Category: Network Media Devices

You can rip CDs to FLAC using Windows 10’s Media Player

Naim NDS network audio player

You can use Windows 10 to re-rip your CDs to allow network media players like this Naim NDS to sound their best

Previously, I had covered the fact that Windows 10 has native support for the FLAC lossless digital-audio codec which is seen as the way to go for best-sounding file-based audio. But I thought this was limited to Windows 10 natively playing any FLAC file you throw at it. This is important if you connect your computer to an audiophile-grade USB DAC or use network media players that are up-to-snuff for your top-notch hi-fi system.

But I discovered for myself when I ripped the “Too Slow To Disco 2” CD to my computer’s hard disk that Windows Media Player does rip to FLAC and have set it up that way. This will lead to sound that is properly CD quality from any of your CDs that you “dump” to your computer’s hard disk to transfer to your DLNA-capable NAS or FLAC-capable open-frame smartphone or media player. For that matter UPnP AV / DLNA does support FLAC audio files in a de-facto manner and most, if not all, hi-fi network media players that work to UPnP AV / DLNA standards will stream FLAC files.

Windows 10 Media Player Options menu - Rip Music settings

Rip Music settings in Windows 10 Media Player Options menu

How do you set Windows Media Player to rip to FLAC

  1. Start Windows Media Player in Windows 10
  2. Select Tools then Options
  3. Click on the Rip Music tab
  4. Change the format option to FLAC (Lossless)
  5. Adjust the Audio Quality slider to “Best Quality

If you are about to rip a CD like I was, click on “Rip Settings” when you see your CD’s track list in the window. Then click on “Format” and click “FLAC (Lossless)” to have it ripped in FLAC.

Rip Settings menu when you are about to rip a CD

Rip Settings menu when you are about to rip a CD

In this mode, if you were playing a CD and you wish to commence ripping it, the music will stop playing until the rip is complete. This is to achieve best results. As well, I would prefer to rip to the computer’s local storage to provide for increased stability and better sound quality. These files then can be copied out to your NAS so you can have them playing on your network-capable CD receiver.

FLAC re-rip of CD

FLAC re-rip of Mick Jagger’s “She’s The Boss” CD

If you re-rip your CD collection to FLAC, each re-ripped album will be marked as “FLAC” on the album cover. But Windows Media Player doesn’t make it easy to update playlists and have them point to the new FLAC files. Instead, you have to go through each playlist and identify tracks from the albums you just re-ripped, add the tracks from these re-rips, move them next to the original track and remove the original track from the playlist.

There are ways Windows Media Player could go about this better. One way would be to create copies of each playlist with references to all the member tracks. Then as you re-rip your CDs, it then discovers the FLAC files  The copy could be tagged as a “FLAC” playlist while your existing playlist could be kept as a MP3 or WMA playlist which you could then use for portable equipment. On the other hand, Windows Media Player could work through each playlist and have them point to your FLAC re-rips.

Those of you who value open-frame computing can get on board with Windows Media Player in Windows 10 as a way to get your CDs on to the higher-quality FLAC format to see if it is right for you before committing to more expensive CD-ripping software.

Internationaler Funkaustellung 2015–Part 3–Home Entertainment

IFA LogoPreviously in my series on IFA 2015, I have covered the trends affecting personal and mobile computing like the arrival of the Intel Skylake silicon which raises the performance of portable computers along with trends affecting the home network such as 802.11ac Wave-2 Wi-Fi wireless. Now I am covering the technologies affecting home entertainment.

TV technology

There have been major strides forward with TV technology especially 4K ultra-high-definition TV.

Firstly, the cost of these sets is gradually reducing in such a way where they could start to appear in discount stores and supermarkets.

But another technology is appearing in the form of High Dynamic Range for video-content display. This is intended to create a more realistic image by preserving a high level of contrast between the brightest parts and the darkest parts. Here, the image would look like what you would see in real life like when you see the sun reflecting off the surface of the sea. Colour shades would be represented close to what they were to be, including the ability to handle bright exotic reds properly.

LG OLED TVs pres picture courtesy of LG

LG OLED TVs being launched at IFA 2015

LG have launched some flat OLED 4K TVs in the form of the EF9500 (65” and 55”) series and the EG9200 (55”) which are HDR-ready. With these sets, the flat-screen feature is underscored as being important for group viewing and whenever one is viewing on an angle which is something that curved screens cannot excel at. They also released a curved OLED 4K model in the form of the EG9100 series but this model omits the HDR feature. All these Smart TVs implement the WebOS 2.0 platform.

