’s Guide

My Comments

The US market is heading towards the concept of “cord-cutting” where they abandon traditional cable or satellite pay-TV for regular broadcast TV augmented with online TV services. This combination of services would typically be provided through the use of the TV’s internal ATSC tuner connected to an antenna (aerial) and a video peripheral such as a Blu-Ray player, games console or network media adaptor that has access to the online services such as Hulu, Netflix or Amazon On Demand.

But if they wanted a “one-unit, one-remote” solution, they would need to purchase a smart TV which has the necessary front-ends for the online services. For those of us who keep an existing TV going, Mohu are intending to field to that market a digital-TV set-top box which connects to an antenna and the home network to gain access to local free-to-air TV and the online video services. Here, you can gain back the ability to watch TV using the one “clicker” and this set-top box can pass through HDTV signals to HDMI-equipped flatscreens or projectors from the free-to-air and online services.

I would like to be sure that this device also uses composite video connections so that it can work effectively with those legacy CRT TVs that haven’t been thrown out as well as being part of the DLNA Home Media Network, whether as a media player or controllable media renderer. This would be important if you do download content to your NAS and play this on your TV.

The concept can be expanded on with a DVR function so that TV shows can be recorded off-the-air and watched without ads or as a DVB-T-based variant for Europe, Australia and other countries that use this standard.

At least this helps the people who want to move away or keep away from cable TV still have the benefits of a set-top solution that integrates both free-to-air and online content.

Article

NBN Co – National Broadband Network – Australia | Will the NBN fix my TV reception?

My comments

The question that was often raised in this article was the feasibility for the National Broadband Network to be used as a conduit to providing a reliable high-quality TV viewing experience. This is more so in areas around Australia where TV reception quality is next to hopeless and is something regularly encountered in rural areas.

There are some IPTV (Internet Protocol TV) services in place through Australia but these are offered by some ISPs as a way of delivering multichannel pay-TV service to their customers. Similarly, the regular free-to-air TV stations run Internet-based TV services typically in the form of on-demand TV content. This is where one typically can catch up on past episodes of a TV show or see “12-inch” (extended-length) versions of particular content like TV interviews.

But the National Broadband Network could be used as a platform for delivering an IPTV service similar to what has happened in France with their “n-box” triple-play services, and also what happens in some other European countries. There, one could use the set-top box which is connected to the Internet to tune in to regular free-to-air TV broadcasts. There is even the ability to gain access to extended content offered by the broadcasters like “catch-up” TV from the comfort of your couch.

This is also augmented by the main TV manufacturers rolling out “main-lounge-area” TV sets and video peripherals that have an extended-TV platform and can connect to the Internet. These sets, commonly marketed as “smart TVs”, have been pitched with apps that have access to various functions like broadcaster

Freeview, who represent the free-to-air digital TV platform in Australia, could extend their remit for this service beyond the classic terrestrial-based technology. Here, they could set up a “Freeview IP” environment which uses IPTV and the National Broadband Network to distribute regular “scheduled-broadcast” TV content via this infrastructure. This could be extended to a “couch-based” user interface for extended on-demand content such as catch-up TV.

Questions that may be raised concerning this would include negotiation with sports leagues and cultural bodies concerning using Internet infrastructure to broadcast their content. This may be seen as treading on “online rights” contracts and may break sports-code ideals like “delay-to-the-gate” blackouts (where a fixture can’t be shown live in a city unless a minimum number of seats are sold) or similar requirements. As I have covered before, if the intention is to broadcast in the regular manner on to the Internet as would be expected for a regular TV service i.e. verbatim broadcasting with own talent calling the event and use of regular commercial and continuity material specific to the area, there shouldn’t be a difference.

As the NBN gets rolled out around Australia, we need to take action on being able to deliver the free-to-air TV content through this infrastructure in a similar manner to how it has been enjoyed.

Introduction

Between the end of October and the beginning of November, I had a chance to interview people who work with two different companies that work in the consumer audio-video market and had noticed some trends concerning this market and its relevance to the online world.

One main trend was that there was increased focus by consumer-audio manufacturers who work in the popular marketplace on delivering DAB+ digital radio equipment rather than network-connected audio equipment to the Australian market. This may be because some of these firms need to see this technology become more popular here and want to have “every base covered”.

Sony

From my interview with Kate Winney I had observed that Sony had a strong presence in the connected-TV scene. Here, this was more concentrated with their newer “main-lounge-area” TVs but they are providing this functionality on some of their video peripherals, namely their BD-Live Blu-Ray players.

We agreed that Sony had no Internet radio in its product lineup although they implement Shoutcast on their high-end home-theatre receivers like the STR-DA5500ES. But we agreed that they need to make DAB+ available on their stationary “big sets” like hi-fi tuners, receivers, home-theatre-in-box systems and bookshelf audio systems. They are releasing a few DAB+ sets but most likely as stereo systems rather than as portables or components.

I had stressed to Kate about Sony implementing vTuner or a similar directory-driven service which is implemented in most Internet radios. This is because most of these services offer access to the simulcast streams of the government, commercial and community radio stations broadcasting to local countries around the world as well as the Internet-only streams of the kind that Shoutcast offers. It is also because most people who are interested in Internet radio are likely to want to use it as a way of enjoying the “local flavour” of another country that is provided by that country’s regular broadcasters rather than just looking for offbeat content.