Samsung have covered all their bases when it comes to 4K TV technology by offering sets from 32” to 105”. They have announced that their UHDTV sets can be able to work with HDR material and these sets will benefit from this capability courtesy of a firmware update.

Panasonic have launched the CZ950 which is the first 4K OLED-based UHDTV to be launched by this brand. This 65” curved-screen set is tuned by Hollywood colourist Mike Sowia and is HDR ready.

Sony haven’t been quiet but launched their Bravia X91C series TV to Europe and Australia. This is while Philips launched their Ambilux TVs which use pico projectors to project images on to the surrounding wall to effectively enlarge the viewing area.

As for sources that supply video content in UHDTV, there has been some action lately on this front.

The 4K UHD Blu-Ray format has been launched as a way to cost-effectively deliver 4K material on Blu-Ray optical discs. It also has the ability to work with Dolby Atmos and other object-based sound-mix formats as well as supporting a digital media bridge function. Samsung has launched the first player capable of this format at IFA 2015.

As for broadcast content, Germany is moving towards DVB-T2 and implementing the HEVC codecs as part of this format which makes for traditional terrestrial broadcast TV being capable of being delivered in 4K UHDTV.

But there is more activity on the satellite-TV front with Eutelsat and SES Astra have been building out bouquets of 4K television content to be delivered this way. One example of this is the Fashion TV 4K channel that is being delivered by SES Astra satellites. CanalPlus is in on the 4K act as is Pearl TV, a German shopping channel. This is while Hessicher Rundfunk who is part of ARD is running demo transmissions via the Eutelsat Hotbird satellites. Sky Deutschland and a Scandinavian broadcaster have registered intent to establish 4K satellite content.

Audio Technology

When a consumer-electronics show has computing and TV as activities of focus, it is easy to forget about what is happening with audio technology. This is as the technology is being more focused around file-based audio and wireless multiroom audio setups of which there has been a lot of activity in this department.

LG Music Flow P5 speakers press picture courtesy of LG

LG Music Flow P5 speakers

LG has built out their MusicFlow Bluetooth audio platform with the MusicFlow P5 speaker that supports Automatic Music Play that starts playing your music when you come in range.This device can run on its own battery for 15 hours.  They also launched the SoundPop 360 which is a Bluetooth speaker that is the shape and size of a coffee cup and fires the music out around it. It has a playing time of 20 hours on its own battery.

LG SoundPop 360 Bluetooth speakers press picture courtesy of LG

LG SoundPop 360 Bluetooth speakers

These Bluetooth speakers support LG’s MusicPoint functionality which is effectively multipoint for Bluetooth speakers where you can connect two Bluetooth phones to the one speaker and play music through that speaker. There is also the DualPlay functionality where you can connect one phone to two LG Bluetooth speakers and set it up for improved stereo separation or many-speaker party-mode playback. The TV Sound Sync functionality allows you to link the Bluetooth speakers to a Bluetooth-capable TV and set up for better stereo or surround home-theatre separation or a private listening experience.

Samsung has answered LG on the Korean wireless-speaker front by offering 360-degree wireless speakers in the form of the R1, R3 and R5. These are cylindrically-shaped speakers rather than the previous egg shape and have a touch-based control surface so you can skip or recall tracks or “duck” the volume easily and they work with your Wi-Fi home network. Samsung’s Gear S and S2 smartwatches come with software to make them be remote controls for these speakers.

Philips have fronted up with the “Izzy” BMS range of Bluetooth speakers which can be synced to each other for a party-mode playback setup. These implement a pair of 2.5” full-range drivers in a bass-reflex enclosure.

Bang & Olufsen have fronted up at the IFA this year to show the BeoPlay A6 multiroom speaker which implements an unorthodox shape in order to fill a room with sound. The fact to remember about the way B&O speaker designs is that it isn’t just about their distinct looks but that these looks are to achieve improved sound dispersion across the frequency bands.This Danish-built speaker can work with B&O’s wireless iteration of the Beolink multiroom system or can cover all bases by working with Bluetooth or a Wi-FI home network supporting AirPlay or DLNA.

There is a desire by manufacturers and consumers to gang multiple wireless speakers together to play the same source. This is to permit improved stereo separation with that wider sound or to allow for “party mode” playback where all the speakers play the same music over a larger area. This extends to integrating subwoofers in to the equation to bring out that deeper bass, allowing the bass guitar or drum kit to come forward in popular music for example.

But there is a problem with Wi-Fi and Bluetooth setups where these networks are packet-based in the way they move data and there is a desire to keep the audio content in proper sync. This is limited due to chipset manufacturers and speaker / multiroom-system manufacturers designing their products so they can’t work with other products. There has been an effort in the right direction with Qualcomm’s AllPlay Wi-Fi-based system being implemented by different brands. Bluetooth could work harder on this goal for speakers that work in that domain while the Wi-Fi Alliance, IEEE Forum, the UPnP Forum and other alliances can work together to achieve this goal over IP-based local networks.

There is always a bit of action when it comes to new headphones and earphones to connect to your laptop, smartphone or tablet when on the train or plane. This is because most of us want to hear good sound from these devices to make our travel more easier and, in a lot of cases, these double as communications headsets for whenever we make and take phone calls on the go using the classic mobile or VoIP services.

Sony hear.on high-resolution stereo headphones press picture courtesy of Sony Europe

Sony hear.on high-resolution stereo headphones

Sony have released their h.ear series of “cans” which come in different colours and are optimised for high-resolution sound. The first of these is the h.ear on which is a pair of closed-back circum-aural headphones that have a 5Hz-60kHz frequency range and are efficient for battery-operated devices by having a low impedance and 103dB/mW sensitivity. There is also a pair of h.ear in noise-cancelling earbuds that are part of the range.

These are pitched to go with their NW-ZX100 noise-cancelling Walkman file-audio player and the NW-A25 and NW-A26HN Walkman file-audio players with this model having noise-cancelling headphones.

Onkyo has used IFA 2015 to advance a pair of wireless earbuds which look larger than your typical earphones. Personally I see these earbuds a bit like a stereo take of those mono Bluetooth headsets that you slip over your ear to take calls in a hands-free manner while on the go.

Bose have used the IFA 2015 to premiere their Soundlink AroundEar Wireless Headphones 2 which are a pair of Bluetooth circumaural headphones based on their QuietComfort range of active-noise-cancelling “cans”.

Technics Grand Class G30 hi-fi system with media server press image courtesy of Panasonic

Technics Grand Class G30 hi-fi system with media server

The traditional hi-fi hasn’t been forgotten about courtesy of Panasonic who are staging an aggressive comeback for the Technics hi-fi brand. For vinyl, they are revealing a prototype direct-drive turntable that is modelled on the classic SP-10 turntable and the SL-1200 “Wheels Of Steel” DJ turntable. This will come with an improved direct-drive motor. They have also fielded a pair of hi-fi headphones in the form of the EAH-T700 closed-back headphones which implement a two-way speaker design based around a 50mm main drive and a 14mm super-tweeter for each channel.

But they also have built out their stereo equipment range further with the Grand Class G30 hi-fi which is based around the SU-G30 network media player / integrated amplifier and the ST-G30 music server which rips CDs to solid-state disk in a bit-perfect manner, more the reason to buy your music on CDs. This device serves the music out to your home network using DLNA technology and uses FLAC or WAV files to store the music. They have also fielded a single-piece hi-fi system with integrated CD player which can also draw in music from your home network in the form of the Ottava Premium Class C500 system. As well, they showed the C700 speakers to go with that above system.

Next in this series, I will be covering the Internet Of Things which will encompass home automation and home appliances. Stay tuned!

Part 1 – Personal Computing Trends

Part 2 – Wearables and the Home Network

Part 3 – Home Entertainment

Part 4 – Home Automation and the Internet Of Things

The Apple TV gains gaming ability

Articles

Apple TV 4th Generation press picture courtesy of Apple

The new Apple TV

Dancing in the dark with the new, improved Apple TV | Engadget

Apple TV supports ‘Guitar Hero Live,’ ‘Disney Infinity’ via Bluetooth | Engadget

The new Apple TV brings apps, Siri and a touchpad remote for $149 | Engadget

Will the New Apple TV Replace Your Gaming Console? | Tom’s Guide

From the horse’s mouth

Apple

Press Release

Video

My Comments

Apple have just premiered the fourth-generation Apple TV set-top box which has answered various predictions concerning it gaining games abilities. This is amongst it premiering the iPhone 6S family, the large iPad Pro and the iPad Mini 4 – devices that Apple fanbois will be waiting outside the Apple Stores for the first sale.