Kate also reckoned that DAB+ digital radio needs to be available in the dashboard of cars in the new fleet, preferably as standard equipment or as a “deal-broker” option offered by car dealers for the technology to become popular. I was also thinking about whether Sony should offer DAB+ technology as part of the XPLOD aftermarket car-audio lineup.

Bush Australia

From my interview with Jacqueline Hickman, I had noticed that Bush are still focused on implementing DAB+ digital radio in Australia but are using Internet radio as a product differentiator for their high-end “new-look” sets that are to appeal to young users

Their market focus for consumer audio is on the “small sets” like table / clock radios, portable radios, small-form stereo systems but I have suggested implementing or trying some value-priced “big sets” as product ideas. This is even though they run some “main-lounge-area” TVs and digital-TV set-top boxes in their consumer video lineup.

The ideas I put forward are a DAB+ or DAB+ / Internet-radio tuner that is for use with existing audio equipment and a FM / DAB+ (or FM / DAB+ / Internet-radio) CD receiver with optional speakers. A market that I cited are the mature-aged people who own “classic hi-fi speakers” from 1960s-1980s that they like the look and sound of but may want to run them with a simpler cost-effective component. I had made a reference to the “casseivers” of the late 70s and early 80s which have an receiver and cassette deck in one housing and what these units offered. Jacqui had reckoned that companies like B&O and Bose filled the market but I have said that some of the companies have gone to active speakers rather than integrating power amplifiers in the equipment. As far as the DAB+ tuner is concerned, she suggested that a person could use a portable DAB+ set and connect it to the amplifier using an appropriate cable.

I raised the topic of IPTV but Jackie was not sure whether this will be implemented in any of their TV sets or set-top boxes at the moment. This sounds like a product class that hasn’t been properly defined with a particular standard and platform especially in this market.

Conclusion

It therefore seems to me that there is more interest by consumer-electronics companies in nurturing the DAB+ digital radio system and the DVB-T digital TV system because they are based on established technology and established metaphors; and appeal more to “Joe Six-Pack” than the Internet-based technologies.

Also, I had noticed that it takes a long time for all equipment classes to benefit from a new technology. This is more so with DAB+ digital radio and, to some extent, Internet radio where the mains-operated stationary “large sets” like hi-fi equipment and stereo systems are under-represented.

 Quatre ans de DegroupNews : et les FAI dans tout cela ? – DegroupNews.com (French language article)

My Comments

Congratulations DegroupNews on 4 years of service as one of the better IT newsblogs that service France.

I have been a fan of this site and its companion DegroupTest site because of the good quality information that these sites give about the Internet-access scene in France. This includes information on the arrival of Fibre To The Home broadband service in various French cities as well as the service being used for a “people’s triple-play service” which provides receive-only VoIP telephony, basic-ADSL-tier Internet and IPTV service encompassing free-to-air digital TV for one euro a month.

For people who are considering moving to France or setting up or maintaining that dreamy farmhouse or apartment there as a holiday house, rental property or “bolt-hole"; this site offers good quality information on the triple-play “n-box” deals offered by the main operators as well as information about whether you can get a full triple-play Internet service at the location where your property is or will be. It has also made good-quality reviews of the hardware provided by the various Internet service providers as part of their deals so one can know what to expect when signing up.

Other issues that have been touched on in this site include the way the French have handled the perceived cancer demon associated with wireless services like mobile telephony and WiFi networks; as well as their handling of the file-sharing of copyrighted works. It is worth a read whether you have a good grip of the French language or can trust a machine-translation service like translate.google.com to translate the site in to your own.

News Links (French-language sites)

http://www.degroupnews.com/actualite/n3071-hlm-paris-sfr-fibre_optique-haut_debit.html DegroupNews (France)

My commets

Since my earlier article wbich I had moved from my older blog, SFR had taken over Neuf Cegetel. But this universal-acces “single-pipe triple-play” service has continued on and the trucks are now rolling a the HLM estates as this is being written.

Because of the high-throughput technology, companies like SFR are able to provide this kind of acess to the people.  As I mentioned earlier, it is underpinned by the European business culture which is primarily “for the people” rather than for the executives of the big companes which is the primary business culture in the USA.

At the moment, most add-on “over-the-air” digital-TV converter boxes sold through general retail don’t come with UPnP AV / DLNA media-client functionality. But this feature could be offered as something to differentiate units in a product line or differentiate a unit from one offered by a competitor.

There will be a lot of interest in these boxes over the next few years as various countries either switch off analogue TV service and go “all dgital” or enrich their digital-TV platform. This is espeially so as people want to make sure that they can receive the digital TV service on other TVs in their house and at other locations. Integrating the DLNA functionality in these set-top boxes can allow the boxes to become two devces in one – a network media adaptor as well as a digital-TV set-top box.

It will then work with Internet TV / vodcast gateway software that provides DLNA-based directory software for Internet TV services and vodcasts, thus allowing access to this kind of content on the regular TV. The same could hold true for any multimedia content held on a PC or network-attached storage connected to the home network.

Similarly, this concept can work with DLNA-compliant PVR set-top boxes and provide access to content that is recorded on the PVR unit. It can also provide access to “multi-room PVR” functionality like the ability to pause a show in one room and pick up where you left off in another room. Such functionality has been provided for in version 2 of the UPnP AV MediaServer and MediaRenderer device specifications.