This device comes with a more capable remote control which includes a microphone so you can speak to Siri. This is a similar natural-language personal assistant like you have on your iPhone or iPad.

But it is based on the tvOS operating system which will also have a development platform and app store similar to what you experience with iOS-based devices. This will also encourage the development of games for this platform.

How are you going to control the Apple TV when you are playing advanced games? These devices will use MFi-compliant Bluetooth controllers as your advanced control devices and Apple is trying to snap at the XBox One’s, PlayStation 4’s and Nintendo Wii’s heels. As well, Airbnb, Gilt and other non-entertainment companies are putting up apps for this platform. This is a function you won’t be able to gain on your existing Apple TV device, which will simply earn its keep with Netflix, iTunes, AirPlay and similar applications.

The Apple reps had demonstrated games like Guitar Hero Live to show the Apple TV’s gaming prowess and had made it feasible to continue playing games across the Apple iOS platform. The good question to raise is whether the games that are offered are as good as what is offered for the XBox One or PlayStation 4, or will they be like most smart-TV / set-top-box fodder like casual games? Similarly, could this be another attempt to open up paths for independent games studios to write games for the big screen?

What I see of this is Apple jumping in to a market that is already owned by Microsoft, Sony and Nintendo and, like the Android-based consoles that have shown up before, could become very difficult waters. As well, they could work alongside Microsoft to use their regular-computer heritage to free up the big-screen gaming environment by encouraging independent games developers to write games for these devices.

Why we need download-based services for video content

Legal download-based video ecosystems could yield frustration-free viewing of video files

Legal download-based video ecosystems could yield frustration-free viewing of video files

Most video-on-demand services, whether transaction-based like iTunes or subscription-based like Netflix, are based on the concept of streaming. This is where the content is delivered in real-time from a remote server to your smart TV or set-top box via the Internet.

But streaming has a key disadvantage. It is totally dependent on the quality of the Internet connection and your equipment and can cause a poor viewing experience if there is reduced bandwidth due to situations like a poor DSL connection or a highly-busy network; and is a situation I have seen for myself with Apple TV and the iTunes video-on-demand service.

Similarly, streaming can be at a disadvantage when you are using mobile devices and are viewing the content in a mobile context like entertaining your kids with some videos on a long road trip or whiling away the train commute with episodes from your favourite TV shows. Here, the Internet connection may not always be reliable because you may be moving out of your mobile-broadband service’s reliable reception area frequently during the trip, something that would happen as you enter a tunnel or drive further out in the country.

USB external hard disk

USB hard disks – could be part of a download-based video ecosystem

A download-based video-content service would work in the similar way to iTunes or Amazon music services where you can buy and download songs or albums. This is where, as part of the transaction, you download the movie or TV show to local storage and play the content from the local storage.

The local storage could be a USB hard disk which you download the content to using a regular computer, then connect to a TV or video peripheral for playback. On the other hand, it could be a network-attached storage device which streams the content out to a smart TV or video peripheral over the home network. As well, it could be storage integrated with a viewing device like a tablet, laptop or smartphone which you use to view the content when you are “on the road”.

Key issues

Content protection

NETGEAR ReadyNAS RN1040 NAS press picture courtesy of NETGEAR America

This ReadyNAS could serve as a household movie library

There is a big genuine fear shown by Hollywood with download-based services where the high-value video content could be replicated in an out-of-control way. This is being examined by the Secure Content Storage Association who are looking towards secure authenticated storage for these files. They are pitching it at digital download, “physical+digital” delivery, retail kiosks amongst other digital-delivery business models along with access to newer remasters of the same content for those of us who already have an existing copy.

Business models

Any content-protection system like SCSA would have to support a range of business models, primarily transaction-driven models, such as the two outlined below:

Download-to-own

Typically, the main business model that would be associated with a download-based service would be a “download-to-own” model where you download the title and watch it for ever, similar to buying the content on a VHS videocassette or a DVD or Blu-Ray disc. This would be more or less associated with the “collectable” model where you buy favourite movies or TV serials that you want to come back to.

This can be provided by a “digital-only” service where you just download the content from an online store or as part of the supply of the content on a physical medium like a DVD. It can also extend to the supply of USB memory keys or USB-connected hard drives that are full of a collection of video titles, a practice that has been done with Bob Dylan’s album collection which was dumped to a USB memory key shaped like his quintessential harmonica and sold as a collectable. An example of this could be a collectable USB hard drive loaded with remastered copies of all of the episodes of a classic British or American TV sitcom and this hard drive is styled to reflect the tone of that sitcom.

As well, this could support the gifting of content where you can effectively give your relative or friend a licensed copy of the content whether you own it or not. This would have to work in a similar manner to how you can use iTunes or Google Play to give someone a copy of a game or other app and the recipient gets alerted to this content that is available for them.

Time-based rental

A question that may crop up with some of us who lived with the video-rental concept is whether the SCSA technology will support the ability to “rent” the titles for a short period like 24 hours, a weekend or even a month. This business model was appreciated as a way to get an evening’s, weekend’s or week’s worth of entertainment in a cost-effective manner and assess whether that movie could be worth collecting.

Here this model would allow you to download the title and view the title within a certain time period, including a requirement to commence viewing within another time period like a month.

A variant of this concept could be a view-based model where the time you rent the movie commences from when you start viewing the actual content or you are charged per complete viewing. It would earn its keep if you are “piling up” on content by having it download overnight then commence watching it over a time period like a vacation break. It would also play well with households whose content-viewing sessions are likely to be interrupted frequently or for a long time. The concept can even allow for “rent now, purchase later” models where you may rent a movie to see how you like it but then choose to buy it if you consider it of enduring value.

A file-based rental model has an advantage over renting that VHS tape or DVD where you can extend the rental period or choose to rent the same title again without dealing with the packaged medium. Similarly, this model could allow one to convert a movie rental to a purchase which can come in handy for titles that one considers “enduring” such as a live concert or a movie that has stood the test of time.

Subscription-driven options

A “download-to-own’ or “time-based rental” business model can be tied in with a content-subscription option where you have content delivered at regular intervals.

Such setups could encompass a business model similar to the book, music and video clubs popular in the USA where you had a random choice of content delivered on a regular basis. This was typically driven by a requirement to purchase the delivered content or other content.

Or it could be based on subscribing to episodic content or a similar collection whereupon the new content is downloaded as it becomes available. An example of this could be to have episodes of a TV show available for download as they become available with the user choosing to “buy” or “rent” the current season or a particular season. Similarly, Disney or Warner Brothers could offer their collection of those unforgettable cartoon “shorts” that during times past constituted Saturday morning TV or the start of a cinema session in varying rental or purchase packages with each “short” being downloaded as they become available.

Such a setup could allow for automatic download as new material becomes available or users instantiate the download themselves from the electronic shopfront or an email-based update.

Simplified content management

Acquisition and downloading

Another question yet to raise is what procedures are necessary to have a title ready to view on a download-based video service. This includes the use of an electronic shopfront for browsing the titles available to buy or rent, completing the transaction and downloading the titles. It also includes the ability to support network-based installation where you could have the titles downloaded to a NAS.

Here, this may be about being able to remotely determine installation or deployment folders on a USB hard disk or NAS from the electronic shopfront application, along with having such applications work across smart TV, mobile, desktop and games-console platforms. The native apps for desktop or mobile platforms can also support “checking out” of user-selected content to mobile devices or removeable media.

The UPnP AV / DLNA specifications could be amended to support transfer of content to network storage devices by allowing shopfront applications hosted on smart TVs or video peripherals to discover where to put the content. This would also require the ability to commence a transfer session between the content service and the NAS independent of the application being constantly run.

There needs to be an ability to handle larger orders like content collections or multiple purchases / rentals so as to download the content in a bandwidth-optimum way. This could involve a download-priority mechanism where some content is sequenced while other content is downloaded concurrently.

I have also raised before the issue of simplifying the process of adding file-based content held on physical media to network storage. This would apply to so-called “disc-to-digital” services where you can have a movie that’s on a DVD or Blu-Ray available as a file as well as content collections delivered via a USB memory key or hard disk.

Exporting content for portable use

Another process that will also surface is where you export content to another format such as a lightweight format for use with portable devices like tablets and smartphones. This would involve converting the video content to a format suitable for these devices then copying it out to the player or storage device.

It would also include synchronising content to an in-vehicle infotainment system so it can be shown to the kids in the back seat of the SUV or minivan through the long road trip.

Yet another issue that has to be sorted with rights holders is the concept of what is your home realm. This would be encompassing secondary properties or properties that you use on a temporary basis like holiday homes or, in some parts of Europe, summer houses as well as your main home and portable devices that the household uses. Once this is sorted out, it could mean that content is available across this logical realm with it being downloaded to NAS units kept at these remote properties.

Conclusion

The entertainment industry has to look at download-based distribution as another way to distribute video content rather than just streaming out the content. This could make electronic sell-through, disc-to-digital and related business models built upon videocassettes, DVDs and Blu-Ray Discs viable for file-based video content.

Telstra announces a set-top box that supports all three video-on-demand services

Article

Telstra TV media player (provisional design) press picture courtesy of Telstra

Telstra TV media player (provisional design)

Telstra TV will offer Netflix, Presto and Stan | PC World

From the horse’s mouth

Telstra

Press Release

My Comments

Telstra are putting forward another online TV platform that will be sold alongside the T-Box PVR platform and the Foxtel pay-TV platform which they have a share in.

This will be based around a Roku-designed box which will represent the first time a Roku product has been offered in Australia. Telstra’s use of an existing platform for their Telstra TV service will allow for the quick rollout of new services to customers.

The headline feature for Australian customers is that this box supports all three main subscription video-on-demand service i.e. Stan. Presto and Netflix. They will be offered alongside Telstra’s BigPond Movies and various catch-up TV offerings.

As for network connectivity, The Telstra TV box connects to your home network via 802.11g/n Wi-Fi or Ethernet, which I would prefer people to use when they use these services if they want real reliability. Here, you can use Ethernet wired directly from your router or use it with a HomePlug AV powerline-network segment if you don’t want to deal with new wires.

The device uses an SD card and a USB port for removeable-media storage but also allows for Miracast and second-screen operation with Netflix and YouTube. Of course it comes with an infra-red remote control so you don’t always have to use your smartphone to control this device.

A question I am raising is whether it can support DLNA or VidiPath functionality for use with media held on your home network or if Foxtel bites the VidiPath bullet for whole-house pay-TV. Since this is a work in progress, one is not really sure.

It does show that Telstra want to have their fingers in many different online-video pies and they could make this box play with their existing T-Box or Foxtel video services if they want to really make it sing.

Set-top boxes to increase the richness of additional information for video content

Article

Freebox Révolution - courtesy Iliad.fr

Freebox Révolution – – to have a better integrated information system for video content

Les fiches de films et séries sont de retour sur Freebox Révolution | Freenews.fr (French language / Langue française)

My Comments

Free.fr have integrated Gracenote’s video-information resource in to their latest firmware for the Freebox Player which is part of the Freebox Révolution.

This is a sign where companies like Gracenote and Rovi create data storehouses of information about every movie, TV show and key celebrity. This accurate information is provided as a service to set-top box manufacturers and TV service providers so that viewers can bring up this information on the big screen relevant to the programme they are watching or are showing interest in on the EPG. These are also designed to be “source-agnostic” so you can link to shows available on air, on a video-on-demand or catch-up TV service and held on your PVR or home network.

For films and TV shows, you have access to rich synopses, cast / crew lists, mood information, genre information and the like. As well, you could bring up information about a celebrity’s biography or their filmography – which films or TV shows they were involved with. You could do this with IMDB on your smartphone or tablet. But these set-top-box / smart-TV solutions are more about having the information one click away from what you are watching or showing interest in while some implementations have the ability to work across two screens – your mobile device and the main screen.

They would also allow for the ability to highlight “like content” that is currently available to view so you can discover what else is worth watching. But a lot of these services don’t really support any externally-curated watch-list functions where a film critic, radio personality or similar person can supply a list of shows worth viewing. This is more so with people who follow sources of quality journalism like public broadcasters, broadsheet or “compact” newspapers or the good newsmagazines; along with those of us who follow blogs about films or TV content.

Personally, I would have this function based around a Webfeed that you can “send” across your home network or the Internet to your set-top box so you can see what shows to search for based on that film critic you are following.. It would also play hand in glove with movie reviewers who want to simply provide supportive reviews to these information services.

What I see of this is the ability to pull up more about what you are watching, especially when you are watching the content with someone who is a “walking encyclopedia” about films or you see someone in that show whom you remember seeing in other TV shows.

Why do I still buy and rip CDs for my online music library?

Sony MAP-S1 network-capable CD receiver - an example of good CD-playing hi-fi equipment

Sony MAP-S1 network-capable CD receiver – an example of good CD-playing hi-fi equipment

When the idea of MP3s came along and there weren’t much in the way of online “download-to-own” music stores as a legitimate online music source, the way to build your online music source was to buy CDs and “rip” them to your hard disk.

What was this, you may ask? Here, you use a music management program like iTunes or Windows Media Player to copy the digital audio from your CDs to your computer’s hard disk and make each track its own audio file based on a certain standard. Such programs work with one or more music-metadata sources like Gracenote, AllMusic or FreeDB to obtain the details about the album and who performed on it to identify each of the recordings.Then we play the music from the computer’s hard disk using the music management program. For portable enjoyment, you would “sync” albums, playlists or tracks out to your portable MP3 player or smartphone, or to removable storage like an SD card or USB memory stick.

Windows Media Player ripping a CD

Software media managers like Windows Media Player can rip CDs to files

I would personally “rip” my CD collection to 192kbps WMA files which have been considered efficient yet able to come across at a quality equivalent to the 320kbps MP3 file. The WMA and AAC files use proprietary algorithms developed by Microsoft and Dolby respecitively to produce a better-sounding audio file compared to a similarly-sized MP3 file.

Now with iTunes and Amazon on the scene and an increasing number of record companies offering access to MP3s of their albums when you purchase them on vinyl, we are seeing less importance in buying music on CD. I do still continue to buy most of my music on CD and rip it to the hard disk. I would use iTunes for purchasing music “as a single” or if it isn’t available on CD.

.. yet they can still be played on good sound systems like this one

.. yet they can still be played on good sound systems like this one

I retain my CD collection for a few reasons. For example, I could play CDs on hi-fi equipment which, in a lot of cases with the good stuff, sounds better than what I would be using for MP3 playback. Another reason that has come to mind with FLAC and similar high-grade audio files and high-grade network-capable audio equipment coming to the fore is the ability to “re-rip” the CDs to better-sounding FLAC using a media management program that works to this standard like dbPoweramp or Exact Audio Copy. Microsoft Windows 10 even offers the ability to rip CDs to FLAC as an “out-of-the-box” feature and I have taken advantage of this feature with newly-purchased CDs and some of the older discs.

Naim UnitiQute 2 on dressing table

“Re-ripping” to FLAC allows systems like the Naim UnitiQute 2 that handle high-quality file-based audio to perform at their best

I could then subsequently use the media manager to downconvert selected material to MP3, WMA or AAC for transfer to most portable equipment when taking it on the road or copy the music to a NAS with a DLNA media server that streams to the good equipment or downconverts and streams to equipment not capable of FLAC sound files.

Being able to keep using CDs as a music medium will still be important to me because of the ability to play them through good-quality equipment along with being able to reuse them as sources for high-quality file-based audio.

At last an Ethernet adaptor for the Chromecast

Articles

HomePlug AV adaptor

The HomePlug powerline adaptor can now work with your Chromecast courtesy of the new Ethernet adaptor

Google adapter puts your Chromecast on wired networks | Engadget

Google Releases A $15 Ethernet Adapter For Chromecast [Update: Out Of Stock] | Android Police

Chromecast gains wired Ethernet dongle | The Register

From the horse’s mouth

Google Chromecast

Ethernet Adaptor Product Page (Order Here)

My Comments

Out of the box, the Google Chromecast connects to your home network via its integrated 2.4GHz Wi-Fi circuitry. But what use is this if the TV you are using it with is in a lounge area furthest away from your home network’s router. And the situation is made worse because you are dealing with a double-brick wall between what was the existing house and the newly-built extension. This is while the TV’s circuitry and chassis materials effectively attenuate the radio signals coming from the front. You end up with heaps of buffering because the Wi-Fi wireless signal is very poor.

You might try a cheap wireless range extender but find that you are taking it back to the store because it isn’t really effective and is a lot more difficult to deal with.

But Google has answered your need by providing an adaptor accessory that effectively gives it an Ethernet port which opens up some paths to improve the situation. This means that you could take advantage of the Ethernet infrastructure if you wired your house for Ethernet, or could use a HomePlug AV500 or HomePlug AV2 powerline-network kit to effectively provide a wired link between your home network’s router and the Chromecast-enabled TV. Even using a wireless-Ethernet client bridge that is positioned for best reception or supporting newer Wi-Fi technologies can work wonders with this device.

This adaptor is effectively a power supply for the Chromecast along with a USB-connected Ethernet network adaptor and connects to the Chromecast dongle via its microUSB port.  As far as I know, the installation involved for this device would simply be a “plug-and-play” affair.  But, if you are using HomePlug powerline networking, I would recommend a HomePlug adaptor with integrated power outlet to save on power outlets or a HomePlug adaptor with integrated Ethernet switch so you can allow the PS3 or Blu-Ray player to take advantage of the same wired backbone.

It didn’t take long for Google to sell out of this device in the USA so if the link says “out of stock”, check back later. This could mean that they would have to ramp up the number of units being built and reckon that it is tome to release it in to other markets.

As well, anyone who is designing a network media receiver of the kind that directly plugs in to a TV’s HDMI socket and connects via Wi-Fi wireless could make sure there is a way to connect an Ethernet adaptor to these devices and such an adaptor is available.

Ricoh adds Wi-Fi and an integrated Web page to one of its compact cameras

Article

Ricoh GR II compact digital camera press picture courtesy of Ricoh Imaging

Ricoh GR II – with its own Web server

Ricoh GR II adds Wi-Fi and not much else to GR feature set | Digital Photography Review

The Ricoh GR II Adds Wi-Fi to a Cult Classic | Gizmodo

From the horse’s mouth

Ricoh

GR II Compact Digital Camera

Product Page

Wi-Fi Feature page

Press Release

My Comments

Ricoh has released the GR II compact digital camera which maintains the features and calibre associated with original Ricoh GR compact digital camera camera.

But they added on a Wi-Fi direct link functionality with NFC setup. But unlike other similar setups, there isn’t dependence on you installing a platform-native app on your smartphone or tablet. Rather, the Ricoh GR II camera has its own Web server which shows up a control page which allows you determine how the camera is to take the shot. This includes things like setting up focus and exposure to taking the actual picture (“click”). This will benefit those of us who use a Windows phone or a regular computer to manage the camera.

As well, there is a platform-native “Image Sync” app for the iOS and Android platforms which will also allow you to download multiple pictures to these devices’ storage. This would be of benefit to those of us who are dumping a group of pictures to a Facebook album or Dropbox folder as well as using that picture on Instagram.

Another feature that this camera has is that you don’t need to use a special charger to charge up the camera’s battery. Here, you just connect it to the same USB charger that you use for charging your smartphone or tablet using an ordinary microUSB cable so there is one less item to worry about when travelling.

They could add other functions like a DLNA media server with upload and control abilities so that you could show these pictures on your Smart TV or upload them to your NAS via your home network.

What Ricoh is doing is that they are implementing digital-camera connectivity features that step out of the mold and make these cameras more universal.

DLNA media playback comes to the PS4

Article

Sony PS4 Media Player media list screenshot courtesy of Sony Computer Entertainment

Sony PS4 Media Player media list

The PlayStation 4 is getting a media player | Engadget

From the horse’s mouth

Sony PlayStation

Blog Post

My Comments

A feature that has been considered missing from the Sony PlayStation 4 is the ability for it to be a media player whether working with media on an optical disk, USB storage or the DLNA Home Media Network. This was a feature that was baked in to the PlayStation 3 and was highly valued. It is also a feature that is part of the XBox One’s software and having media-playback abilities in a games console underscores the trend for these devices to be an “all-round” entertainment device that works with the large-screen TV.

This trend is underscored with the consoles having integrated Blu-Ray players along with such things as TV-tuner devices being available for the XBox One along with “front-end” software being available for the popular video-on-demand services like Netflix for these consoles. This appeal is underscored amongst young people who live in a small apartment or bungalow and have as their TV a small bargain-basement model without the full smart-TV functionality and they see these consoles adding all of the desired functionality.

Sony PS4 menu screenshot courtesy of Sony Computer Entertainment

Look for this in the PS4’s menu to download the Media Player

Sony received subsequent user feedback about what the PS4 could offer and one of the features that was called out by their customers as being of need was a media player. Now they have issued it as an app that can be downloaded from the PlayStation Store with an icon in the Content area of the PS4’s System Menu to invite you to download the software. This will work with content on USB storage or your DLNA-equipped NAS or computer.

It can handle most of the popular media codecs and file types as well as being able to run music files as background music. It should be available for download over the next few days so you can get the PS4 becoming more fully-fledged as a media centre.